Monsieur Verdoux (1947)
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97% of critics liked it
(32 reviews) -
87% of users liked it
(5,116 ratings)
"Von Clausewitz said that war is the logical extension of diplomacy; Monsieur Verdoux feels that murder is the logical extension of business." With his controversial "comedy of murders" Monsieur Verdoux, Charles Chaplin makes his final, definitive break with the Little Tramp… More "Von Clausewitz said that war is the logical extension of diplomacy; Monsieur Verdoux feels that murder is the logical extension of business." With his controversial "comedy of murders" Monsieur Verdoux, Charles Chaplin makes his final, definitive break with the Little Tramp character that had brought him fame and fortune. Verdoux (Chaplin), a mild-mannered family man of pre-war France, has hit upon a novel method of supporting his loved ones. He periodically heads out of town, assumes an alias, marries a foolish, wealthy woman, then murders her for the insurance money. He does this thirteen times with success, but wife #14, brassy Martha Raye, proves impossible to kill (nor does she ever suspect what Verdoux has in mind for her). A subplot develops when Verdoux, planning to test a new poison, chooses streetwalker Marilyn Nash as his guinea pig. She tells him so sad a life story that Verdoux takes pity on her, gives her some money, and sends her on her way. Years later, the widowed and impoverished Verdoux meets Nash once more; now she is the mistress of a munitions magnate. This ironic twist sets the stage for the finale, when Verdoux, finally arrested for his crimes and on trial for his life, gently argues in his own defense that he is an "amateur" by comparison to those profiteers who build weapons for war. "It's all business. One murder makes a villain. Millions, a hero. Numbers sanctify..." Sentenced to death, Verdoux remains calmly philosophical to the end. As the condemned man walks to the guillotine, a priest prays for God to have mercy on Verdoux's soul. "Why not?" replies Verdoux jauntily. "After all, it belongs to him." The original idea of Monsieur Verdoux originated with Orson Welles, who'd wanted to make a picture about notorious modern "Bluebeard" Landru. Welles wanted to cast Chaplin in the lead; Chaplin liked the idea, but preferred to direct himself, as he'd been doing since 1914. It is possible that Chaplin might have gotten away with the audacious notion of presenting a cold-blood murderer as a sympathetic, almost lovable figure. Alas, Monsieur Verdoux was released at a time when Chaplin was under a political cloud for his allegedly Communistic philosophy; too, it came out shortly after a well-publicized paternity suit involving Chaplin and Joan Barry. Picketed in several communities, banned outright in others, Monsieur Verdoux was Chaplin's first financial flop. Today, it can be seen to be years ahead of its time in terms of concept, even though the execution is old-fashioned and occasionally wearisome. Monsieur Verdoux doesn't always hit the bull's-eye, but it remains one of Charles Chaplin's most fascinating projects. ~ Hal Erickson, Rovi
- Directed By
- Charles Chaplin
- Written By
- Orson Welles, Charles Chaplin
- Genres
- Drama, Classics, Comedy, Special Interest
- In Theaters
- Jan 1, 1947 Wide
- Studio
- Criterion Collection
Critic Reviews
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Jeff Shannon, Seattle Times
Perfection? Arguably not; Verdoux has clunky moments and some flat casting, but with an able assist from the great comedian Martha Raye, Chaplin's latter-day greatness is readily apparent.
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Joshua Rothkopf, Time Out New York
Monsieur Verdoux is the spirit of modernity taken to its darkest extreme. It may be immortal.
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Sara Cardace, New York Magazine
In its uncanny depiction of a weakling whose crimes pale against those of the war-mad society around him, it's a near masterpiece.
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, Variety
Chaplin generates little sympathy. His broad-mannered antics, as a many-aliased fop on the make for impressionable matrons.
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, Time Out
Shapes up as Chaplin's most startling, most invigorating movie: its icy temperature is positively bracing after the hot syrup of his earlier work.
See more critic ratings and reviews on Rotten Tomatoes
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
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Cast
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Charles Chaplin
as Henri Verdoux
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Ada May
as Annette
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Marjorie Bennett
as Marie's Maid
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Isobel Elsom
as Marie Grosnay
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Audrey Betz
as Mme. Bottelto
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Marilyn Nash
as The Girl
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Virginia Brissac
as Carlotta Couvais
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Mady Correll
as Mona Verdoux His Wife
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William Frawley
as Jean La Salle
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Irving Bacon
as Pierre Couvais
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Charles Evans
as Detective Morrow
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John Harmon
as Joe Darwin
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Helene Heigh
as Yvonne
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Margaret Hoffman
as Lydia Floray
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Arthur Hohl
as Real Estate Agent
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Fritz Leiber
as Priest
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Robert Lewis
as Maurice Bottello
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Vera Marshe
as Mrs. Darwin
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Eddie Mills
as Jean Couvais
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Eula Morgan
as Phoebe
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Bernard Nedell
as Prefect of Police
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Martha Raye
as Annabella Bonheur
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Allison Roddan
as Peter Verdoux
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Almira Sessions
as Lena Couvais
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Barbara Slater
as Florist
- Warren Ashe
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Wheaton Chambers
as Druggist
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James Craven
as Annabella's Friend
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Joseph Crehan
as Broker
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Cyril Delevanti
as Postman
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Franklin Farnum
as Victim of the Crash
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Boyd Irwin
as Prison Official
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Paul Newlan
as Wedding Guest
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Barry Norton
as Wedding Guest
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Edna Purviance
as Extra at Wedding Party
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Frank Reicher
as Doctor
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Addison Richards
as Bank Manager
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Herb Vigran
as Reporter
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Charles Wagenheim
as Friend
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Pierre Watkin
as Prison Official
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Fred Karno
as Mr. Karno
- Edwin Mills