Miracle on 34th Street

Miracle on 34th Street movie poster

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Miracle on 34th Street

Dylan McDermott, Elizabeth Perkins, J.T. Walsh, James Remar, Mara Wilson

The 1947 holiday classic Miracle on 34th Street is transplanted to the 1990s with few changes in this family-oriented remake. The screenplay by the prolific John Hughes sticks close to the original ou...( read more read more... )tline, centering on Macy's executive Dorey Walker (Elizabeth Perkins) and her young daughter Susan (Mara Wilson), neither of whom much believes in the spirit of Christmas. Dorey is in charge of hiring Macy's Santas, including an old man named Kriss Kringle (Richard Attenborough). He does a remarkably convincing job, and he soon reveals that he actually believes himself to be Santa Claus. The authorities threaten to place the old man in an insane asylum, but a young lawyer comes to his defense. Meanwhile, Dorey and Susan find their own defenses melting and become reacquainted with the power of faith. Hughes and director Les Mayfield add a few modern touches, making Susan slightly more cynical and adding the requisite soulless corporate villains. Viewers familiar with the original may still prefer Edmund Gwenn's original Kris Kringle and consider the remake unnecessary, although the newer version reflects enough of the earlier film's spirit to prove entertaining to modern family audiences.~ Judd Blaise, All Movie Guide

Id: 10903194

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Recent Reviews


  • December 25, 2009
    Pending a good ole review baby!
  • September 29, 2009
    Not as good as the original.
  • August 8, 2009
    Richard Attenborough returned to acting after 14 years behind the camera in "Jurassic Park", and followed it swiftly by daring to challenge comparison with Oscar-winner Edmund Gwenn in this remake.

    As a heartwarmer for those inadequates who won't sit through a 60-year-old monoc...( read more)hrome movie-- albeit one which rivals "It's a Wonderful Life" as Hollywood's answer to "A Christmas Carol"-- this John Hughes revamp will probably serve. Anyhow, there are plenty of copies on sale at the checkout of my local supermarket. But it is a bit too laid-back and, latterly, too bogged down in argument for younger kids or older boys. It may warm more cockles among the grandparents.

    The main thematic interest is how Hughes chooses to tweak the original screen story as adapted (unusually for the time) by the director, George Seaton. Whether he sought to or not, the remake has thrown up some intriguing twists for a more skeptical and secular time.

    The oldie caught the mood of an America yearning to get back to normalcy amid the perils of the post-war, Cold War world. Location shooting in New York City, with much co-operation from Macys, gave a touch of realism to the fantasy, whereas in 1994 it's an imaginary store and (for Americans, at least) an incongruously "veddy British" claimant to the chair of Santa Claus- although his nationality is not the issue when the legal meanies of the State of New York try to get him confined to the bughouse.

    What is striking is the judge's rationale for allowing Kris's plea for freedom. Because US bills have "In God We Trust" on them, he reasons, it means New York is allowed to have blind faith in the existence of a supernatural being who lays presents on 1.7 billion children in one night, operating from invisible workshops with reindeer which cannot be made to fly in a courtroom demonstration of his powers because it isn't Christmas Eve. Besides, the sneery prosecutor's kids were raised to believe in him, so there- case closed.

    In real life the ACLU would be appealing such a judgement all the way to the Supreme Court for allowing too much religion into the law and the public square. "In God We Trust" was only put on the money during the Cold War, to cock a snook at "Godless bolshevism"; but this film is refreshingly disrespectful to the newer orthodoxy of playing down most Americans' beliefs in their films.

    Kris asks if he should swear in the Bible, the Pope's ruling on Nicholas's sanctity is debated, and the ethos is quietly but unmistakably Christian. No "spiritual" Santa or "Happy Holidays" here. In a very light fashion, the film does revolve issues of how far it is legitimate to maintain a metaphor as a source of inspiration when rationalism of the Dawkins and Hitchens strain is sniping at it. The screenplay also looks quite beadily at the way commercial operators use holy myth to make money, even if the message comes muted from Hollywood.

    That is the good news. There's plenty to carp at as well.

    Attenborough's quiet, gentle but firm performance (most atypical of one who spent his previous acting time mainly playing unreliables or martinets) suffuses the film. He gets little competition, save from the contrasted crustiness of Windom. Most of the support is so-so, on the level of a Yuletide TV special, and not excluding little Wilson as the girl who has faith in Mr Kringle's claim to be St Nicholas. She is no Margaret O'Brien, if no worse in her way than the kewpie-doll Natalie Wood. In fact, she's a John Hughes moppet who did little later and nothing since 2000.

    The narrative's departures from the well shaped original are no help. Once off the legal hook, Kris, wearing a brown suit, just disappears-- we don't see any triumphal sleigh ride to bid him adieu-- while attention shifts to a ridiculous post-midnight-mass impromptu wedding in a Catholic church. Then follows a trip out to a dream house in the snowy country, ushered by a silly salesman. The film does not seem to know when to call a halt, and there's not so much as Clarence's tinkling bell to bring back Kris at the close. It's as if the whole object of the exercise was to unite two bland characters in matrimony.
  • October 23, 2007
    yes, santa is real. Go cry about it.
  • August 5, 2007
    Heart warming movie about a girl who doesn't believe in Santa.
  • February 12, 2010
    I donīt like christmas
  • February 5, 2010
    One of my favorite remakes of the classic Christmas flick!
  • January 31, 2010
    One of the best Christmas movies ever. Critics, please don't hate. This one's for the KIDS. not for hater critics like you guys.
  • January 30, 2010
    I really like this movie. It's full of Christmas spirit. A childhood favourite of mine.
  • January 20, 2010
    law and faith will never intersect

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