Alex Descas, Arsinée Khanjian, Eric Elmosnino

The sublime Late August, Early September, a story of a quartet of Parisian adults (young and not so young) grappling with love, indecision, and crises of confidence, is not titled for a time ...( read more  read more... )of year but for a feeling, a tone, and a sense of passage. Self-conscious, shy writer Mathieu Amalric (My Sex Life...) is fast approaching 30 and furiously second guessing every step he makes. He's broken it off with delightfully gawky yet graceful Jeanne Balibar and is in the midst of an affair with the wild Virginie Ledoyen (The Beach), a sexy, young, sweet-and-sour girl with the temper of a diva. Francois Cluzet (Round Midnight), a cult author with a teenage girlfriend, is the old man of the bunch and an uncomfortable mentor to Amalric.

Shooting with a restless camera that bobs around searching for a better look, and fading out of scenes before they end, as if life continues on past our privileged peek, Olivier Assayas (Irma Vep) has an unusual and unique style. It's like he catches his characters off guard, capturing moments of hesitation and discomfort, when the social front can't quite hide their fears and frustrations. All the better to appreciate their little triumphs. Not much really "happens" in the drama, but the quirky Assayas beautifully captures a portrait in messy emotions, inarticulation, and contradiction with modesty and sympathy. --Sean Axmaker

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62% liked it

670 ratings

Unrated, 112 min.

Directed by: Olivier Assayas

Release Date: July 9, 1999

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DVD Release Date: May 27, 2003

Stats: 33 reviews

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Flixster Reviews (33)


  • February 10, 2009
    I see the word "sublime" used in reference to this movie. Sublime is not the word I'd choose here. If anything, I'd place this in the anti-sublime camp. If there is any kind of transcendence in this film -- outside of death, it comes at the very end, where Vera, the 16-year-ol...( read more)d ex-lover of the 41-year-old Adrien appears to finally find true happiness with a boyfriend in her own age range.

    To qualify as sublime, I think a work needs to be rising above the mundane, the quotidian, the commonplace. I associate it with some kind of happiness, with joy, with a space positively positioned above the fray of the everyday. Rogers and Astaire dancing above all, every time they dance, is a sublime activity, for instance, elevating them almost into the realm of surreal bliss, both for them and for the audience. Ironically, the only real joy that can be found in this story is the joy of Vera dating a boy her own age -- what might be considered commonplace in any "normal" context.

    This story reminds me of a pinball machine, with characters, none of them very thrilled with their lives, bouncing off of each other in a kind of random existential dance. In pinball, the downer is game over, the end of the game. Here, again almost ironically, the end of game is signaled by a pure expression of love at the close.

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