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Not rated. () |
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| Heaven (100%) |
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Plot: Set in Paris in the 1980s, a tale of three sisters and their mother who are estranged due to a childhood marked by family tragedy, but a terrible secret from their past brings them together.
None yet...Got one?
Il n'y a absolument rien de captivant dans ce film. Commencons dabord par la musique (composée par Tanovic en personne) qui n'est pas de circonstance, qui donne une allure trop noire à l'histoire comme si tout était mystérieux. En fait, c'est tout le contraire. Comment quelque chose d'absent et totalement vide peut-il être mystérieux? J'ai trouvé l'écoute atroce, puisque le développement est lent (développement?). La révélation du personnage de Canet n'a pas eu l'effet escompté chez moi, comme si je m'y attendais... Bref, aucun effet de surprise ou autre. Seul point fort, quelles actrices! Et Canet, j'adore. À part ça, le titre représente bien l'allure du film.
un de mes films préférés... bien psychologiquement torturé... trois femmes, trois mondes , trois couleurs si différentes et pourtant...
Hell (L'Enfer as it's known in its native France) is the second film in a planned trilogy that began with the underrated Heaven directed by Tom Tykwer and starring Cate Blanchett and Giovanni Ribisi, based upon scripts by the late, great Krzsztof Kieslowksi (the Three Colours trilogy). The two films share little in common aside from their 'unclassifiableness' and their emotional power.A difficult film to analyse, Hell, directed by Academy Award winner Danis Tanovic (No Man's Land) is overflowing with ideas concerning philosophy, psyche, and emotional detachment and yet is still accessible, unpretentious and, whilst it takes itself necessarily seriously, it is also sometimes blackly funny. There's an exceptional eye for detail that's appropriately worthy of Kieslowski himself; even the opening credits concerning the plight of a bird and the eggs she is watching is gripping and gives the first insight into some of the horror that lies ahead. Although, in all probability, as with Heaven, the title is meant to be ironic, for despite some excellently shot shocks, a pervading sense of dread and a creepily effective final scene, there is some hope to the characters' lives as the film unwinds its secrets.
Stunning cinematography, a thoughtful color scheme (each story thread seems to have its own tone), featuring a nicely dramatic music score and complimented by a trio of leading French actresses giving nuanced performances (Emmanuelle Béart, Karin Viard and Marie Gillain), Hell is very impressive.
Encore ce cré cinéma français qui tente de se donner des allures à la polonaise. Sincèrement, l'adaptation d'un pays à un autre est quand même bien potable dans ce volet de la dernière trilogie de Kieslowski. La brochette des trois actrices principales se veut délectable, et on ne peut que n'en redemander de la part d'Emmanuelle Béart et de Karin Viard.
Les Krzysztof avaient alors explorés l'univers de l'enfer vis-à-vis la routine de l'humanité. On passe donc par tous les vices; amoureux et familiaux jusqu'à s'étendre aux confins de l'enfer sexuel et identitaire.
Um dos melhores filmes que eu vi na minha vida! É apaixonante!
A fotografia é maravilhosa!
Todo o conjunto do filme é perefeito!
Já nos primeiros minutos vc está arrepiado de emoção!
loved it so much. had such high expectations coz i really liked heaven, and been waiting for this to come out for a while. Emmanuelle is the clear stand out to me. very powerful stuff
One hell of an amazing film. Superb acting accompanies a facinating entwinement of several different stories involving 3 sisters and thier mother and father. Brillaint cinematography and script through out, some very avant garde shots thrown in the mix. The muisc is stunning and fits with the movie so so well. I highly recommend you see this film it is brilliant, one of the best films I have seen this year by far.
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