Critic Reviews
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Keith Uhlich, Time Out New York
Even this early in his career, Godard knew how to make audiences viscerally experience and contemplate things they might otherwise not have wanted to.
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Scott Foundas, Village Voice
It's a classic espionage plot shot through with a typically heady mix of art and literary references: Klee and Velázquez, Bach and Haydn, Bernanos and Musil.
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Roger Ebert, Chicago Sun-Times
Gradually it becomes clearer that, starting with Le Petit Soldat, Godard was forging his own individualistic art and becoming the most relevant director of our time.
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Jonathan Rosenbaum, Chicago Reader
ubor's contemplative voice-over and Raoul Coutard's somber cinematography make this seem severe compared to the jazzy exuberance of Breathless.
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, Time Out
Looked at in the context of Godard's later, militant work, this film's analysis is at once naive and fascinating.
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Drew Hunt, Slant Magazine
In many ways, Jean-Luc Godard's Le Petit Soldat is equal to Breathless in its inventiveness and exuberance.
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Fernando F. Croce, CinePassion
A dry-ice parody of a spy thriller, an acute snapshot of the politics of struggle and the politics of relationships, and a captivating documentary account of a filmmaker falling in love with his actress
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Dan Jardine, Daily-Reviews
Godard's followup to Breathless is both lesser and greater than its forefather.
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, TV Guide's Movie Guide
Le Petit Soldat is far more confusing than Breathless, jumping in and out of scenes without letting the audience get a grasp on the narrative.
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Christopher Null, Filmcritic.com
Interesting historically, much less so artistically.
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, Film4
A lean and witty piece of politically engaged filmmaking that combines all the drive of a thriller with Godard's own, singular, New Wave aesthetic.
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Dennis Schwartz, Ozus' World Movie Reviews
Godard is most clear in showing that the Left and Right are two sides of the same coin.
Read all 12 critic reviews
Featured Audience Ratings
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Antoher artsy and pointless film from one of the most overrated directors of the whole history of cinema. With Le Petit Soldat director Jean-Luc Godard attempts to make somekind of a parody of an spy-thriller but makes it only a confusing and intellectual pice of nonsense.
Once again… More
Antoher artsy and pointless film from one of the most overrated directors of the whole history of cinema. With Le Petit Soldat director Jean-Luc Godard attempts to make somekind of a parody of an spy-thriller but makes it only a confusing and intellectual pice of nonsense.
Once again there is the famous and irritating endless dialogue/monolgue running over the whole film's lenght and it is clear that Godard is taking his political thriller very seriously, even if there are few more playful scenes with cinema's rules they cannot take away the fact that this is just plain awful to sit through.
Godard clearly sees himself as a somkind of a revoltuionary and brilliant genius with political agenda but if you ask me i think his films are horseshit to the bone.
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I much prefer Godard's early work, Le Petit Soldat being his first political film and as far as I've seen, his best. First off, it looks great, new wave at its best. There is the romance between the two leads like in Breathless and there is intrigue like in Alphaville but Le… More
I much prefer Godard's early work, Le Petit Soldat being his first political film and as far as I've seen, his best. First off, it looks great, new wave at its best. There is the romance between the two leads like in Breathless and there is intrigue like in Alphaville but Le Petit Soldat is never quite as accomplished as either film. It feels more like a Malle film to be honest but to Godard's credit, the ending is wonderfully bleak and very much his. I generally like the style of his script rather what is actually said but the last scene leaves you with very little doubt about what this film is about and it really makes the film. Michel Subor is super cool and a great actor and Anna Karina is a goddess.
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An early Jean-Luc Godard film that was made on a shoestring budget about a young revolutionary, Bruno, living in Geneva who is fighting against French involvement in the war in Algeria, only to run into Veronica (Anna Karina).
Shot like a newsreel, much of the film is photographed… More
An early Jean-Luc Godard film that was made on a shoestring budget about a young revolutionary, Bruno, living in Geneva who is fighting against French involvement in the war in Algeria, only to run into Veronica (Anna Karina).
Shot like a newsreel, much of the film is photographed with a hand-held camera, with sound post-synchronized. A moody, often violent film, complete with sequences of torture modeled after the actions of occupying French forces in Algeria. These scenes resulted in the movie being banned by the French government for some time.
<a href="http://s273.photobucket.com/albums/jj203/goji9000/?action=view¤t=LePetitSoldat.jpg" target="_blank"><img src="http://i273.photobucket.com/albums/jj203/goji9000/LePetitSoldat.jpg" border="0" alt="Photobucket"></a>
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The title is misleading -- there are no true soldiers in this film, and no uniforms. This is a movie about urban terrorism, plotted by young men in suits and ties.
The plot is not especially easy to follow, but the setting is the Algerian War. A French deserter lives in Geneva, and… More
The title is misleading -- there are no true soldiers in this film, and no uniforms. This is a movie about urban terrorism, plotted by young men in suits and ties.
The plot is not especially easy to follow, but the setting is the Algerian War. A French deserter lives in Geneva, and is pressured to commit an assassination. When he resists, the heat comes down on him from both sides of the conflict. Along the way, he becomes smitten with a girl portrayed by Anna Karina, and who could blame him?
What's most impressive about "Le Petit Soldat" is not its story, but how much director Jean-Luc Godard achieved on such a low budget. Almost all the scenes appear to have been shot silently, with sound dubbed in later. Most of the camera work is handheld, and the narration carries a heavy burden of explaining the background details.
Typically for Godard, the script includes an obsessive number of allusions to personal influences like Paul Klee and Carl Dreyer. There's also an extended monologue where the lead actor suddenly turns and begins speaking to the camera. A startling moment, created with some rather primitive tools.
"Le Petit Soldat" was Godard's second film after the more celebrated "A Bout de Souffle," but was initially banned due to a controversial torture sequence (laughably tame, by today's standards) and some unflattering comments about French politics.
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[font=Century Gothic]In "Le Petit Soldat," Bruno(Michel Subor) is an undercover antiterrorist agent in Geneva who works for the French Information Bureau and is tasked with an assassination. In the meantime, he is asked to photograph Veronica(Anna Karina) for some odd… More
[font=Century Gothic]In "Le Petit Soldat," Bruno(Michel Subor) is an undercover antiterrorist agent in Geneva who works for the French Information Bureau and is tasked with an assassination. In the meantime, he is asked to photograph Veronica(Anna Karina) for some odd reason.[/font]
[font=Century Gothic][/font]
[font=Century Gothic]"Le Petit Soldat" is a political allegory about terrorism and graphically depicted torture that comes tantalizingly close to succeeding despite its very odd setting of Switzerland, a general lack of coherence and its polemical tone.(One shot features a woman reading from the works of Mao.) But then this would not be a Jean-Luc Godard film if he did not get distracted somewhere along the way which explains the photography session that is at least photographed nicely.[/font]
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Underrated as a founding film of the French New Wave.
Read all 6 featured audience ratings
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