Terminator 2: Judgment Day. The Empire Strikes Back. The Godfather, Part II. Each of these films is a member of an elite brotherhood of movie sequels, films that stood head-and-shoulders above their predecessors to become classics in their own right. There are few franchises that can… More
Terminator 2: Judgment Day. The Empire Strikes Back. The Godfather, Part II. Each of these films is a member of an elite brotherhood of movie sequels, films that stood head-and-shoulders above their predecessors to become classics in their own right. There are few franchises that can claim a sequel that outdoes the original in every single way; and in their hallowed ranks, only ONE film series can make such a boast about a <i>direct-to-video release</i>. This is history. This is legend. This is Maniac Cop 2.
Written and directed once again by William Lustig, Maniac Cop 2 is the best action-horror film you've probably never heard of. Full of elaborate stunt sequences, superb early-nineties make-up effects, and just a dollop of gratuitous nudity, this film is a significant improvement over the first movie in every major category-- it's creepier, it's more exciting, and the plot progresses naturally from the first film while taking the situation to the next level. Why Maniac Cop 2 was relegated to home video is beyond me; the film's production quality (including cinematography that doesn't look like a holdover from the seventies) is certainly up to snuff for the kind of stuff that was in the multiplex at the time. But alas, the movie only received a direct-to-video release, and even now it's tough to find a good copy on DVD (every release is in full frame, but I don't think it was actually shot that way). Despite that, it's developed a small but dedicated cult following, and with good reason: this movie has every staple of a classic cult genre movie, from chainsaws to car chases to Bruce-freaking-Campbell himself (unfortunately, the movie's biggest misstep is that it kills off Bruce's character <i>in the first ten minutes</i>). And to top it all off, Maniac Cop 2 does the franchise a serious favor by turning its villain, Matt Cordell, into a misunderstood, even sympathetic monster out for revenge-- one that looks <i>way</i> better than he did before, as actor Robert Z'Dar now sports an iconic make-up that aesthetically puts the character in the same league as Freddy or Jason.
The film starts the way most 80s-era sequels do: with a recap of the climax of the previous film, in which Officers Jack Forrest and Teresa Mallory confronted Matt Cordell on the docks, culminating in him driving a police van off the pier and into the water. Neither Forrest nor Mallory believe that Cordell is actually dead, but the department wants to keep a lid on their story to save face, and ignore their warnings. Sure enough, they're right; Cordell tracks both of them down and kills them off within the first twenty minutes, leaving us with two new leads: Detective Sean McKinney, a loner cop with a disdain for authority and a pet peeve about psychologists, and Susan Riley, a police psychologist who was counseling Mallory, and who sees firsthand the kind of damage that Cordell can do. (more to come)