Rory Culkin, Alec Baldwin, Kieran Culkin

"Lymelife", a story about the dark side of suburban paradise and the loss of innocence centers on two deeply troubled, dysfunctional families during the late 1970s. The film revolves around an awkwar...( read more  read more... )d, sensitive 15-year old boy, Scott Bartlett, whose family life is turned upside-down after an outbreak of Lyme disease hits the community spreading illness and paranoia. Scott's parents -- a workaholic father, Mickey and an overprotective mother, Brenda -- are on the verge of a divorce as his older brother Jim is about to ship off for war. Scott also has a longtime crush on his next door neighbor, Adrianna Bragg, who seems to be the only person in the world to understand him. Adrianna has an equally troubled, less affluent family including an uptight mother, Melissa, carrying on a not-so-clandestine love affair, and a father, Charlie, slowly slipping away from the effects of Lyme disease. Both profoundly funny and deeply moving, "Lymelife" looks at first love and families in transition during a time of drastic economic and cultural change.

Flixster Users

49% liked it

12,495 ratings

Critics

56% liked it

72 critics

R, 1 hr. 35 min.

Directed by: Derick Martini

Release Date: September 8, 2008

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DVD Release Date: September 22, 2009

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Stats: 324 reviews

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Flixster Reviews (324)


  • October 29, 2009
    sucks to have your town synonymous with a disease. better than Ebola though, I guess.
  • September 30, 2009
    "The American Dream Sucks"

    A family unit begins to bow under the pressure of a failing marriage.

    REVIEW

    My favorite part of this movie was a scene where Alec Baldwin and his wife who is played ...( read more)by Jill Hennessey finally tear each other to shreds with their fifteen year old son, hiding in his little bathroom, hearing the whole thing. Remarkably it is so realistic that I found myself choked up but also laughing. I've heard the same kind of parental blow outs in my childhood and they are so painful but Martini, a novice writer-director, magically weaves agony and humor into this painfully honest sequence. And there are other sequences as well that walk the same tight rope: a sex scene where two of the characters lose their virginity, a scene where Timothy Hutton seeks revenge on Alec Baldwin in a bar, a scene where Emma Roberts confronts Rory Culkin about a certain lie he's told about her, another scene where Timothy Hutton shows his wife who is played by Cynthia Nixon exactly how he feels about her - with no words mind you. I am a huge fan of PT Anderson and, if we're lucky, we'll see more commercial films from Anderson and Martini. There's a similar style here that's difficult to put into words. Characters, situations, camera style, the bravest kind of acting you have seen since Martin Scorsese. Oh, wait, Martin Scorsese produced this film and it is no shock. If anyone knows talent it is Scorsese. After Lymelife, the torch is officially passed to Anderson and Martini. Please, give us more.
  • September 9, 2009
    I so wanted and wished I had liked this movie more, because the buzz around it was promising and I've been waiting for it for many months. But I wasn't pleased with it.

    I've seen movies like this a million times in the past, and this just doesn't really add up anything. The perf...( read more)ormances are great and I personally am a great Kieran Culkin fan. Emma Roberts and Rory Culkin work great together and they are quite atypical, which is refreshing. The pace of the movie has a heartbeat and the ending couldn't have possibly been better. It adds a different twist to values and things we've witnessed before, but it's still not original enough.

    Moreover, the direction is careless even if the screenplay is phenomenal. I wish the movie had a more elaborate soundtrack, and I wish it had told its story better. Not bad at all, just not that great either. Another been there, done that once more.
  • May 12, 2009
    The realness of this film captured me, the absurdity of the antagonist really creeped me the hell out. Plus, the creative use of so many reflective surfaces push the film along a symbolic and more meaningful path. Emma Roberts is a surprising jewel alongside Rory Culkin. I'd go s...( read more)o far as to predict that if she stays on the quirky but endearing film route, she'll be the next Winona Ryder (sans shoplifting habit).
  • November 21, 2009
    The answer to the question on your mind right now : yes, Lymelife is very much the middling Suburban Angst Film its poster and trailer would have you believe, and little else. Its depiction of a two seemingly quietly troubled families nestled in a quietly troubled 70s middle-clas...( read more)s existence has all the trappings of a Sundance-pressed indie, and not in a fairly positive way. Besides a knack for stately but glum atmospheres and typically subtle work from Baldwin and Hutton, the only revelation here is Rory Culkin as a needy and hormonally charged teenager whose only relief from all that repressed emotion comes in painful, short-lived explosions.

    Nope, I am not willing to give the Martini brothers' debut film a hearty recommendation solely because it is centered around a softly devastating performance, backed by solid work from everyone else in front of the camera. There are so many familiar productions of the genre one can take before wondering if that particular hollowness has lost its impact when presented onscreen, after all. I did not expect to particularly 'enjoy' a film that covers territory this bleak, but I did wish to feel something during the occasional shades of levity and tenderness that were supposed to have an impact beneath all the alienation. Lymelife, unfortunately, kept me at arm's length for most of its running time, and that comes with a cost : a final stamp that, as usual, signals not outright failure but mediocrity.
  • November 18, 2009
    meh, I've watched better indie movies... this was character driven mostly
  • November 13, 2009
    El otro lado del sueño americano... disfrutable.
  • November 6, 2009
    Non ho ben capito perché questo film non se lo sia filato nessuno, va beh.
    Il solito film che massacra, giustamente, il sogno americano, dolceamaro e con finale aperto (su cui io ho una mia teoria dettata dal mio amore per Alec Baldwin, asd)
  • October 31, 2009
    Real good movie. I don't know how to explain it but there's something about this movie that I just enjoyed a lot, I can't put my finger on it but there's just something about this movie that's very enjoyable. So in a way I can't really understand the mixed reception this film r...( read more)eceived as I feel that while it doesn't do anything all that unique, what it does it does really well and I can't fault the movie for its lack of 'originality' I guess would be the best word to describe it. An hour or so in the movie starts to get a bit melodramatic there but thankfully by the end it's pulled back. Also, the end of the movie is really stupid. They never SHOW you the event but it's very much implied (and there's an alternate ending in the special features which shows said event) and it just didn't fit in with the mood of the movie, because it's not like the movie was building up to that moment, so it just felt really out of place. Like I said, the event is not shown on screen you just hear a gunshot and the credits roll, but there's only ONE way that could've ended and it was just stupid and silly and it's probably the only thing keeping this movie from being truly great. With that said I really enjoyed this movie, it's well written and acted and that's always good.
  • October 24, 2009
    Um filme que põe em causa o sonho americano. Conta a história de duas famílias problemáticas, cuja acção tem lugar no final dos anos setenta nos subúrbios de Long Island, Estados Unidos.
    Uma película dos irmãos Martini, produzida por Martin Scorsese.

Critic Reviews


May 8, 2009
Liam Lacey, Globe and Mail

Another film that looks back at late seventies' suburbia with a mixture of tenderness and condescension. full review

May 7, 2009
Colin Covert, The Minneapolis Star Tribune

Overall the film feels like The Ice Storm or American Beauty on training wheels, but Martini's next efforts could be well worth watching. full review

May 1, 2009
Steven Rea, Philadelphia Inquirer

The cast is ferociously good, bringing an edgy unpredictability to familiar scenarios of infidelity, alienation, and betrayal. full review

April 30, 2009
Roger Ebert, Chicago Sun-Times

Lymelife doesn't have the sheer power of "The Ice Storm," but it's not just another recycling of suburban angst. By allowing their characters complexity, the Martinis spill open those tiny model homes... full review

April 17, 2009
Claudia Puig, USA Today

It's a family drama that treads on well-worn middle-class territory but is redeemed by the complexity of the characters and the intriguing ambiguity of their actions. full review

April 13, 2009
Pete Hammond, Hollywood.com

Funny, touching and quite extraordinary dysfuntional family drama. It's what you might get if you merged Little Miss Sunshine with Ordinary People. full review

April 10, 2009
Marcy Dermansky, About.com

Something about the flatness of Culkin's eternally dull expression makes him a difficult character to care about -- a fundamental problem since Scott is meant to be the heart and soul of Martini's sed... full review

April 10, 2009
Kyle Smith, New York Post

Martini brews a hazy feeling out of memory and time, a sense of relief and regret in the knowledge that nothing so exotic as ordinary suburban puberty can ever happen to you again. full review

April 6, 2009
Nick Schager, The Screengrab

Authenticity is drowned out by an overarching don't-judge-a-book-by-its-cover message that long ago lost its luster. full review

April 2, 2009
Peter Travers, Rolling Stone

Director and co-writer Derick Martini throws all this drama on a high burner. Even when the drama gets overcooked, Lymelife sends off sparks. full review

View more Lymelife reviews at RottenTomatoes.com

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