Angela Betis, Angela Bettis, Anna Faris

May has always been a bit of an outsider--you might consider her a quirky girl. If you passed her on the street, you wouldn't notice that she is any different from scores of other young women trying t...( read more  read more... )o make their way in the big city. She lives alone, works as a veterinarian assistant, makes her own clothes, and dreams of finding the right person to fall in love with--soon. There is that hot guy who works as a mechanic down the street. A chance for romance looks promising, yet it's hard to be optimistic; he's not exactly normal either. Maybe she'll find what she's looking for with the sexed-up lesbian receptionist at work? As the adage goes, love tends to grow where you least expect it. What May really needs is a friend. But true friends are hard to make--unless you have plenty of body parts in your freezer waiting to be stitched together.

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77% liked it

25,148 ratings

Critics

68% liked it

63 critics

R, 1 hr. 35 min.

Directed by: Lucky McKee

Release Date: June 6, 2003

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DVD Release Date: July 15, 2003

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Flixster Reviews (1,795)


  • October 24, 2009
    The outsider. A popular theme in film production. Smaller films seem to cling to this theme. Bad films tend to portray their "outsider" protagonists in one of two ways, sometimes with overlap: someone obsessed with death or the darker aspects of life and acts like someone who did...( read more)n't understand Neil Gaiman's Sandman line or someone who bitches about how society doesn't understand or appreciate them (P.S, there's a reason for that: you're an ass.)
    Here we have another type of outsider: the withdrawn, quiet girl who has never had much social interaction.

    Angela Bettis plays the titular character and seems to have a knack for quirky characters (see the Masters Of Horror first season episode Sick Girl for another notable example. Coincidentally, that episode was directed by Lucky McKee, the director for this film).
    Having grown up an outcast due to her lazy eye (later corrected by glasses then by contact lenses) May's only friend was a doll in a case called Suzy. May talks to Suzy as if she was flesh and blood, presumably not just because of her lack of relationships outside her family but because of poor relations IN the family.
    The bulk of the movie deals with her trying to maintain a relationship with a man she's obsessed with (Adam, played by Jeremy Sisto) and developing a life outside her work at a veterinary hospital. One such attempt is working at a school for children of disabilities and finding a connection with a little blind girl named Petey.

    What I like most about this film is how restrained it is. There's little to no dramatic music, so the shocking moments come without lead-up (I've made similar comments in an earlier review), Angelia's performance is not overly dramatic and it becomes believably darker as the story progresses.

    One such moment of darkness is one of the most disturbing things I have ever witnessed and is one of the few times I've ever cringed. Hell, on some repeat viewings, I even look away! That is no mean feat. Skip ahead if you wish to avoid

    One afternoon with the blind children, May brings in Suzy and tells them she is her best friend. The children want to touch the doll but May declines, insisting Suzy is fragile (more than likely she doesn't want anyone to take her friend away, regardless of how long they actually hold her. The doll falls and the glass case she is kept in shatters. The kids crawl over to try and find her and... well, put two and two together. Or better yet, don't. It really is that unsettling.

    One other point I would like to make is that I believe this to be Anna Faris' best role to date. Sure, it's not totally away from her stereotyped ditz role (I get depressed at the thought of that. I really hope she doesn't start bitching at how she's typecast. If she doesn't want to be known as a ditz, The House Bunny will forever be a smear on her resume. Hopefully that "film" will give her an epiphany. Or be erased from the time/space continuum, either one is fine with me) but at least it's darker. She plays the role of Polly, May's co-worker who is trying to seduce her. Polly has unconventional sexual leanings (though in this day and age, anyone interested in just plain sex is seen as unconventional. Sad state indeed) and if you're used to seeing her as goofballs like Cindy in the Scary Movie series, this might just shock you. Her performance showed signs of a craving to be dark and to try and break out but whether or not she's suppressed those urges or just hasn't been given the right vehicle is something we'll have to wait and find out.

    While I will not reveal the details of the ending, I do wish to talk about one aspect of it. This might be the only fault I have with May. Throughout the film, there has been no implication of supernatural/otherworldly behaviour. May does believe Suzy is talking to her but it's implied that it's from years of loneliness that she is slightly unbalanced. I mean, sure, it's possible that Suzy might actually be telepathically communicating with May but that still wouldn't explain the final shot of the movie. As bittersweet as it is, and bare in mind I don't outright condemn it, I'm not exactly sure how the movie came to the conclusion of the decision it made. Yes, I know that movies don't have to explain everything and that fans are encouraged to make up their own minds but that's often a bad idea. My problem is the implication of the supernatural. So, are Frankenstein-esque creations automatically given life in the world of May? Is it a mindscrew? I don't know what to think.

    Whatever it may be, it doesn't really detract from a wonderful story about a lonely, lost little girl and her efforts to connect.
  • January 1, 2009
    May is a young strange girl who had a very disturbed childhood and does not still know the meaning of true friendship or love. She works at a pet clinic and lives alone with her only "true friend"; a doll her mother gave her when she was a little girl. When she fails to find the ...( read more)"perfect friend" that will make her happy, she decides to construct them herself, using parts from different people.
  • September 28, 2008
    THIS is low-budget horror film making. Lucky McKee is a badass, and I hope he continues to find success.

    More later.
  • September 7, 2008
    The most spectacular horror film I have seen since I started watching Asian horror films. It really does restore faith in the genre. The film works so well by playing it as a straight romance involving quirky people. There's no ominous music, just beautifully selected tunes. It's...( read more) unsettling, certainly, but the lengthy process of staying focussed on May herself and her relationship with Adam all add up to a fantastic pay off. The acting is moving and heartfelt. From Bettis to Sisto there isn't a single weak link. The most important part of this film is emotion. Every act of violence works so disturbingly well at shocking and upsetting because we KNOW these people. May is alone, isolated and ill. She can't connect with people and its sad to see her driven to murderous ways. She isn't some cackling psycho bitch or some "mummy didn't love me" cliche. Writing, sound, music everything is perfect in this film and though it may not be terrifying it is emotionally tiring. The kind of film that when the end credits roll you just stair at them in some kind of hypnotised trance.
  • August 1, 2008
    Unscary "slasher" film is alternately bizarre, ridiculous and disgusting. Recycled Frankenstein rip-off has its moments, but ultimately wears on its audience and has an unsatisfying payoff. Angela Bettis' performance is a campy version of Sissy Spacek in Carrie.
  • November 10, 2009
    Really weird but totally mesmerizing....you can't look away....
  • November 6, 2009
    Adorabilmente macabro.
  • November 1, 2009
    Strange, quirky, and slow moving, but the last half hour makes up for that.
  • October 27, 2009
    A masterpiece of psychotic realism with one of the most realistic and sad female performances of the 2000s.
  • October 26, 2009
    Go see this movie.The girl is nuts

Critic Reviews


January 9, 2006
Nick Schager, Lessons of Darkness

Benefits from bursts of gory black humor as well as Bettis' riveting performance. full review

June 13, 2003
Ty Burr, Boston Globe

Lowdown genre fun, a film that nearly makes up in slacker wit and high-spirited gore what it lacks in budget and elegance. full review

June 12, 2003
Colin Covert, The Minneapolis Star Tribune

Straddles the line between slasher film and sensitive character study with macabre and moving results. full review

June 6, 2003
Roger Ebert, Chicago Sun-Times

A horror film and something more and deeper, something disturbing and oddly moving. full review

View more May reviews at RottenTomatoes.com

Comments


  • craiglowden
    June 15, 2007
    this film is a gr8 film but the end ruined it
  • LittleMizzUnique
    February 20, 2007
    I thought tht this was an unusual film but i enjoyed and Angela Bettis who played May was brilliant great movie -x-
  • FarOutBoyScout
    February 17, 2007
    angela bettis should have won an award for this film cos of the way she made you like her but still be scared of her was great and the bit were she sliced anna faris's neck was cool
  • kirathepirate
    August 8, 2006
    One of the most humorous dark comedies out there.

    For anyone who loves Dark Humor, you HAVE to see it.

Critic ratings and reviews powered by RottenTomatoes.com

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May : Watch Free on TV


May Trivia


  • Note the Quote: "I may not be a smart man, but I know what love is"  Answer »
  • Person 1: You'll come out or I'll... I'll... I'll break down the door! Person 2: Master, I could be wrong, but that may not be the best way to win the girl's affections.   Answer »
  • Which movie is this quote from... 'you may have seen a house fly, maybe even a superfly but i betcha ain't never seen a donkey fly'  Answer »
  • In what movie does Robin Williams die, but stay connected to his wife, who is his sole mate, through her paintings?  Answer »

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