Romain Duris, Fabrice Luchini, Laura Morante

This bawdy French comedy is a re-imagination of the life and times of Molière, one of the great writers of his generation. We join the story when Molière is an impetuous 22 year-old, his theatre troup...( read more  read more... )e is a failure, he is bankrupt and in prison because he can't pay his debts. It is mid-17th century Paris and Molière is a long way from realizing his legacy as the father and true master of comic satire. His release from prison, we discover, is funded by wealthy Monsieur Jourdain who grants Molière his freedom only in return for tutoring. Jourdain is a buffoon, and he enlists Molière to help him woo the affection of a French Countess with a series of love letters. At the same time, the young Molière is entwined in a secret love affair with Jourdain's wife, and if that's not complicated enough, he is also trying to stop Jourdain's daughter from eloping with her secret boyfriend.

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76% liked it

9,880 ratings

Critics

70% liked it

84 critics

PG-13, 2 hrs.

Directed by: Laurent Tirard

Release Date: July 27, 2007

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DVD Release Date: November 20, 2007

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Flixster Reviews (998)


  • November 6, 2009
    Elmire Jourdain: "Unhappiness has comic aspects one should never underestimate.
    Jean-Baptiste Poquelin: How could I joke about that which makes me weep? This type of comedy does not exist.
    Elmire Jourdain: Well, then... invent it."

    ...( read more)obucket.com/albums/w25/EarthlyAlien/?action=view¤t=rmoliere_2007.jpg" target="_blank">Photobucket

    Laurent Tirard's Molière belongs to the sub-genre of fictionalized biopics, which is considerably better than belonging to the traditional biopic genre, now a classification that denotes little more than phony, moldy clichés. Taking its cue from Shakespeare in Love, Tirard's film uses the titular French playwright's life as a jumping-off point for a fanciful tale of romance, duplicity, and acting, Acting, ACTING, imagining the adventure had by the 22-year-old Jean-Baptiste Poquelin, aka Molière (Romain Duris), during a period of months in 1644 when he mysteriously vanished.

    It's speculation of the playful sort, as screenwriters Tirard and Grégoire Vigneron cook up a wild saga to serve as the eventual inspiration for the writer's Tartuffe and The Bourgeois Gentleman, both of which are born from his unlikely stay at the opulent estate of arrogant fat cat Monsieur Jourdain (Fabrice Luchini), where he finds himself in the middle of various romantic entanglements. Ruses, double-crosses, and covert kisses ensue, all while Tirard casts his legendary protagonist as a kindred spirit of Preston Sturges' Sullivan, convinced that comedy - his natural calling - is merely the ugly, inferior stepchild to tragedy.

    It's a belief anyone with passing knowledge of Molière's work knows will inevitably be torn asunder, and one that's firmly opposed by Molière itself, which fervently embraces the author's brand of frothy farce tinged with melancholy. After a brief framing intro (set in 1658) in which Molière and his troupe return to Paris after a 13-year tour of the countryside, the film flashes back to the artist's early days when he was struggling to make ends meet as a two-bit actor.

    Those lean times come to an end after an accidental bit of Chaplin-esque stage buffoonery gets him hired by Jourdain, who wants acting lessons so that he might perform a ridiculously bad, self-penned one-act play (about Greek mythology) for the gorgeous marquise Célimène (Ludivine Sagnier). This must all be done in secret, however, since Jourdain is married to the sharp-eyed Elmire (Laura Morante), a beauty with whom Molière - posing as a priest named Tartuffe who's been commissioned to tutor the younger Jourdain daughter - soon comes to find himself enraptured, and with whom he begins a clandestine affair that proves one of many tricky situations the young playwright is charged with resolving.

    Regardless of his subject's swoon-worthy prose, Tirard's decision to have Duris' Molière look like a Fabio-ish romance novel cover model - long locks, a dashing moustache, and a shirt occasionally unbuttoned to his stomach - is a tad too over-the-top. Otherwise, the director crafts his jovial trifle with proficiency, his pacing swift, his story's humour sharp, and his various references to Molière's famous works light and cheeky. What's missing, alas, is a greater sense of surprise that might keep the film from feeling somewhat routinist.

    This is most problematic with regards to the sub-plot involving Jourdain's greedy, nefarious acquaintance Dorante (Edouard Baer), a broadly conceived villain profiting off Jourdain's infatuation with Célimène and, later, intent on cementing his bourgeois status by having his son marry Jourdain's elder daughter, who's engaged in her own stealthy trysts with a boy of non-noble birth. Throughout Molière, familiarity is a pressing issue, since its narrative inventiveness isn't quite enough to quell the impression that its myriad complications have been done before, and with slightly more flair.

    No fault, however, can be laid at the feat of Tirard's fantastic cast, which by and large brings verve to even the most hackneyed of scenarios. Unlike Baer, whose Dorante remains tiresomely two-dimensional throughout, Luchini skilfully employs exaggerated mannerisms (bug eyes, awkward gestures) as the absurd Jourdain without ever fully succumbing to outright clownishness, and his restraint bestows a pair of third-act confrontations with a much-needed bit of gravity.

    Duris, playing what can only be described as any actor's wet dream, expertly colours his title character's quick wit with shades of longing, in the process bringing a touch of soulful depth to the generally frivolous proceedings. It's Morante, however, who truly lends Molière its measure of enchantment. Her Elmire a complex creature of regal authority, burning passion, and maternal responsibility. One look in her dark, lively, intelligent eyes as she sits atop a post-coital bed wrapped in nothing but a white sheet, and it's all too easy to understand what might have finally lit the creative spark in Molière's heart. She also reminds me of my mum, which, now that I think about it, is Freudianly creepy.
  • September 11, 2008
    One of my favorite foreign films. Funny and romantic. There were parts when I couldn't stop laughing. Moliere's writing is so witty. I liked how the movie was funny yet sad like how he was suppose to write a play that had both and the film had humor and tragedy. It is possib...( read more)le to have both. Plus, Romain Duris is not bad to look at through the movie....gorgeous eyes!! Great actor!!
  • June 8, 2008
    Romantic and humorous. A hidden bijou. Very well shot.
  • April 4, 2008
    Entertaining period comedy with beautiful sets and engaging acting. It tells the story of French playwright Molière's early days, as if they were indeed as farcical as his plays. C'est très drole!
  • December 29, 2007
    Don't know fuckall about the man but this movie turned out pretty interestin unlike how I usually find contemporary mainstream French comedies which are always rife with language-specific humour. Watch out for the "horseplay" scene - absolutely fabulous! And oh, Laura Morante is ...( read more)lookin more delicious than ever!
  • September 24, 2009
    Inspired by Molieres life, this movie isn't actually historical accurate.
    "Moliere" is funny at times, very beautiful to look at because of the views and the costumes. But I'm not that kind that looks for this aspects when watching a movie, so...I was bored most of the time. The ...( read more)movie is too "theatrical", so the actors were restricted by this factor, and they were less credible.
    But the biggest disappointment was Duris, had some great expectations for his performance.
  • September 9, 2009
    not interested in these kind of movies
  • June 28, 2009
    Moliere was a nice, gentle, warm comedy, with moments of great hilarity and sadness.The original idea of the movie was quite seducing, showing us part of Molière's life as if he were in a Molière's play. This fictional biography was what Molière had meet in his youth and all the...( read more) characters he used as figures to his future plays.

    I found the film a little long for what's it's worth. Some scenes were not needed and still they last forever and some unfunny situations were too long revealed. Example the love story of the daughter of the family, was predictable and boring. This film is not for everyone, but if you like French humor and a little romance you really can't go wrong with Moliere.
  • June 13, 2009
    Amazing, full of passion and the ppl who have seen Tartufo on theathers have knowing about how interesting the film is
  • May 2, 2009
    I seem to be just loving a lot of the french films that have come out lately.

Critic Reviews


August 10, 2007
Liam Lacey, Globe and Mail

In making a comedy about a writer famed for his perfectly tuned wit, the filmmakers have inspired other expectations. The result is as off-putting as biting into a confection in which the sugar has be... full review

August 9, 2007
Colin Covert, The Minneapolis Star Tribune

Although you may fidget 90 minutes in, a strong finale saves the day, and as some other playwright said, all's well that ends well. full review

August 3, 2007
Mick LaSalle, San Francisco Chronicle

Molière is a restful diversion, perhaps too restful, but still acceptable. And the actors go a long way toward bringing it off. full review

July 27, 2007
Nick Schager, Cinematical

What's missing, alas, is a greater sense of surprise that might keep the film from feeling somewhat rote. full review

July 27, 2007
Kyle Smith, New York Post

This movie about the crucible of imagination has none of its own. full review

July 27, 2007
A.O. Scott, The New York Times

Jean-Baptiste Poquelin, better known as Molière, wrote more than 30 plays, every one of them a hundred times more witty and insightful than the movie Molière. full review

July 23, 2007
Anthony Lane, The New Yorker

This is the sort of period movie -- that would leave a modern audience with faces of stone. Yet the film, directed by Laurent Tirard, has something. To be exact, it has Fabrice Luchini and Laura Mor... full review

View more Moliere (Moliere ou Le comedien malgre lui) reviews at RottenTomatoes.com

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