Alain Delon, Andre Ekyan, Bourvil

Corey is an aristocratic thief who is released from prison the same day as the murderer he enlists to help him in the robbery of a wealthy mob boss.

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93% liked it

1,368 ratings

Critics

96% liked it

56 critics

Unrated, 2 hrs. 15 min.

Directed by: Jean-Pierre Melville

Release Date: December 1, 1990

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DVD Release Date: October 28, 2003

Stats: 345 reviews

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Flixster Reviews (345)


  • April 15, 2009
    melville and delon come together again for a gripping tale of intrigue. one of melvilles best films, this story grabbed me from the first moment as we see the stories of two criminals side by side until a fateful moment when their paths collide in the red circle. the heist scen...( read more)e is paced for real time and is executed brilliantly, the side stories involving the mob are interesting and placed well into the story, and the cat and mouse between the theives and the police is mapped out perfectly. the absense of music through most of the film created a reality that set in, and the camera shot and angle choices specifically stood out. brilliant film.
  • February 15, 2009
    This movie makes the Fonz look like Peter Party. Nothing is cooler than a Melville/Delon pairing.
  • July 13, 2007
    The more I watch of Melville, the more I realize how much influence his works have on modern crime and action films. From the gangster code his criminals and cops obey to their cool reserved mannerisms, one cannot imagine what the films of Woo, Rodriguez, Jarmusch, Mann, or Tara...( read more)ntino would be like without Melville's influence. Le Cercle Rouge is a heist film that isn't about the heist itself, rather than the natures of its characters. There are unwritten codes of behavior and trust between fellow criminals. At times I feel like I'm watching Le Samourai again. Alain Delon is again the cool gangster who wears his watch on his right hand with the dial facing inward. This time he is backed by fellow European stars Yves Montand (who plays down and out cop) and Gian Maria Volonte (who plays an escaped convict) as the three devise a brilliant jewelery heist that would give the one in Rififi a run for its money (no pun intended). While not as tightly paced as Le Samourai nor as powerful as Army of Shadows, Le Cercle Rouge is another stylish and grim meditation on fate and honor.
  • June 28, 2007
    Another one of Jean Pierre Melville's masterpieces. Le Cercle Rouge is as stylish as ever a heist movie brooding with existential doom. The Jewellery heist seen is brilliant, lasting for almost 1/2 an hour with absolutly no dialogue spoken whatsoever.
    Its a highly entertainin...( read more)g, yet very stripped down, ala Bresson (as with all Melville films). I dont think its quite as good as Le Samourai or L'Armee des Ombres, but Le Cercle Rouge is still a fantastic take on the heist film that leaves modern day filmmakers eating their hearts out.
  • July 25, 2006
    Released prisoner Corey (delon) teams up with an escaped convict and ex-cop in order to pull off a daring jewellery heist. Unfortunately hot on their heels is the highly experienced Mattei (Bourvil), a man determined to rein them in.

    Directed by Jean-Pierre Melville, this is a...( read more) European crime flick that wears its American influences proudly on its sleeve. Building on this cinematic foundation of early Hollywood gangster chic, Melville drives things along at a decent pace allowing for the steady character development to be punctuated with bursts of action. The film's centrepiece though is the highly engrossing heist scene which is on par with Rififi.

    Delon once again produces the acting goods but I found the less experienced Bouvril to be rather wooden (he used to be a singer). At a running time of 140 minutes the film had a tendency to drag a little in places but overall this was a highly enjoyable film that I'd certainly recommend to Euro Crime and Film Noir fans
  • November 6, 2009
    Review coming someday...

    100/100
  • October 29, 2009
    Mon troisième film de l'excellent Melville, qui commence à se glisser tranquillement dans mon palmarès de réalisateurs incontournables. De tous les cinéastes français que je connaisse, c'est probablement lui qui a le style le plus "américain". Ses films sont souvent un peu plus a...( read more)vares de dialogues que le film français typique, en plus d'aborder des thématiques habituellement associées au film noir à l'américaine. Les deux inspirations majeures de Melville pour le "Cercle Rouge" sont d'ailleurs "The Asphalt Jungle" de John Huston et "Du rififi chez les hommes" de Jules Dassin, deux classiques du genre, par deux Américains.

    Totalisant 140 bonnes minutes, "Le Cercle Rouge" ne se presse pas; tout comme dans "Le Samouraï", le rythme est assez lent, mais tout coule de manière incroyablement fluide. Dans l'univers de Melville, il y a peu de femmes, peu de souci d'expliquer les motivations des personnages, peu de chichi et de blabla. Ce qui importe, c'est l'honneur entre hommes de métier, entre hommes froids, calculateurs, qui vont droit au but et qui ne font pas de sentiment. En ce sens, aucun personnage n'est réellement attachant, mais le film fonctionne très bien comme ça.

    Le cinéma de Melville, c'est l'épitomé du cool. Tous les personnages sont relaxes, personne ne perd jamais son calme, personne ne s'emporte, tout est exécuté avec style et finesse. Ça me semble particulièrement vrai dans "Le Cercle Rouge", où Alain Delon et son incroyable moustache ne frémissent jamais d'un poil. Même la photographie, les couleurs superbes, les bleus sombres, les verts foncés, tout ça contribue à l'ambiance excessivement "cool" du film. Encore une autre recommandation, surtout pour les amateurs de films de gangsters.
  • October 20, 2009
    A delicious introduction to Melville and his unique crime-thriller approach. And Delon, God Almighty...
  • October 8, 2009
    Great Thriller. I never know what to expect from a Melville film, they're so unique in delivery. There are subtle aspects of this film that I love, mostly revolving around the side character of the ex-policeman sharpshooter.
  • August 2, 2009
    Crime noir at its finest, with dark and grim cinematography and a story that will have you hanging onto the edge of your seat. This just proves that you really don't need that much of a dialouge to keep the story going and to keep the attention of your audience. Some of the best ...( read more)acting I've seen in a long, long time. Melville, I must see more of your work!

    Another reason why european cinema is a continued favourite of mine. :D

Critic Reviews


October 31, 2005
Nick Schager, Lessons of Darkness

The epitome of neo-noir stylishness. full review

July 24, 2003
Colin Covert, The Minneapolis Star Tribune

If you ever wanted to know how to look good wearing a trenchcoat, lighting a cigarette, handling a revolver, drinking a whiskey or overpowering an armed guard, Jean-Pierre Melville's 1970 gangster dra... full review

June 27, 2003
Ty Burr, Boston Globe

The director's penultimate work. full review

June 19, 2003
Steven Rea, Philadelphia Inquirer

A slo-mo gem of gangster cool. full review

May 23, 2003
Roger Ebert, Chicago Sun-Times

There is one cool, understated scene after another. full review

May 2, 2003
Mick LaSalle, San Francisco Chronicle

A minor classic, mainly for reasons besides its crime story plot -- namely, the urbane fatalism of its cast and the overall mood of inevitability that hangs over every scene. full review

January 10, 2003
A.O. Scott, The New York Times

Le Cercle Rouge offers the kind of experience that makes you glad movies exist. full review

View more Le Cercle Rouge reviews at RottenTomatoes.com

Comments


  • crislunda
    June 7, 2008
    I'm aware it's a masterpiece but I've rated 4 stars because I hate the way it ends and its pessimistic point of view though I understand why it had to be like this.I know that's subjective but this is how I felt...Hey,I'm a woman,what can I say :-)...

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