Late Spring
Late Spring (1949)

Veteran Japanese writer/director Yasujiro Ozu's second postwar production was 1949's Late Spring or Banshun. Chisu Ryu plays another of Ozu's realistic middle-class types, this time a widower with a marriageable daughter. Not… More

Directed By:
Rated: G
Running Time:
Release Date: November 30, 1994
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Rotten Tomatoes™
Critic Score
100%
Flixster
User Score
93%


Critic Score: 100% Rotten Tomatoes™ Critic Reviews
Roger Ebert
Chicago Sun-Times

One of the best two or three films Ozu ever made.

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Eric Melin
Scene-Stealers.com

Ozu's low camera position helps the audience relate to his characters, and his almost-always static shots portray the sturdy demeanor of his characters.

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Brian Gibson
Vue Weekly (Edmonton, Canada)

Haiku-like in its title, its interest in the undramatic silences between scenes, and its enfolding of human behaviour within nature, Late Spring offers tenderness in the place of melodrama and patient truth in the place of sudden revelation.

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Vincent Canby
New York Times

Ozu's characters don't seek ecstasy, not because they are afraid of it but because they are brave enough to accept compromise.

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Christopher Long
Movie Metropolis

Ozu trains his trademarked fixed camera on the deceptively simple story of a father and daughter and finds in it nothing short of the whole wide world.

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Jeremy Heilman
MovieMartyr.com

An early indicator of Ozu's late-career greatness, his remarkably subtle family drama Late Spring finds him at his expressive peak.

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Dave Kehr
Chicago Reader

Yasujiro Ozu's 1949 film inaugurated his majestic late period: it's here that he decisively renounces melodrama (and, indeed, most surface action of any kind) and lets his camera settle into the still, long-take contemplation.

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Anton Bitel
Little White Lies

impermanence... forms the film's true subject - and it is Ozu's ambivalence towards it, as though he wants both to board the train, and to stay on the platform, that ultimately gives Late Spring its bittersweet resonance.

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Jeffrey M. Anderson
Combustible Celluloid

Late Spring is, along with Tokyo Story, Ozu's greatest work.

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More reviews for Late Spring

Flixster Audience Score: 93% Flixster User Reviews
Luke Baldock
Another fantastic example of Ozu's work. As usual, very restrianed and very simple. Ozu examines family relationships and the social beliefs of Japan at… More
Saskia D.
What I liked about this movie, is the gradual attachment that grows between you and the characters. I've got this with all the Ozu's I've seen so… More
danny d
although ozu typically starts slow, this film begins slower than most of his. however, by the time it picks up, it becomes one of ozu's most emotionally… More
Stella Dallas
every bit as good as tokyo story, due in large part to setsuko hara's subtle performance and the film's investment in her character. the plot… More
Anthony Lawrie
Late Spring is by far my favourite of Ozu's Noriko trilogy, although they are all brilliant. The films captures a certain acceptance that post war Japan… More
Lanning : )
<b>Banshun</b><p>A beautiful -- and very modern feeling, considering it is nearly 60 years old -- portrayal of the changing concepts of family… More