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In the late 1950s and early 1960s, while French Left Bank Cinema flourished, parallel movements flowered in other countries; in Norway, the trend enabled director Erik L°chen's career to flourish. L°chen arguably hit his peak with the structurally fractured 1972 political drama Motforestilling (Remonstrance). Ostensibly the tale of a film crew itself making a political drama about various allegiances and assassinations, L°chen intertwines this narrative with a second narrative thread involving the actors behind the production - rendering the film as a whole extremely labyrinthine.… More