Ardis Campbell, David Demato, David Roland Frank

A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime o...( read more  read more... )f the century."

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90% liked it

12,150 ratings

Critics

100% liked it

141 critics

PG-13, 1 hr. 30 min.

Directed by: James Marsh

Release Date: January 22, 2008

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DVD Release Date: December 9, 2008

Stats: 2,708 reviews

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Flixster Reviews (2,708)


  • August 3, 2009
    Utterly incredible. One of the most inspiring things I have ever seen. An enthralling story of one man defying all to carry out his epic dream.
  • August 3, 2009
    really good documentary on a really eccentric guy performing a really ballsy stunt
  • June 29, 2009
    "To me, it's really so simple, that life should be lived on the edge. You have to exercise rebellion. To refuse to tape yourself to the rules, to refuse your own success, to refuse to repeat yourself, to see every day, every year, every idea as a true challenge. Then you will ...( read more)live your life on the tightrope."

    A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."

    REVIEW

    A real treat, especially for documentary lovers, this film will undoubtedly resonate for all of us around the anniversary of September 11th 2001. It tells of tightrope-walker Philippe Petit (the French have a wonderful word, funambule) and his obsession with conquering the Twin Towers. And yes, I do mean what you think I mean. Having strung a wire between the towers of Notre Dame de Paris, and then between those of the Sydney Harbour bridge, and proceeded to walk, kneel, lie down, turn around and juggle on them, Petit and his accomplices planned the spectacular and all but impossible challenge of doing the same for WTC North and South towers. It is of course illegal to do this sort of thing, but they had got away with it before. Interweaving documentary footage, reconstruction and talking head reminiscences of the participants ? Petit himself is infectiously enthusiastic ? Marsh fashions a film which tantalisingly revisits the progress of events on the day and then leaves us dangling (sorry) to go back and explain or amplify earlier events and preparations. Despite the security challenges, the dangers of cross winds, wire oscillation and tension, not to mention the difficulty of getting an extremely heavy length of cable up a hundred flights and getting it two hundred feet to the opposite tower, the group pulled it off. It's a breathtaking viewing experience, conveying something of the awe the event inspired in bystanders back in 1974, and this despite the lack of moving images depicting the coup itself.
  • June 18, 2009
    "To me, it's really so simple, that life should be lived on the edge. You have to exercise rebellion. To refuse to tape yourself to the rules, to refuse your own success, to refuse to repeat yourself, to see every day, every year, every idea as a true challenge. Then you will ...( read more)live your life on the tightrope."

    Photobucket

    In 1974, a detachment of international desperadoes carrying a bow and arrow sneaked into the World Trade Center in New York City intent on committing an illegal act of beauty. What exactly they succeeded in doing might not have been clear until the arrival of Man on Wire, James Marsh's sublime docudrama about a 135 pound serving of undiluted mischief who dreamt of walking across the sky.

    Phillippe Petit was the rubbery athlete who strung a cable between the Twin Towers that August day in 1974, and then gracefully danced across it - with no safety net or harness. His tale - a giddy dream, a suspenser, a harrowing surreal comedy of the possible - is like Dog Day Afternoon as told by Amélie. The teen Petit was sitting in a dentist's office when he read an article about the gestating World Trade Center and met his destiny. Eight years would go by, but he would - must - figure out how to sneak into the buildings, how to case the joint, recruit accomplices and fling a steel cable across 200 feet of nothing to connect the two towers. Walking the wire - despite the ruthless winds that swirl through the area - would be the easy part. He called it" The Coup."

    On his team were an inside man with a Dali mustache and a fellow known as Alan who took the deep cover of the code name Albert. One co-conspirator, Petit's best friend Jean-Louis Blondeau, adopted a cunning disguise: "To look like an American I had lots of pens in my pocket." An accomplice confesses that he was high while the team was still on the ground floor, having taken to smoking grass every day for 35 years.

    The beauty and ultimate brilliance of Marsh's scheme sneaks up on you; he begins with mock-epic music and straight-faced bank-job details of the Petit gang's plan to heist New York's attention. He relies on intentionally comic reenactments shot in black and white - smudgy, heady, expressionistic black and white sequences like something out of Fritz Lang. Somewhere along the line, though, you realize what you've been offered. The story isn't a mock epic, it's a real, if miniature, one, about a son of Icarus who would salute the gods on their own level. Petit is not a madman or a conman but a Frenchman. "If I die," he thought, "what a beautiful death." When asked "why" by one of the hundreds of reason-obsessed journalists, he said, "There is no why."

    The footage of the Trade Center being pieced together in the late '60s is itself a thing of splendor, as is the scene showing Petit, who in the 1970s looked like Malcolm McDowell, training in an impossibly bucolic meadow in France. He capers across a practice wire as his friends gleefully yank and jostle either end to simulate the moods of unkind winds.

    The fate of the buildings need not be mentioned, and is not. This film is stuck in a moment when the Trade Center was not quite finished, when overwhelmed-looking cops wore fluffy mustaches and Richard Nixon shrank into a fetal position in his lonely bunker. We see New York City through impish French eyes: the dreary Criminal Court is promoted to "Palais de Justice," and even the all-night police sirens, the pulse of crime, seem bracingly strange. A friend of mine who lives in France once tried to explain to me that New York is like their Paris, but I never really understood that, until today. Man on Wire may be, above all, the story of Petit, but it also may very well be the greatest love letter to New York since Woody Allen turned his back on America.

    Petit didn't just walk across the wire, he spent 45 minutes on it. 45 minutes! He did eight laps, lay down in the middle, got down on his knee and saluted the crowd, smiled at the cops and finally returned to the planet only when threatened with a helicopter assault. We observe the grand act from several points of view, notably that of his girlfriend, Annie Allix, who was left complaining on the ground so as not to provide additional distraction. To rip her words out of the original would be like putting Sweet-N-Low in the Chateau Latour, so here they are as she speaks them: "C'était tellement, tellement beau. C'était comme il marchait sur un nuage." For Phillipe Petit, the clouds were his sidewalk.
  • May 12, 2009
    An interesting story about a man who sets up and walks a wire between the twin towers. The story is actually more interesting that you might think since the attempt is almost set up like a bank robbery. Phillippe Petit is is an interesting and unique character, which helps make...( read more) this documentary. Like most documentaries, this does seem to get a little long winded in the middle and could have used some more editing. Good, but not great.
  • November 20, 2009
    He's smiling ?! he's up 40 stories and he's smiling!
  • November 11, 2009
    Best Documentary Feature 2008
  • November 9, 2009
    Magnificent. I don't think any other film has made my palms sweat so much.
  • November 1, 2009
    guardi il film e pensi: questo quì ha raggiunto il sogno della sua vita. Già questo basterebbe, sapendo che è un documentario, quindi una storia vera. In più è raccontato (dai protagonisti stessi, s'intende) con un tal pathos da lasciarci gli occhi!
    Va guardato, senza dubbio. Anc...( read more)he se io non sono portato per i documentari, quindi ho dovuto guardarmelo in due riprese
  • October 12, 2009
    Pretty interesting, and certainly some incredible footage. That film critics would love some purposeless act of beauty by a Frenchman is no great shock, but I didn't find the relaying of the escapade quite as captivating as I'd hoped. There are heist film elements but retrospecti...( read more)ve narration doesn't lend itself to creating tension or anticipation. Still a pretty great story.

Critic Reviews


October 18, 2008
Amy Biancolli, Houston Chronicle

Though we know how it ends, it unfolds with suspense. And though it lacks any discussion of the towers' destruction, it succeeds as a tribute to their birth. full review

August 8, 2008
Ty Burr, Boston Globe

A documentary about a towering act of daring proves a spine-tingling memorial to recklessness as art. full review

August 8, 2008
Colin Covert, The Minneapolis Star Tribune

There's nothing on movie screens now that can compare with the footage of Petit's performance. full review

August 8, 2008
Moira MacDonald, Seattle Times

Man on Wire should be watched on the biggest screen possible; it's an utterly thrilling exploration of one man's mad dream. full review

August 8, 2008
Joe Morgenstern, Wall Street Journal

Part of what makes Man on Wire so enthralling, and so entertaining, is the filmmaker's skill in laying out the illegal caper's logistics, mainly through interviews with Philippe and his support team. full review

August 8, 2008
Roger Ebert, Chicago Sun-Times

Constructed like a first-rate thriller. full review

July 28, 2008
David Edelstein, New York Magazine

James Marsh's rollicking documentary Man on Wire asks not 'Why?' but 'How the hell?' full review

July 25, 2008
A.O. Scott, The New York Times

Thorough, understated and altogether enthralling documentary.

July 25, 2008
Edward Havens, FilmJerk.com

Sits alongside "The Thin Blue Line" and "Hoop Dreams" as a non-fictional narrative which changes the rules of its genre. full review

July 2, 2008
Kyle Smith, KyleSmithOnline.com

A giddy dream, a suspenser, a harrowing surreal comedy of the possible--like Dog Day Afternoon told by Amelie. full review

View more Man on Wire reviews at RottenTomatoes.com

Comments


  • dhuber03
    October 28, 2008
    Found this movie on a list of 20 Awesome Movie Posters!
    http://coffeeandcelluloid.com/2008/10/26/20-amazing-movie-posters/

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