Ma Mere,(Meine Mutter),(My Mother)

Ma Mere,(Meine Mutter),(My Mother)

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Ma Mere,(Meine Mutter),(My Mot...

Dominique Reymond, Emma de Caunes, Isabelle Huppert, Jean-Baptiste Montagut, Joana Preiss

In the sun-soaked Canary Islands, a disturbing and unhealthy relationship develops between 17-year-old Pierre and his mother Helene after his father dies in an auto accident.

Id: 11061636

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Recent Reviews


  • December 21, 2009
    European cinema at its best! Producer Paulo Branco has been producing some of the best films and best directors in Europe and this is one of the latest ones. Absolutely amazing, in depicting obsession, incest, dysfunction, love, selfishness, acceptation, pain... It's particularly...( read more) brilliant how time and space is (not) presented.

    The ending is terrific and the perfect conclusion to the story. Absolutely superb, a film I think only French could have the audacity to do... I hope European Cinema gets more protection so that we can keep watching these master pieces, otherwise we'll just have to stay dumb watching the main pop corn stream...
  • October 1, 2009
    French Existentialism. It does my head in! No really, this film is not as clever or as artistic as it thinks it is. Loosely based on a novel by Georges Bataille and ripped to pieces by Christophe Honoré who totally misses the point or at least doesn't understand the meaning (He ...( read more)also thinks by ripping off great directors like Eric Rohmer & Truffaut he is as good as them). This is awkward and unpleasant viewing. So far up its own arse its untrue but if you like the thought of your mum sticking a finger up your arse and making you lick it off then watching you have sex like a horse in a shopping centre, then this film is right up your street. I just hope you don't live down mine! Extra star for the good acting, read the book instead!
  • September 18, 2009
    Pierre is the product of a very unconventional marriage. Both his parents lead promiscuous lives and he spends most of his childhood in a Catholic boarding school. Soon after he returns home, now a young man, his father dies and his mother, undeterred by her husband's death, dr...( read more)aws her son into her perverse lifestyle.

    I'm not sure I'm open-minded enough to fully appreciate Ma Mere. It attempts to titillate by venturing into those dark places where most people feel VERY uncomfortable. If there is a moral to this story it's simply this: "Don't hump your mother". (Frankly, I didn't need an artsy French film to figure that out.)
  • March 24, 2009
    provocative and there's not really a great deal of incest in it so don't be put off by that. it's worth a watch. just a shame about the very rushed and shit ending. i found it funny at times actually. call me crazy but a mother telling her son how much of a slut she is just seems...( read more) hilarious to me! i think there's black comedy in there somewhere if you have a bit of a sick mind
  • October 31, 2008
    This is a movie that needs to be digested post-viewing. Once you get past the incestous overtones you can see the issues the director is trying to comment on such as notions of individual freedom. I still wouldn't necessarily recommend it, but it does have some merit beyond the s...( read more)hock value.
  • October 28, 2009
    Aren´t Isabelle Huppert and Louis Garrel tired of playing always the same character/type of role?
    Aren´t french directors tired of the cheap well(badly)-known liberal sex French philosophy?

    Sickness and disgusting.
    Half star for the opening credits on the white background ...( read more)screen. That´s all


  • September 15, 2009
    SPOILER ALERT - I really thought I knew what I was getting with this movie. I knew there was a sexually confused son, back from boarding school who has an odd relationship with his mother. And I knew it was NC-17. And I actually thought most of the movie was pretty B/B- worthy. B...( read more)UT the last 20 minutes or so goes from unconventional, to uncomfortable, to just plain FUCKED Up. And just when I thought it was over, the son jerks off to his dead mom.
  • August 23, 2009
    It lacks a proper and developing potion so it can be revived as a unique work of art.Honore's magic couldn't possibly advance the logic of this project to an erotic masterpiece (perhaps as a commentary to family ties..),Bataille I bet wasn't too insulted by the result,I 'm feelin...( read more)g here though that there wasn't much passion/lust for depravity...
  • April 14, 2009
    A film which, like "Emmanuelle" (1974), features beautiful people in sultry settings, challenging the proscriptions of social mores, "Ma Mère" differs in its narrative sophistication and intellectual arrogance. Isabelle Huppert plays a mother, perhaps past her prime, but still be...( read more)autiful, elegant, eminently desirable, and sufficiently rich to be bored with the need to concern herself with life's trivia.

    Her adulterous husband dies, her son (Louis Garrel) returns from boarding school. They inhabit a lotus eating world in the Canaries. Huppert tires of her sexual experimentation with her own mistress and becomes consumed with desire for her boy. She begins by allowing other women to seduce him, coyly watching, gradually being drawn in to more physical contact.

    It's beautifully filmed, beautifully performed - Isabelle Huppert is outstanding in pretty much anything she does - but you're left wondering what was the point. In fact you find yourself fast forwarding past the sex scenes in frantic search of a story or meaning. Given the quality of the production, you wonder why these resources were squandered on a pretentious shocker and not on the making of a film with real significance.

    Director Christophe Honore has been compared to Catherine Breillat, but "Ma Mère" is a superficial effort to push the boundaries compared to the humanistic sophistication of Breillat. If this is an attempt to demonstrate that Western consumerism and wealth have sanitised us to emotion and feeling, cast us adrift in an anomic state desperate for both meaning and sensation, then it might have been better to explore the themes by setting the story in a run-down tenement block, making the poverty of consumerism that more emphatic. As it stands, "Ma Mère" has its moments, but moves with too turgid a pace to fully engage your sympathy, your attention, or your willingness to believe that it has any significance in exploring human interaction and relationships.

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