Aleksei Ananishnov, Gudrin Geyer

In a remote house in the Russian countryside, Mother is on her deathbed and her adult son is taking care of her. When she asks to go for a walk, he carries her to a bench where she takes a nap, then h...( read more  read more... )e carries her to a few places out in nature before bringing her home. Then he goes by a walk himself, returning to his mother who is lying quietly in her bed. Doesn't sound like much, does it? Against this skeletal story, critically acclaimed director Alexander Sokurov manages to push the boundaries of cinema, all the while evoking the deep and sometimes troubled love between a mother and her son. He does this not through quick cuts and hyperkinetic camera moves but by doing just the opposite. More often than not, between lines of dialog the camera is locked down and film is allowed to run through it, while the soundtrack is filled with wind and distant thunder. Consequently, whenever the camera does move, whenever someone does speak, it's electrifying. Sokurov further abstracts his often stunningly beautiful images with odd filters and lenses. Once you get into the pace of the film, it's hard not to get swept away by it, and it's even better on a second viewing. --Andy Spletzer

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84% liked it

1,027 ratings

Critics

83% liked it

12 critics

Unrated, 1 hr. 13 min.

Directed by: Aleksandr Sokurov

Release Date: February 4, 1998

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DVD Release Date: December 12, 2000

Stats: 73 reviews

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Flixster Reviews (73)


  • August 10, 2009
    It's definitely hard to watch but, once it finishes and you look back at those last 73 minutes of your life, you realize it is a powerful piece of film as art: everything is a plastic/aesthetic statement more than just a movie, from the color palette to the sound editing (which w...( read more)orks as part of the creative part of the movie instead of simply being a technical department), from the theatrical performances to the extremely slow pace and the whole depth of the main character (the Son), specially since the sounds of nature and games of light and shadow that Sokurov plays with the countryside and its gigantic hug are a truly magnificent reflection on the Son's thoughts and feelings towards his Mother, her death and the need for her to stay alive. Is he selfish? How big is this love? A movie that doesn't play by the rules: it needs to be felt more than simply seen.

    It's definitely not my kind of movie and I can't say I enjoyed it to the fullest, but I don't regret giving this film my precious minutes and be rewarded with an experience more than just a nice time.

    I will rate this a 4 to try to explain my mixed feelings between personal enjoyment and the contemplation and patience needed to fully realize how extraordinary this film is.
  • April 24, 2009
    For what it is, Mother and Son is a fantastic film. Simple and effective, it really does go straight for the emotions. The script is a thoughtful and intelligent piece of writing. This is mainly film as art, enjoy it for the scenery and the poetic visual style. The film also keep...( read more)s things lean with a short running time. This is essential to it's success as it, very easily, could have outstayed it's welcome.
  • February 29, 2008

    An unbelievably beautiful and poetic film that moves at a perfect meditative pace. Every impressionistic shot seems like it's from a museum painting or from a dream. The visual style was inspired by the pa...( read more)intings Caspar David Friedrich. One of the pillow-shot-like scenes showing a ship on the ocean fooled me as a real painting at first. I loved Sokurov's handling of the soundtrack of the film, and like the flattened images it seems as if the film is the subjective consciousness of the son. Especially in one scene where he walks through the woods, collapses, yet the sound of the footsteps is still heard. A sublime experience.
  • August 10, 2009
    fanno il rumore del fuoco quando scoppietta piano, non appena aprono bocca. e lei è così piccola, e quelle betulle come lei, e la luce, e lui è così bello - bello bello bello
  • May 26, 2009
    This film is about the relationship between a sick mother and her son. (surprise.) Surely, this isn't for the average viewer: narrative is slow, events nonexistent; the film consists mostly of painting-like "still-lives" with very little dialogue. The mother and son walk along th...( read more)e beautiful sceneries (the film is done on the island of Rügen, by the coast of Germany), approach each other, take contact by embracing and hugging.
  • May 10, 2009
    ...( read more)xster.com">Flixster - Share Movies
  • February 8, 2009
    « Provo una pena infinita per te, perché anche se non vuoi, devi sopportare il mio dolore e questo non è giusto »
  • January 25, 2009
    LETTERBOX. Hermosa, pero afectadamente. Quizá requiera una segunda mirada, aunque no anticipo que suceda pronto. / Beautiful, but affectedly so. Might require a second look, though I don't anticipate it any time soon.
  • September 10, 2008
    I had much expected a melodramatic film but watching this, I actually found this to be unbelievably beautiful. The painting-like imagery gives us a lot of subjective thoughts to work out on and Sokurov deliberate handling of images to give an implied sensory experience more attun...( read more)e to ourselves was brilliant. The scene where he touches his mother's hands was particularly wonderful.
  • May 4, 2008
    Wow... I'd hate to see the grindstone!

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Mother and Son Trivia


  • In which movie does a former Mayor, an engaged couple, a single mother and her son, a gay architect, and a professional gambler survive a terrifying catastrophe on the water?  Answer »
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