Carolyn Calder, Dan Cadan, Dolly Wells, Duncan McHardy, Jim Wilson ...( see more  see more... ) , Kathleen McDermott , Linda McGuire , Raife Patrick Burchell , Ruby Milton , Samantha Morton

A thriller set in a remote Scotland port town, centering around Morvern Callar, an impoverished supermarket clerk. When her writer boyfriend commits suicide, Morvern, covers it up. Immediately followi...( read more  read more... )ng his death, Morvern--who's always struggled to make ends meet--steals his unpublished novel, sells it under her own name, and uses the profit to take off for the Mediterranean where she lives the easy, hedonistic life of a raver--clubbing non-stop in Ibiza, Spain.

Flixster Users

76% liked it

4,688 ratings

Critics

84% liked it

76 critics

R, 1 hr. 37 min.

Directed by: Lynne Ramsay

Release Date: December 20, 2002

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DVD Release Date: December 16, 2003

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Stats: 305 reviews

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Flixster Reviews (305)


  • October 2, 2009
    Lynne Ramsay is a brilliant director and Samantha Morton is fantastic. Not for everyone but this is one of the best films of the 2000's so far!
  • December 1, 2008
    strange film but i liked it. samantha morton is always worth watching. more modern than ratcatcher but almost as stunning to look at. very nice soundtrack too.
  • November 25, 2008
    Interesting movie...not entirely successful, but compelling in its own bizarre way. Lynne Ramsay has a hell of a good eye behind the camera and her music selections are superb. For someone with such a solid sense of style, and an unintrusive way of splicing it into a narrative, R...( read more)amsay hasn't exactly seen much work. Life sucks for female directors.

    My big problem with Morvern Callar is kind of my own - I have a huge problem comprehending Scottish accents and could hardly understand what any of the actors were saying. I watched the movie on Netflix, so subtitles weren't an option, and turning it up didn't help much. It's a testament to the movie's striking physicality that I took as much away from it as I did, so maybe it's actually an advantage in the long run. Also, some people may find the film ponderous and navel-gazing; it is inaccessible, yes, but never lost in itself. You could write an essay on what the movie tells you (and doesn't tell you) about Morvern. In this regard, the movie owes a lot to Samantha Morton, who seamlessly nails an incredibly tricky role. For me, her bizarre behavior didn't raise any question marks, but just acted as a reminder about how confusing it is to be young, poor and unhappy.

    Morvern Callar demands a lot of patience and attention, and the returns are not really for everyone. I recommend it, but hesitantly. If you don't care to watch the film, at least get the soundtrack. Boards of Canada, Aphex Twin, The Velvet Underground...good stuff right thurr.
  • November 24, 2008
    Lynne Ramsay's second feature, called simply yet mysteriously after the main character, "Morvern Callar", it's a rare, uncompromising and ultimately moving picture one may open her/himself or close to but from sitting to it with open mind may come great rewards.

    The plot is sim...( read more)ple: Young, closed-up and somewhat autistic girl (great as usual Samantha Morton) finds a dead body of her boyfriend who commits suicide, leaving her his novel on the computer. After some time, she decides to bury his body and takes off to make a deal with publisher, changing his name on the novel for her own. But why does she do that, and why she changes his name on the book and send it as her own, it's never clear.

    Ramsay must've been clearly influenced by Antonioni here, specifically the way he treated his characters, who, as in real life, don't tell each other anything they aren't prepare to say yet, and in many cases-- like in "L'Avventura", or especially in "La Notte"-- never will. Morvern's behaviour is clearly a case to consider, but Ramsay is brave enough to make us go with Morvern through her situation and decide for ourselves how we feel about her actions. She may be unfeeling and egoistic, or she may be affected by the unexpected circumstance so deeply that, having no clue how to progress without her boyfriend-- since she's clearly a girl who can't function on her own-- the only thing she appears to be capable is to continue to run away from what she experieced at the beginning. That way Ramsay touches something very important here, and she shows it without spare explanations: that what we loose, we want to hide from everything and everyone, as if we wanted to hide it from ourselves, and how in the end it makes us even more isolated from everything what we want to hide it from.

    Sounds human enough, doesn't it?
  • April 6, 2008
    A good film that could've been great if it hadn't fallen apart in its 3rd act.
  • December 14, 2009
    Amazing movie. It has definitely one of the best soundtracks ever and Samantha Morton gives such a calm yet layered performance, she's truly haunting; one viewing is clearly not enough to fully understand all of her character.
  • April 23, 2009
    She is my hero. Forever.
  • September 23, 2008
    Mix tapes from the dead and stolen novels, mean ambigious beautifully photographed crowded dance halls and lonely deserts.

    After Morvern's boyfreind kills himself on Christmas Day, he leaves a note saying "don't try to understand, be strong, pay ...(read more) for my funeral ...( read more)with my account and send my book to the publishers", and instead she cuts up his corpse burries him(after several days of him on the kitchen floor), signs her name to his book, and uses the advance to go on a trip to Spain to with her best freind, who she later ditches in the desert.

    Though the journey sounds thrilling and surreal, and it many of its finest moments it is, it's a also haunted one, beautifully photographed and excellently aurally composed. It is as much and visual and tonal expression of isolation as it is a feast for the senses.

    There's very little dialogue and somewhat thick scottish accents are a little hard to hear without subtitles, in many scenes though what is audible is often fighting over the roar of crowds or the roar of music. Not unike Callar herself, one small voice, among many, being at best, partially heard, but talking on anyway.

    Samantha Morton (the main pre-cog in Minority Report) is hypnotic and commanding, as is the movie in general. One of the best Christmas films in years!
  • June 25, 2008
    great pictures but the story is not as good as I wanted it to be

Critic Reviews


October 24, 2003
Marcy Dermansky, About.com

"Shocking and exhilarating." full review

June 5, 2003
Colin Covert, The Minneapolis Star Tribune

A film about youthful confusion made without a moment of artistic immaturity or indecision. full review

April 18, 2003
Ty Burr, Boston Globe

Even if both films are about accidental sinners, Morvern Callar turns out to be a very different, and more difficult, film than Ratcatcher. full review

March 28, 2003
Moira MacDonald, Seattle Times

This odd, poetic road movie, spiked by jolts of pop music, pretty much takes place in Morton's ever-watchful gaze -- and it's a tribute to the actress, and to her inventive director, that the journey ... full review

January 31, 2003
Peter Travers, Rolling Stone

Ramsay and Morton fill this character study with poetic force and buoyant feeling. full review

January 31, 2003
Roger Ebert, Chicago Sun-Times

We watch Samantha Morton so closely, with such fascination, because she is able to embody a universe of wounded privacy. full review

January 17, 2003
Mick LaSalle, San Francisco Chronicle

Strange, moody film that could easily have seemed like a willful wallow in the macabre but for the odd truth of Morton's performance and the psychologically penetrating direction of Lynne Ramsay. full review

December 20, 2002
Stephanie Zacharek, Salon.com

A work of astonishing delicacy and force. full review

View more Morvern Callar reviews at RottenTomatoes.com

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