Ma Nuit chez Maud (My Night at Maud's ) (My Night with Maud)
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Ma Nuit chez Maud (My Night at Maud's ) (My Night with Maud)
The "my" in My Night At Maud's belongs to the protagonist played by Jean-Louis Trintignant, a Catholic engineer whose struggle with his faith is renewed when he falls instantly in love with a woman he's never met (Marie-Christine Barrault) while attending mass. A chance meeting with an amoral old friend (Antoine Vitez) the same night places him in a potentially compromising situation when he's forced to spend the night with Vitez's alluring acquaintance Maude (Françoise Fabian), a sophisticated woman who challenges Trintignant's belief through intellectual and… More
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Rotten Tomatoes Score: 94%

Critic Reviews from Rotten Tomatoes

"Still one of Rohmer's best films."
‑ Tom Milne, Time Out
"Delightful art film."
‑ Dennis Schwartz, Ozus' World Movie Reviews
"As a canvas for Rohmer's ideas, it's crucial in making them feel as crisply distilled and newly debatable as the day they were aired."
‑ Tim Robey, Daily Telegraph
"Most challenging - and therefore least accessible - of Rohmer's trademark Moral Tales."
‑ Carol Cling, Las Vegas Review-Journal
"A sophisticated drama that speaks volumes about sexual politics, faith, and the delights of conviviality"
‑ Frederic and Mary Ann Brussat, Spirituality and Practice
"The film is beautifully played, that is, as written, which is almost as if it were music."
‑ Vincent Canby, New York Times
"The third (and best) of Eric Rohmer's Six Moral Fables, for which he received his only Oscar nomination."
‑ Emanuel Levy, EmanuelLevy.Com
"Droll, graceful, and implacably cutting"
‑ Fernando F. Croce, CinePassion
"Still fresh, provocative and irresistible."
‑ , Film4
"Eric Rohmer's droll and delicate comedy of language."
‑ Dave Kehr, Chicago Reader
"A date movie with a touch of class."
‑ Peter Bradshaw, Guardian
"Rohmer is fixated on sex to the point where he had to make six movies about it?"
‑ Christopher Null, Filmcritic.com
"One of the cerebral master's classics."
‑ Marjorie Baumgarten, Austin Chronicle