Maya (2001)
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80% of critics liked it
(5 reviews) -
72% of users liked it
(666 ratings)
A girl coming of age in India discovers the ugly realities of a woman's legal rights and social status in her village in this drama. Maya (Nitya Shetty) is a bright and enthusiastic 12-year-old girl who loves spending time with her cousin and best friend, Sanjay (Nikhil Yaday), and keeps her… More A girl coming of age in India discovers the ugly realities of a woman's legal rights and social status in her village in this drama. Maya (Nitya Shetty) is a bright and enthusiastic 12-year-old girl who loves spending time with her cousin and best friend, Sanjay (Nikhil Yaday), and keeps her family -- mother Lakshmi (Mita Vasisht) and father Arun (Anant Nag) -- on their toes. When Maya gets her menstrual period for the first time, she's at once nervous about the changes in her body, and excited about how she's growing into womanhood. Maya has heard about a special prayer ceremony for girls who have begun to develop into adulthood, and feels both eager and honored when Mr. Nair (Virendra Saxenda), the "high priest" who supervises the ceremony, tells her the time for her service has come. However, to her horror Maya learns the true nature of the ceremony when she is held down on a stone slab and violated by Nair and three of his assistants; Arun rages against Nair and his compatriots, but feels powerless to stop them within boundaries of their community. Director Digvijay Singh claims that his film was based on a true story, and that such rituals are still performed on a regular basis in a small number of Indian communities. ~ Mark Deming, Rovi
- Directed By
- Digvijay Singh
- Genres
- Art House & International, Drama
- In Theaters
- Apr 4, 2002 Wide
- Studio
- Home Vision Entertainment
Critic Reviews
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Edward Guthmann, San Francisco Chronicle
The photography is gorgeous, though, and with Singh's precise, discreet direction, Maya has a devastating impact.
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Liam Lacey, Globe and Mail
Striving too hard to make his didactic point, the director arouses skepticism rather than empathy.
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Peter Howell, Toronto Star
Maya disturbs, yet it doesn't enlighten.
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Jeffrey M. Anderson, San Francisco Examiner
Contains such a pile driver gut-punch that it makes Ray's work look like wistful little poems.
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Liz Braun, Jam! Movies
Maya, subject matter aside, is wonderfully made.
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