Billy Bob Thornton, Coronji Calhoun, Dante Beze

Hank, an embittered prison guard, lives with his aging racist father, Buck, and his own twenty something son, Sonny. Hank and Sonny work for the local prison where they are preparing the electric chai...( read more  read more... )r for a black inmate. After the man is executed, Hank falls in love with Letitia, the inmate's widow. This emotionally charged affair forces Hank to re-evaluate how deeply prison work and his father's infectious hatred have affected his soul.

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65% liked it

21,704 ratings

Critics

85% liked it

141 critics

R, 1 hr. 51 min.

Directed by: Marc Forster

Release Date: November 11, 2001

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DVD Release Date: June 11, 2002

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Stats: 2,384 reviews

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Flixster Reviews (2,384)


  • September 24, 2009
    Frankenstein?s testicle. Joking, this is a very entertaining film, brilliantly played by Billy Bob Thornton.
  • September 11, 2009
    Really depressing movie. The ending was really weird. But it was good to see Thornton's character finally come around.
  • April 8, 2009
    "A lifetime of change can happen in a single moment."

    After a family tragedy, a racist prison guard reexamines his attitudes while falling in love with the African American wife of the last prisoner he executed.

    REVIEW<
    ...( read more)/b>
    Halle Berry and Billy Bob Thornton do an outstanding job in this opulently photographed chronicle of generational hatred. The entire supporting cast is rock solid, including Peter Boyle as the bilious, crumbling paterfamilias who gets his just desserts. If there is anything wrong with the movie it is in its lack of foundation for the rapid shelving of entrenched attitudes, as well as instant intoxication from a nip of Jack Daniels and its almost overdone cleverness. A little suspension of disbelief is needed, but this film is merciful salvation from the endless procession of sappy or exploding car movies. The viewer is rewarded with a realistic and honest ending.
  • March 2, 2009
    An average drama which was well written and well acted. The set left a bit to be desired as it seemed the film wasn't sure where the story was happening (Louisiana or Georgia). Thorton, Ledger and Boyle were excellent in their respective roles, and though Berry was the best I'...( read more)ve seen her, I'm not sure the performance was Oscar worthy. The film was very thought provoking up until the sex scene between Thorton/Berry characters. It seemed to lose steam and meaning during the remainder.
  • September 27, 2008
    "I've always believed that a portrait captures a person far better than a photograph. It truly takes a human being to really see a human being."


    Simply put, Monster's Ball is one hell of an outstanding movie. Marc Forster's direction is first-rate, the script

    ...( read more)is meticulous, and there's superb acting right down the line. The story conveyed by this hauntingly compelling masterpiece cannot be easily swallowed. This is a powerful and poignant movie not merely about racism and redemption (as one might initially presume), but about one of the most urgent and unanimous of human desires - that of finding solace for anguish and solitude. Brutal, riveting and brilliant - Monster's Ball daringly strides into territory seldom explored by usual contemporary motion pictures. The film is emotive and provocative, and relentlessly delivers a message about life in the American South.

    The title of Monster's Ball is a term that was used in 19th century Europe to describe a night of feasting traditionally had for a condemned prisoner the night before he or she was to be executed. The title may seem confusing, but if one understands what the term means in the context of the film's plot, it makes sense.

    Hank Grotowski (Thornton) is a soft-spoken, embittered Georgian prison guard in charge of the Monster's Ball: he organises a condemned prisoner's last rites and final evening. Hank lives with his openly racist redneck father Buck (Boyle). His offspring Sonny (Ledger) also works at the local prison and has been caught in his family's passionate racism, which he tries to stand against. Sonny's job at the prison is purely due to the expectancy to carry on family tradition. Hank's final execution is that of prisoner Lawrence Musgrove (Combs). Following this, a family tragedy occurs and Hank feels mentally unfit to continue working at the prison. By chance he meets young African-America woman Leticia (Berry) and they form and unpredictably intimate bond. Leticia was the wife of the last man Hank executed, but both of them are initially none the wiser.

    Monster's Ball is artful and solemn, magnanimous and atmospheric. It's inlaid with wordless scenes accumulated to produce a mosaic of meaningfulness about life in the American South and the possibility of redemption through love. Its message is conveyed effectively and relentlessly. There is never any reluctance to display gratuitous racism or sex. The controversial sex scene in particular between Billy Bob Thornton and Halle Berry is graphic and explicit...almost pornographic material. It's these scenes, along with several others, that create an engaging hook to compellingly reel in a viewer for the (approximately) 110-minute duration.

    The film is supported by a stellar screenplay. The film's sole negatives are in the script, though. Most of the character behaviour seems forced and ludicrous. The sex scene, although tastefully done, never seems to have much of a purpose. An emotionally vulnerable black woman would not seek comfort in a man she barely knows. Probably a feature to reveal her character, but it seems very sudden and difficult to buy. Despite this, the film is an incredible experience. There are admirably unconventional and unsentimental moments included in the script. Leticia and Hank never profess undying love for each other. In fact, there never seems to be any love included: it's all lust. "Make me feel good!" Leticia pleads Hank before forcing him into the nitty gritty. The characters never feel good per se, but they do feel better. The film does not end with any clichés. The love interests don't ride off into the sunset together or live happily ever after. In fact, there is no evidence to suggest the two will be together very long. As an alternative the film concludes on a beautiful note of ambiguity...and perhaps a glimmer of hope.

    With each film, Billy Bob Thornton continues to convince me that he's one of the finest actors working today. He's a true filmic chameleon who brings life and adequate realism into every single role he portrays. It's impossible to overlook his amazing performances. Be it A Simple Plan, Bad Santa, Sling Blade or Bandits - Thornton's acting skills are sensational. His character of Hank Grotowski is a quintessential Thorntonian. Never does he put a foot wrong.
    Halle Berry's acceptance speech at the Oscars forever sits badly in my stomach. She pretty much embarrassed herself in front of the millions of viewers. Despite this opinion, Halle deserved her Oscar for portraying a character with such emotional depth. It's a shame her character was cheapened by the unnecessary sex scene, but nevertheless her acting is incredible. No matter what situation she's been placed into, Halle can do wonders with her character.
    Heath Ledger (R.I.P.) is used for an unfortunately short duration. In spite of this, Ledger gives his character depth and motivation. He abhors the racism ripening in those he usually looks up to. His character feels horrible about being forced to dish out capital punishment, and this is palpable in Ledger's emotions. His character is also reduced to "relieving" himself with a prostitute to escape his awful life. It's a shame the actor died so young. A promising career would have been ahead of him.
    Peter Boyle takes a shocking career turn as the racist grandfather. For years I've seen Boyle as the hysterically witty grandpa in Everybody Loves Raymond. Surprisingly, Boyle pulls off this serious role admirably.

    Overall, Monster's Ball is a challenging, stimulating and confronting drama that shows the ugly side of humanity with stark realism. Suicide, capital punishment, graphic sex and racist slurs are among the contents of this unforgettable production. Said contents are not sugar-coated in any way. The gripping screenplay and Marc Forster's transcendent direction "tells it like it is". As a result the film is an intense, emotionally-wrenching and powerfully affecting experience that requires dedication and attention. Superb performances permeate the proceedings, adding density, depth and feeling to the hard-nosed drama. It may seem dour on the surface and some features of the script are ridiculous...however the film conveys an unsentimental, expressive, achingly eloquent and affirming story of transformation and hope.
  • November 1, 2009
    Marc Forster is terrific with drama and he directs this one very well. The story has a concept that we've seen a lot, but we've never seen it with this kind of story. I love the characters. They've all got a sense of sorrow and innocence that makes you feel sorry for them. The ac...( read more)ting was the best part. halle Berry is decent to bad - she was a bit over the top at times. heath Ledger plays the son very well and he's got such charisma. Billy Bob Thornton won it for me as Hank. i did find the ending a bit wierd and i didn't really understand it, but the rest of the movie is top-notch and it's definitely a must see!
  • October 26, 2009
    Halle Berry's incredible Oscar winning performance is a huge boost to this film. It is certainly not a cheery "feel good" film, but it is a powerful and heart wrenching story. The rest of the cast is great as well.
  • October 14, 2009
    after all . it's a blessing that you have the strength to move on and leave the past far behind
  • October 9, 2009
    este es un peliculon con el cual halle berry gano un oscar
  • October 5, 2009
    I thought this movie was extremely good and very raw. It tells a story about Hank who together with his son work at a prison, they've lived in a racist home their entire lives. They prepare the execution of a black man and after the execution Hank falls in love with the black wid...( read more)ow. Hank starts having second thoughts about the racism. The movie is very emotionally charged and Halle Berry won a well deserved Oscar for her part in this movie.

Critic Reviews


February 8, 2002
Moira MacDonald, Seattle Times

Though the film can initially seem off-putting, Monster's Ball slowly and quietly gets under your skin. full review

February 1, 2002
Roger Ebert, Chicago Sun-Times

The movie has the complexity of great fiction, and requires our empathy as we interpret the decisions that are made. full review

January 4, 2002
Stephanie Zacharek, Salon.com

It's less than half a fine movie. The great surprise is that its actors come through in the clutch. full review

December 26, 2001
A.O. Scott, The New York Times

This is one of those rare movies in which even people glimpsed only for a moment or two seem to have lives that ramify beyond the screen, as if the story were being witnessed rather than dramatized. full review

December 21, 2001
Peter Travers, Rolling Stone

The actors make it unique and unforgettable. full review

View more Monster's Ball reviews at RottenTomatoes.com

Comments


  • imanoangel17
    March 2, 2007
    The title comes from a custom in medieval England where prisoners awaiting execution were called monsters. The night before their execution, their jailers would hold a feast known as a monster's ball as their final farewell. For those who don't know what monster's ball is.
  • onr29
    October 25, 2006
    (5 stars for the sex scene)..for those with no sense of humour..LOL
  • onr29
    October 25, 2006
    5 stars... oh & the movies good too!!:P...HaHaHa!!!
  • Scottman22
    June 21, 2006
    Good thing Halle Berry had a super hot sex scene or this movie would not be worth seeing but because of it I've seen the movie a thousand times!!

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Monster's Ball Trivia


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