Toshiro Mifune, Rentaro Mikuni, Kaoru Yachigusa

With his closest friend, Matahachi, Takezo (the town's wild, orphan kid) leaves his village to join an army on its way to battle. After their side loses, they seek shelter in the isolated home of a wi...( read more  read more... )dow, Oko, and her daughter, Akemi. Oko seduces Matahachi, who forgets his betrothal to the virtuous Otsu. Oko, Matahachi, and Akemi go to Kyoto, but Takezo returns to the village. Matahachi's family rejects Takezo's report and has him arrested for treason. A monk rescues him from death and sentences him to the study of the samurai code. Otsu and Takezo fall in love, and she promises to wait for him when he sets off on the road as a knight errant.

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84% liked it

5,580 ratings

Unrated, 1 hr. 33 min.

Directed by: Hiroshi Inagaki

Release Date: September 26, 1954

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Flixster Reviews (224)


  • June 28, 2009
    good film. see mifune defeat 50 swordsman using only a stick! ...is it just me or is he still playing the fool from seven samurai? pt 1 of a trilogy...so that's 3 i'm in the midst of lol. this one covers takezo's origin and the beginning of his training as a samurai
  • September 23, 2008
    Takezo goes to battle trying to make a name for himself. His friend Matahashi follows him, leaving behind a fiance. The battle does not go well and as they stagger back home they stop to be cared for at the isolated home of a mother and daughter. The mother and daughter use ab...( read more)andoned supplies from dead soldiers to make trades with bandits. Still both men fall for the daughter (Oko), but later when the mother lies about Takezo attacking her, Oko becomes bitter. Takezo is left behind, when the women decide to leave hurriedly and take Matahashi along as their protector from bandits. Matahashi will not return to his fiance. Takezo is known to be wild and unruly and so is not wanted when he returns to his hometown to break the news to his friend's mother (Osugi) and fiance (Otsu). Mother Osugi blames Takezo for everything. He is outlawed and hunted around the hills of the town. A wise priest (Takuan) realizes it is not by force and numbers that Takezo will be caught, and heads to the hills to bring Takezo to justice. Otsu starts preferring the company of the priest and Takezo instead of the sad memories at mother Osugi's house. The priest begins to teach Takezo how to be a man, not an animal, suggesting that the fight in his spirit is a good thing if he could just use it for the good of man. Eventually Takezo and Otsu run away to start a new life together but Otsu is captured and this renews the anger in Takezo. The priest must intervene again making sure Otsu is safe, and resorts to more extreme measures by locking Takezo in a room with a bunch of books to force him to become educated and be introspective. Years go by... Finally Takezo's name is changed to Musashi Miyamoto, a name more appropriate for a samurai. By now Oko have a daughter, Akemi. Musashi has more training to accomplish but cannot resist seeing Otsu one more time before he goes, even though the priest advised him to cut himself off from his past. Takezo now has a new life before him, many travels, and a couple more movies!
  • April 11, 2008
    It was hard to get my hands on, but I finally got it on dvd! Mifune is the best choice for the role of Musashi Miyamoto. This is the firs part of a trilogy.
  • April 11, 2008
    considered the gone with the wind of Japanese cinema, a good blend of drama and samurai action.
  • April 11, 2008
    Toshiro Mifune the constant badass that he is, earns his right to train to become a samurai.

    Color color and color and set design bring Samurai ear Japan to life.
  • October 14, 2009
    Oooooh, sword fights. Gonna see it, if I can find it.
  • September 17, 2009
    Miyamoto Musashi, better known as Samurai I, is the first part of what promises to be a wonderful trilogy. This is not only the first color film I've seen with Toshirô Mifune in it, but also the earliest film I've seen from him in which he has a more serious role than the ones he...( read more) dad in early Kurosawa's films. The color seems to achieve Japan to gain life, and it had a good cinematography for being the first film. Miyamoto Musashi is a film that is worth being remembered, because although it may not exactly deserve a high place along with some giants of the genre, it was pretty cool. Just that... pretty cool, with some well-done action scenes and a very adequate dramatic-romantic touch. Nice film that caught my attention because it promises talent in its next entries.

    85/100
  • January 15, 2009
    No thankyou - Not interested
  • December 10, 2008
    no thanks not my kinda thing
  • May 7, 2008
    the brilliant opening to a great movie series. toshiro mifune is great as usual.

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