Critic Reviews
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Mario Tarradell, Dallas Morning News
The Man Who Copied unfolds into a movie with a split personality, and the second half is no reproduction of the first.
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Jeff Strickler, Minneapolis Star Tribune
This Brazilian film starts as a quirky romantic comedy before suddenly becoming a violent crime drama. It's a radical turn, so much so that it almost goes over a cliff.
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Ty Burr, Boston Globe
Even after it loses its way, the movie suggests a world where anything can happen and no one -- certainly not the girl of one's dreams -- is quite who he or she seems to be.
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Desson Thomson, Washington Post
Remains never better than fair to middling pleasant.
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Walter V. Addiego, San Francisco Chronicle
This ambitious and sometimes entertaining Brazilian feature tries to pull off a tricky maneuver but doesn't quite get it done.
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