Emiliano Queiroz, Felipe Marques, Flavio Bauraqui

A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, con...( read more  read more... )vict and father to seven adopted children, dos Santos--better known as "Madame Satã"--was also a notorious gay performer who pushed social boundaries in a volatile time. The story begins in 1932, in Rio de Janeiro's bohemian Lapa district, when João Francisco is about to achieve his dream: becoming a stage star. In the sordid yet lively world of Lapa--populated by pimps, prostitutes and other denizens of Rio's underworld--João battles the streets and presides over a surrogate family that includes the charming prostitute Laurita, and her baby daughter whom everyone dotes on; the flamboyant hustler Taboo; João's teenage lover, Renatinho; and Amador, the owner of the Blue Danube club which is their second home. It is at the Blue Danube that street tough João begins to sing, and the mythic drag artiste Madam Satã is born.

Flixster Users

77% liked it

1,241 ratings

Critics

60% liked it

42 critics

Unrated, 1 hr. 43 min.

Directed by: Karim Ainouz

Release Date: August 22, 2002

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DVD Release Date: January 13, 2004

Stats: 72 reviews

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Flixster Reviews (72)


  • May 17, 2008
    Very gritty film that takes place in the 1930's about João Francisco dos Santos, the legendary Brazilian cross gender dresser, pimp, loving father, outlaw and local hero who became Rio De Janeiro's Queen Of Carnaval in the 40's until his death in the 70's. The gay sex is very ra...( read more)w as is the lifestyle in the Lapa district of Rio. João Francisco dos Santos lived from 1900 to 1976, adopted about a dozen children and spent some 27 years of his life in prison.

    Most of the story here is Joao's struggle to overcome the cruelty that comes his way because he is black, poor and gay; endlessly fighting, defending himself and getting into trouble with the law because he refuses to be treated like a second-class citizen.
  • May 14, 2008
    lazaro ramos was fantastic as the kickass carnival queen. a really passionate, energetic and colorful film yet not at all what you'd expect from a transvestite's biopic
  • July 22, 2006
    Edgy, psychologically clever film, great actors. I like the choice of period (before he became famous, in 30's Rio), Lazaro Ramos is superb. Very intense and recommendable film.
  • July 14, 2009
    nem sei porque quero ver, bah.
  • April 19, 2009
    Visualmente bastante lograda. Perturbante pero a la vez cautivadora.
  • March 9, 2009
    Can a gay guy be a true queen and tough motherfucker? Joao is that guy! This movie is based on a true story that took place in Lapa, Brazil in the 1930's. This movie is fantastically dark with tons of layers. The script was the only thing lacking, but the scenery and acting makes...( read more) up for it! This is the kind of movie that I live for and can't wait to see again!
  • November 1, 2008
    The visuals are stunning, but the film fails for something that is unfortunately becoming a tradition in Brazilian cinema: the lack of a consistent script. Too much responsibility is left on the actors' shoulders, as if they were the ones who were supposed to make the film work,...( read more) and although the cast fights this battle with all they've got, I honestly don't know if that's fair.

    The worst is that I could simply copy and paste the comment above into Mr. Ainouz' following film, "Love For Sale: Suely in the Sky".
  • May 3, 2008
    Direção de arte primorosa, fotografia perfeita e uma atuação memorável do Lazaro Ramos
  • December 28, 2007
    Homosexualismo, beleza, violência; tudo para um filme encantador.
  • October 12, 2007
    Densa y violenta. Me gusta la inserción de la tradición oral con las historias que cuenta el personaje principal

Critic Reviews


November 7, 2003
Liam Lacey, Globe and Mail

Often captivating. full review

August 22, 2003
Roger Ebert, Chicago Sun-Times

If we never really understand Joao, there is another problem with the character, and that is: He isn't very nice. I refer not to his crimes, but to the way he treats those who care for him. full review

July 31, 2003
Steven Rea, Philadelphia Inquirer

As a celebration of a figure who fashioned his own identity from pieces of pop culture and street poetry, from song and fashion and fury, it's memorable. full review

View more Madame Satã reviews at RottenTomatoes.com

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