Florence Marly, Fosco Giachetti, Henri Vidal

Oslo, April 19th 1945, as the Third Reich is living its last day, a group of Nazis and sympathizers (a Wehrmacht general, an SS leader and his "assistant", an Italian industrialist and his wife who is...( read more  read more... ) also the general's lover, a French collaborator) board a submarine that will take them to South America, where they hope to find shelter. While they sail off the shores of liberated Royan they manage to kidnap a French doctor to have him look after a wounded passenger. Dr Guilbert will be forced to share the restricted space of the submarine with the fugitives. The atmosphere soon becomes unbreathable...

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87% liked it

1,931 ratings

R

Directed by: René Clément

Release Date: September 19, 1947

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DVD Release Date: February 17, 2004

Stats: 86 reviews

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Flixster Reviews (86)


  • June 2, 2008
    'The fall of the gods' it's the original and perfect title for this jarring shakespearean/greek like retelling, set in the morbid, decadent days of nazi Germany, told with Visconti's visual richness. Precursor of a whole new and very popular subgenre, the "sadiconazista" or "nazi...( read more)exploitation" fashioned/chic nazi erotic movies that pullulated Italy in the 70s (Il portiere di notte, Saló or Salon Kitty to name a few) it later reached America (Ilsa-she wolf of the ss) and even Hollywood (Cabaret). Essential chapter about the insanity of power.
  • January 3, 2009
    No thankyou - Not interested
  • May 21, 2008
    Yes, and to think that the people this movie was based on are still one of the ruling class families in Germany!
  • April 13, 2008
    inspired by Macbeth. Shows how the new government brought a decline in society and morality: personal interests are above all here.
  • April 7, 2008
    it was really boring and to confess i felt asleep watching it....twice.
  • October 23, 2007
    A grotesque and perverse family, a cruel portrait of one of our darkest hours...
  • September 24, 2007
    Not one of Visconti's best films, but indeed a heavy and strong one.
    Many may not see the profound meaning of this fil, Visconti's intention is to create sort of a metaphor comparing a family to Germany's descent. There are many grotesque images throughout the movie, that for som...( read more)e may not be tolerable, perhaps of perversion, murder, pedophilia, homosexuality and drug addiction. But you come to understand that these are put there by the mere intention of the director, to sketch the moral descent of Germany as a country.
    The highlight or climax of the movie is almost at the end, the famous "Night of the long knives", where we see a party going on, women and men almost naked, and where we see homosexuality at its best.
    Indeed a strong movie, but definitely worth watching.
  • March 7, 2007
    I fell in love with Helmut Berger as Martin Von Essenbeck, the heir of a powerful steel industry at the time of the Third Reich. I think The Damned, behind Death In Venice, is Visconti's film that had most impact on me. It is immensely serious, like the realists pieces he's done ...( read more)before, but from here he starts to go deeper into the character's perversions and play a bit more with the psychological depth; and specifically in The Damned, that showed a time and place where human soul was completely surrounded by a really obscure Spectre - lots of fields for exploration, in characters created by him and writers that had been evolving with him since Rocco and His Brothers.
  • January 16, 2007
    i wish icould make it a better rating. the movie should be betterut its not. but there r some good things. sum1 said hes not interesting cuz he oudl not have to censor things nemore. dunnobut if u like movies u shoudl see it.

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