Alfred Abel, Brigitte Helm, Fritz Rasp, Gustav Fröhlich, Heinrich George ...( see more  see more... ) , Rudolf Klein-Rogge , Theodor Loos

Fritz Lang's Metropolis belongs to legend as much as to cinema. It's a milestone of sci-fi and German expressionism. Yet the story makes minimal sense, and the "theme" belongs in a fortune cookie; to ...( read more  read more... )experience the film's pagan power, you have to see the movie. But for decades we couldn't, not really--not with so many versions, all incomplete, often in public-domain prints like smudged photocopies. This Murnau Foundation restoration changes all that. Some shots, scenes, and subplots may be lost forever, but intertitles indicate how they fit into the original continuity and the characters' individual trajectories. Most crucially, the images are crisp, vibrant, and three-dimensional instead of murky and flattened. The composite sequences (the Tower of Babel, a sea of lusting eyes) have been restored to their hallucinatory ferocity. And there's one moment when you can see a bead of sweat roll down a man's cheek--in medium long-shot. --Richard T. Jameson

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90% liked it

49,429 ratings

Critics

91% liked it

55 critics

Unrated, 2 hr.

Directed by: Fritz Lang

Release Date: March 13, 1927

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DVD Release Date: February 18, 2003

Stats: 3,351 reviews

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Flixster Reviews (3,351)


  • December 19, 2009
    There can be no understanding between the hands and the brain unless the heart acts as mediator.
  • December 3, 2009
    "The mediator between brain and muscle must be the heart"
  • November 28, 2009
    ''There can be no understanding between the hand and the brain unless the heart acts as mediator.''

    In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predic...( read more)ts the coming of a savior to mediate their differences.

    Gustav Fröhlich: Freder
    Brigitte Helm: Maria / The Robot

    A handful of stories and films will always be known for proving themselves against the proverbial test of time; making their mark in the pantheon of the most influential, memorable and near flawless crafted films in existence. Upon viewing in a contemporary context; even over 80 years after its initial release in 1927, the recognition of Metropolis; director Fritz Lang's masterpiece; among such timeless examples Metropolis is without a doubt included. The catalyst for all ensuing science fiction films and tremendously influential; even outside of the genre it essentially pioneered, the sheer imagination and vision behind Metropolis prove its indisputable quality decades after its time.

    A tremendously ambitious and controversial feat when first released, the political and thematic content riddling the film's impressively complex storyline are astounding; proving an early testament for the potential of big budget projects to resonate with strong thematic content as opposed to being simply entertaining. Taking notes and inspirations from Karl Marx (creator of Communist ideology; for those whom don't know), among other prominent schools of thought, politics, ideologies and philosophies. The revolutionary dystopian vision of a colony of workers rebelling against the alienated upper classes proves a daring and fiercely compelling vision relevant even to this day, without even pausing to realize this is a film made in Germany in the 1920s. Similarly, the film makes a particularly effective, futuristic science-fiction piece by proving frighteningly prophetic from grander themes of commodity culture to smaller touches; with ideas which would have seemed outlandish at the time such as video phones and machine men starting to become disconcerting realities. While parts of the original film are sadly lost or missing, as they are summed up by title cards in the same way dialogue was conveyed, the occasional lapse in pacing hardly distracts from the gripping and astonishingly powerful narrative.

    Similarly, the film's dynamic visual style is equally comendable, and the entire film captivates with a hypnotic, entrancing beauty. The expressionist art influenced futuristic sets and buildings and surprisingly advanced visual effects never fail to captivate, and the frequent moody lighting is an aesthetic delight. Sequences such as the opening scene of columns of repressed workers trudging desolately to work to Freder's cinematically innovative hallucination of death striking the city, the mad inventor Rotwang's construction of the iconic Machine Man to the allegorical tale of the tower of Babel prove utterly unforgettable, with Lang conjuring up a dramatic intensity essentially unparalleled in its time. Such seamless quality both technically and thematically has scarcely been glimpsed to such a degree since, and the film's incredible influence becomes increasingly clear in other works after viewing it.

    While the film is seldom praised for its acting, considering the expressionist conventions of over-exaggerated facial expressions and movement to express inner sentiments, the film comes as across as far less melodramatic than one might expect, though the distinctly different performance styles may prove unsettling or unintentionally comical to a contemporary audience. Gustav Fröhlich is a suitably engaging and charismatic lead as the young son of the city's founder who becomes increasingly disgusted with the harsh mistreatment of the working class denizens. As his distant father, Alfred Abel turns in a poignant performance as Frederson, founder of Metropolis, consumed by his own ambition to the point of losing touch with the world around him. Rudolf Klein-Rogge is unforgettable and enormously entertaining as twisted inventor Rotwang, setting the standard for countless mad scientist icons to follow. Similarly, Brigitte Helm is both luminous and horrifying in turn; portraying both the earnest figurehead for a working class resistance movement who attracts the attention of the impressionable Freder, and a demonic incarnation of herself portrayed by Rotwang's devious Machine Man.

    Visionary, innovative and desperately socially relevant, Lang's disturbing and captivating labour of love holds its own against the ages, proving nearly as staggeringly impressive an achievement in a current day context as its initial release over 80 years ago. Lavish and blindingly spectacular, dazzling set pieces and high production values, Metropolis rises above and stands testament to Fritz Lang's ambitious artistic visionary perceptions of how cinema could be used. Among classics such as 2001: A Space Oddysey, Blade Runner which came many years later; Fritz Lang's Metropolis is the true science fiction classic original. It also is another great insight into workings of our systems, society and why some work and some do not; in a classing system of extreme rich and poor. Fritz Lang's M; which followed in 1932, also dealt with some of the same issues concerning Metropolis. Stabs at the structure of society and the evils of the mob prove Unity is always above chaotic Hysteria.
  • July 3, 2009
    often considered cinema's first great masterpiece, its a shame that some of the scenes from this fritz lang classic are lost to us forever. i feel that the film only preserves so well despite its missing pieces because it is a silent film and can be filled in with text screens, ...( read more)because i was still engaged in the story from start to finish. the only real critique of the film is that some of the actions of the characters didnt fit the story that well, but overall this film is highly effective in its scale as it tells a great science fiction story for its era. an impressive film that any true film fan should see.
  • June 28, 2009
    Kind of a like a Michael Bay blockbuster, except more technically impressive (for its time). The sets are the stars rather than the actors, which give some incredibly histronic performances even for a silent. No matter how much I was impressed by the visuals and the avant garde p...( read more)arts of the film (probably the closest we can get of an Art of Vision remake by Michael Bay) I can't quite get past the nonsensical mess of a plot even though a lot of the film is missing, and the naive ideology of the film. And I hated the Heart-is-the-Mediator-between-Brain-and-Hand bullshit and that ridiculous ending. The band 3epkano did a great job though just like last year with Sunrise, so overall it was a very enjoyable experience.
  • January 21, 2010
    great classic, loved it a lot!
  • January 16, 2010
    the only thing this movie had going for it was the music. everything else was horrible.
  • January 15, 2010
    Asombrosa! muy inventiva, es una pieza de cine absorvente, es un epico sci-fi, super futurista con toques de terror, pocas peliculas hablan tan poderosamente y elocuentemente, como Metropolis de 1927, hace pensar mas que la gran mayoria de peliculas de hoy en dia, es una delicia ...( read more)visual; sumamente adelantada a su epoca,.
  • January 11, 2010
    Changed Science Fiction films forever!
  • December 31, 2009
    El clasico del cine mudo, de la ciencia ficcion de la decada de los 20s. Dirigida por el aleman Fritz Lang. Nunca pasara de moda.

Critic Reviews


September 19, 2002
David Edelstein, Slate

A great artist contains multitudes, and Lang packed a host of contradictory longings into a single allegory. full review

September 5, 2002
Steven Rea, Philadelphia Inquirer

The eye-popping design and sense of scale remains as fresh and vital as it was in 1927. full review

August 23, 2002
Mick LaSalle, San Francisco Chronicle

The urban landscapes are detailed down to the signs on the kiosks, and the color palette, with lots of somber blues and pinks, is dreamy and evocative. full review

July 12, 2002
A.O. Scott, The New York Times

A hallucinatory tour de force of color, perspective and scale, virtually encapsulates the history of Japanese animation. full review

February 1, 2002
Liam Lacey, Globe and Mail

Has an almost stupefyingly intense visual impact. full review

January 1, 2000
Roger Ebert, Chicago Sun-Times

One of the best animated films I have ever seen. full review

View more Metropolis reviews at RottenTomatoes.com

Comments


  • MorpheusOne
    July 17, 2008
    I have this movie on vhs and I've tried to watch it, BUT IT LOOKS LIKE SHIT....

    I could barely get thru the first 5 minutes without wincing from the pain of not knowing WTF was going on... If there was something, like subtitles & maybe music to follow, then that might make it bearable. They need to re-release it appropriately, with music from Pink Floyd & Led Zeppelin, since it was first released as a silent movie, in nineteen twenty freaking seven!!!
  • FidelioRoo
    July 8, 2008
    http://www.moviemake-out.com/2008/07/04/original-1927-cut-of-metropolis-found/

    I get so much happiness from this.
  • TinionMaster
    January 25, 2007
    A fantastic movie that felt very unusual to me when I first watched it. I have a 2 hour version, but there is text missing compared to the version the flixster's video clips come from. Some people may not understand Metropolis and what it is about, but many scenes have been cut out. The original was 3 hours, but the american experts cut it so only 1 hour remained. I have read somewhere that there was a character, named Hel, that was cut out because they did not like her name. She is the reason why the mad professor creates such a robot.
    The movie is very, very well done as a movie during the 1920's. I will never forget it. The version I watched seemed older than the 'restored authorized edition', it was dark in the corners of the picture and brighter in the middle, and dust in the picture, but that made the movie even more special as I watched it. I feel like watching this movie again.

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Metropolis Trivia


  • Which classic silent film stars Brigitte Helm in the roles of Maria, The Machine Man, Death, and The Seven Deadly Sins?  Answer »
  • Who directed 'M', 'The Big Heat' and 'Metropolis'?  Answer »
  • I played a superhero in Metropolis, a dead beat ex-boyfriend in a movie with six teams competing for two million dollars, and a murderous husband who killed his pregnant wife in 2003.  Answer »
  • Which city doubled for Metropolis in Superman Returns?  Answer »

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