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Chishu Ryu, Chisu Ryu, Haruko Sugimura, Jun Osami, Setsuko Hara ...( see more  see more... ) , Yasujiro Ozu

A spinster makes a change in her life with the help of her sister.

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92% liked it

3,614 ratings

Critics

100% liked it

15 critics

G, 1 hr. 48 min.

Directed by: Yasujiro Ozu

Release Date: January 1, 1949

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DVD Release Date: November 30, 1994

Stats: 180 reviews

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Flixster Reviews (180)


  • January 23, 2009
    Note: This masterful, intensely moving picture presents storytelling at its finest. Like finest poetry, it shows you something complex and human in a simple way and yet, leaving a sense of mystery that makes you want to come back to it.

    ...Remarkable.
  • October 27, 2008
    every bit as good as tokyo story, due in large part to setsuko hara's subtle performance and the film's investment in her character. the plot concerns a twenty-something woman who is manipulated into following society's conventions; once again a simple domestic story told in su...( read more)ch a peaceful and powerful way... it feels very modern and timeless all at once.
  • April 5, 2008
    This is a great film by Ozu, but then again, everything ive seen by the man is excellent.
  • October 8, 2007
    Banshun

    A beautiful -- and very modern feeling, considering it is nearly 60 years old -- portrayal of the changing concepts of family and marriage in post-WWII Japan. The damage of the war, although specifically brought up in just a few brief mentions, is foregrounded b

    ...( read more)y the absent Somiya family mother, and the way this affects both the bond between father and daughter and the loyal daughter's attitude toward the possibility of her own marriage.

    Nearing precariously the age of confirmed and irrevocable spinsterhood, only daughter Noriko finally gives in to the subtle yet impassioned plea of her father to accept an arranged marriage and thus follow what has always been, he argues, the accepted path of single women, the natural path of custom and of history. Noriko, however, will only finally agree to marriage, to breaking her seemingly unbreakable bond with her father, when her father lies to her, telling her that he will not be alone, that he will marry again, so Noriko need not worry any longer about him.

    Sadly, the good intention behind this lie and his daughter's hoped for happiness are not enough to leave the father, Shukichi, unaffected by his daughter's new upward journey on the road to marital bliss and security. The final scene where Shukichi, now sitting alone in his empty house, hangs his head in sorrow, is a bittersweet sign that this ultimate sacrifice for his daughter's well-being will leave him very much alone and lonely indeed.

  • August 18, 2007
    "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." - Pride and Prejudice


    While this statement is not relevant to any leading man in the story of Late Spring, Austen's famous line does underline the i...( read more)rony in the beliefs of the relatives and friends of Noriko, the main character in the film. Almost past the prime age for marrying, Noriko is pressured by her relatives and friends to a traditional arranged marriage. Yet, she is perfectly content with her life with her widowed father, with who shares a close relationship unlike that of a traditional father and daughter. She argues with her father, who unselfishly wants to see her married, who will take care of him once she's living with her husband? Her father tells her that will solved by him remarrying, a concept that she opposes. Throughout the film we never see the groom, not even a photo of him. Likewise we never seen the wedding take place. Why? Because they are useless to the film. Ozu uses ellipses to skip these scenes which a typical movie would normally highlight, instead he focuses on the small, private moments of life that says the most about the characters and their emotions. Late Spring is quintessential Ozu, and his most perfect and thematically focused film. The emotional intensity it achieves will never be matched.
  • December 2, 2009
    Having seen "Tokyo Story" and loving it, I was a little disappointed. While still following the Ozu style it was somewhat too similar but also not nearly as good. It was just fringing on being good. Perhaps if I had seen the two films swithced I might feel the other way but I dou...( read more)bt it. It might have also helped if I could have stayed awake!!!
  • April 10, 2009
    No thanks - Not interested
  • April 3, 2009
    I supose my ADD kicked in and I couldnt concentrate on the movie :(
  • March 26, 2009
    things that happen into a peaceful family
  • October 22, 2007
    A really good commentary on the social changes in Japan following the 2nd World War

Critic Reviews


January 20, 2006
Roger Ebert, Chicago Sun-Times

One of the best two or three films Ozu ever made. full review

View more Late Spring reviews at RottenTomatoes.com

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