Mr. Smith Goes to Washington Reviews and Ratings


  • hahsyslyl
    March 28, 2008
    hahsyslyl
    This is the greatest movie Jimmy Stewart ever performed. I have always wanted to be Jefferson Smith. The honest, naive, trusty and idealistic person who always have strong faith to himself. Always trying to get his compromise.
    I have always wanted to have this movie's DVD. And ...( read more)now I am going to get it for my birthday. HOORAY!
  • copperscaledragon2
    March 24, 2008
    copperscaledragon2
    Still very relevant in a lot of ways. good movie.
  • thomasscott2
    March 22, 2008
    thomasscott2
    With this movie I tried very hard to love this movie, but it didn't work. I still liked it quite a bit. Well, I love the courtroom scenes, not just the extras in between.
  • mc5001
    March 14, 2008
    mc5001
    have i ever said jimmy stewart is god? well, jimmy stewart is god.
  • lighthead
    March 11, 2008
    lighthead
    Journalists have All the presidents men, politicians have this.
  • kurosawian
    March 10, 2008
    kurosawian
    Another Capra classic with Stewart delivering his iconic performance. A stirring and wonderfully timeless story.
  • holmennnguy
    March 8, 2008
    holmennnguy
    I tried very hard to love this movie, but it didn't work. I still liked it quite a bit. Well, I love the courtroom scenes, not just the extras in between. Still a very good classic.
  • Garyin89
    February 25, 2008
    Garyin89
    liked it! Very original! James Stewart is way cool!
  • kms5079
    February 21, 2008
    kms5079
    I always loved this movie. I need to watch it again.
  • afropuffs2
    February 18, 2008
    afropuffs2
    I couldn't believe how the film can still be relevant to thing going on today.
  • paeanhera
    February 18, 2008
    paeanhera
    The Best of Capra, I feel. The little guy takes on the Big Washington and comes out ahead, a champion of the people. Just as much a period piece about the Depression Era and the Roosevelt presidency as well as the superb acting of James Stewart. Compare with It's a Wonderful Life.
  • kassychocolate
    February 17, 2008
    kassychocolate
    Absolutely classic Capra. Not to mention, absolutely classic. Jimmy Stewart is wonderful yet again in the title role. The theme of the change an individual can make is explored to great lengths and really touches me everytime I watch it. I am so inspired that I cry at the end eve...( read more)rytime. A great tribute to democracy.
  • lizzi08
    February 11, 2008
    lizzi08
    There is nothing more beautiful than that solitary moment when James Stewart is the only thing seen on camera and when his eyes tear with the refusal to accept his defeat. The most emotional moments captured on film can be seen in the final fifteen minutes of this wonderful classic.
  • aliaysleighbasic
    January 31, 2008
    aliaysleighbasic
    You have to see this movie if your an american!
  • uholdmyheart
    January 30, 2008
    uholdmyheart
    Jimmy Stewart will raise your spirits and have you rooting for the little guy
  • paintballmasters66
    January 30, 2008
    paintballmasters66
    back when great movies meant something
  • angryPrincess79
    January 24, 2008
    angryPrincess79
    I remeber the first time I saw this back in grade school....a good flick.
  • Atisa19
    January 24, 2008
    Atisa19
    Ahhh..wish we had a Mr. Smith now.
  • hrhunteriii
    January 20, 2008
    hrhunteriii
    Almost defining over the top. The inspiring ending of this film must have begun many political careers.
  • nicolemarley4
    January 16, 2008
    nicolemarley4
    awwww jimmy stewart again i love this guy! yet again hes fantastic in this movie! this film is mainly about morals and right and wrong i guess! and jimmy stewarts charactor stands up for what he believes in and refuses to give in to show that in the end good always prevails!
  • punksenate
    January 14, 2008
    punksenate
    Meh, Frank Capra was ok i guess
  • FangsFirst
    January 11, 2008
    FangsFirst
    Containing my joy at this film may or may not prove difficult. I suspected long ago that it would appear to my sensibilities, as it's the kind of manipulation I am inevitably happy to fall prey to. It is the essence of what being American means to Frank Capra and the essence of w...( read more)hat Capra means to the film world and the world on the whole.

    Jefferson Smith (Jimmy Stewart, an absolute knockout in this role--I may not have seen Goodbye Mr. Chips, but I have difficulty believing it matters, I have no idea how Stewart could have lost--but then I have to get into how on earth Capra lost or the film itself lost and so on and so forth) is a "nobody" of a "Boy Ranger" leader (apparently the Boy Scouts of America, in one of their earlier boneheaded moves, did not wish to be associated) from a small town who lives for nature and an extreme pride in his country and boundless patriotism. When one of the senators from his state dies, Governor Hubert "Happy" Hopper (Guy Kibber, a nervous and balding goof, perfect for the simpering wuss of a politician--though apparently involved in many of Busby Berkeley's movies, it seems) is tasked with appointing a new one, and he is directed by Jim Taylor (Edward Arnold, playing a role slightly similar to the one in You Can't Take It with You, but without any redeeming qualities whatsoever--and he is good at it) to appoint one "Horace Miller," but after a scene in which a load of his own children (he appears to have around eight--almost all boys) chastise him for such a poor choice, he must decide between Miller and the reformer his party wants. When he flips a coin, it manages to land on its edge, and so he shrugs and happily chooses the man his children pressured him to take up--Jefferson Smith. Smith is then taken to Washington to carry out his new role, hopefully not interfering with the graft section of a bill Taylor directed his colleague Senator Joseph Paine (Claude Rains, whose name always leads me to The Invisible Man, despite his many, many other laudable roles). Unfortunately, Paine's suggestion to distract Smith from this bill manages to send him into direct conflict with it--he proposes a bill which requires the use of the very same land that Taylor and Paine wish to acquire for their venture. He must then fight the controlling machine Taylor heads, one which owns senators, newspapers and much of public opinion.

    It is, of course, another story of the small, every day honest man fighting the corruption, greed and greed that is bigger than him--and a sideways fight against the cynicism that allows that corruption to occur. Everyone around him, down to his aide Saunders (Jean Arthur, her third picture with Capra) who (of course) eventually falls in love with him urges him to stay out of this world he has found himself in, telling him constantly that he is too good for it, in a ways encouraging his ignorance of the horrors of the "man's world" he now occupies. Of course this is really about preserving the integrity of his character as an honest, decent, well-meaning man, one who is shocked and disgusted by corruption, one who believes in democracy, believes in the people and not the machines, systems and collectives that they may or may not be represented by. Many characters, like Paine, are secretly decent enough, but have resigned themselves to the inevitable cruelty of the world. Taylor is a full-fledged villain, some of the tactics he resorts to are theatrical, though they come off as believable anyway. Chick McGann (Eugene Pallette, who I shall be forced to refer to as "he of the perpetual throat-frog") is the right hand man of Taylor and tries to carry out his wishes, cynical, sarcastic and judgmental of the fledgling Senator Smith, and Diz Moore (Thomas Mitchell) is his philosophical companion of sorts, or rather the equivalent on the "other side." Moore is a reporter and friend of Saunders (whose first name is an amusing mystery for Smith, in case you're wondering why I haven't stated it) who has left an open proposal with her. He shrugs at the corruption around him and simply carries out the wishes of the newspaper, though he is swayed to support Smith by the lovesick Saunders.

    I was a little uncomfortable near the beginning of the film, when Smith first arrives in Washington and, in a daze, finds himself touring the city and gazing reverentially at the monuments, especially the Lincoln Memorial, as I've never felt patriotism in that exact fashion, and the montage (complete with patriotic music) that played during this period, with a literal waving flag even, felt just slightly over the top--but at the same time it was an over the top feeling for Smith, and I feel it's very likely a feeling Capra himself shared in some capacity, based on many of his choices in films. The portrayal of the twisted and self-invested government figures that followed--though they do note that this is hardly a majority, that Taylors and Paines simply case long shadows over them all--were controversial, criticized by many groups at the time and leading to curious desires to ban--and a strangely opposite effect under totalitarian regimes that allegedly edited the film to tow the party line. This does contrast somewhat sharply if one does not think "correctly" of the meaning of the country and patriotism, seeming to reflect poorly on the system itself--and so it does, but only on the system and its parts allowing business to control any elements thereof. But behind it is a clear and obvious message of respect and love for country and freedom that underlie this obvious criticism of personal human weakness. No, it is not the government, nor the people, nor the positions that are being criticized, but the way these things are treated or ignored, the way things like a Jim Taylor are allowed to happen.

    Jimmy had an interesting career, one I've started to notice had a sort of clear line between his youthful exuberant style (this film, You Can't Take It with You, The Philadelphia Story, etc) where he appears as a handsome but lanky, loveable sort, often naïve and kind, almost always enthusiastic, and his later appearance, seemingly shrunken even within a few years, more filled out, with bags under his eyes and a respectful and authoritative aura around him--roles like the ones in The Man Who Shot Liberty Valance or The Shootist--or The Flight of the Phoenix to bring up one that doesn't involve Mr. Wayne, nevermind his films with Hitch. I can't think of too many other actors who seem to have two such disparate periods and airs, some have gradually rolled their way into one or another--and perhaps Jimmy did, too, and I've just not seen the bridge--but the image I have of him in those later films as opposed to the smilier one of his earlier ones is so different as to almost feel like a separate actor. I can't put my finger on it, but I think of him here, even toward the end, filibustering for 23 hours straight, unshaven, raspy and shaky, and I think of the image that graces the cover of Shenandoah and my mind has trouble connecting the two. Neither feels like a limitation, of course. Never do I get the impression that young Jimmy could not be a dark, brooding and downtrodden man (in some ways, said filibustering Smith is just that) nor that the latter-day Stewart could not be carefree (I suppose at some point there were physical limitations on this front, but such things can be avoided). The most fascinating bit of performance out of him alone was a closeup Capra does on him while he sits outside the Lincoln Memorial after his short and ridiculous trial--he sobs quietly to himself and shows all the pain of betrayal by a system he loves, abandonment by all and resignation to a fate he can't seem to win against, and the dull, glassy-eyed look that changes to exuberance when Saunders comes up to him.

    Capra shows his eye, though, in another great bit of business from Stewart. When speaking with the beautiful daughter of Senator Paine, Susan (Astrid Allwyn), he is so nervous that he can't seem to keep his hat in his hands. He shuffles it back and forth between hands, holds it in front of himself, behind, wringing it, grasping the brim, circling and rotating it, dropping it constantly and absent-mindedly, picking it up without a thought each time he drops it--and Capra shows us this conversation purely by viewing the hat. It doesn't matter what Susan or Jeff are saying, what matters is the reaction Jeff has to her--he can't even hold onto his hat, and the way he drops and picks it up repeatedly--it's completely real, and the way that someone nervous but fairly confident of themselves is. They do something silly like keep picking up their hat, but they don't back away or constantly blush or become quiet for it, simply rolling their eyes at themselves internally and continuing to do it.

    The ending, though--holy cow. Once the intrigue really starts, from about the time Taylor threatens to crush Smith up until the final moments--goodness me, what a gripping set of writing and performance. You cannot help but love Jeff by this point--as with most of Capra's characters, he shows that his naïveté is not a symptom of stupidity but a sheltered honesty that has managed to survive into adulthood. He will stand up for himself and he does know what's going on, he just does not suspect sometimes that people can be as rotten as they are, or that systems can be so abused as they can be. So there we see the railroading of a man who has done no wrong that we have seen, we see despicable treatment of him by anyone and everyone, watch him nearly flushed away, then watch as he rises up and takes a stand for the things he believes in--he stands and filibusters for 23 and a half hours in the face of total and complete opposition from the entire Senate, and against the far-reaching powers of Jim Taylor. We see what others will do for him and we see what Taylor will do TO them, and we begin wondering if maybe, just maybe, Capra didn't want to end things on a positive note this time. Maybe this time the power of greed will win over the little man. Maybe this time we'll get that more modern ending. Maybe this time we'll see him crushed and there won't be anything left and we'll be left as drained as Jeff appears when those telegrams appear, the ones he's holding and staring at on the fantastic cover of the solo release of this film--an image that stuck with me like few others, one that immediately caught my attention and imagination.

    Does Capra give in to cynicism this time? Well, you probably already know the answer, but I'm still not telling. It's amazing, though, that even with his reputation for what I've now heard amusingly termed "Capra-corn," he could pull off that kind of amazing, gripping tension. The kind of skill required in something like that is a lot greater than it seems some realize--for all the criticism levelled at his themes and approaches, actually making them work is something completely different, and Capra does it. He has rapidly made his way up to one of my favourite directors, and this is now without a doubt one of my favourite films

    Final note: I mumbled in my review of Mr. Deeds Goes to Town that the two titles and their similarity was a bit ridiculous. It seems, though, that originally Gary Cooper was intended to reprise his role as Deeds and return here (possibly explaining the short subplot where Smith socks a good many reporters for misrepresenting him, recalling Deeds' own approach to such things) for "Mr. Deeds Goes to Washington," but was unavailable. No offense to Mr. Cooper (who is disliked by altogether too many folk I know) but I've gotta say I'm glad we ended up with Jimmy instead, who I've always found instantly endearing. Strange, though, that the title that was originally designed is the one that feels less natural to me than the one that was designed as a grammatically parallel title. I do think Mr. Smith did "go" to Washington, even though I feel Deeds actually did "come" to town.
    OK, that wasn't the final note--it was nice to see Dub Taylor (Ed Carmichael in You Can't Take It with You) make a brief appearance as a reporter questioning Smith, and Harry Carey ends up with a fun role as President of the Senate, a role that continues the theme of the "judges" of the previous few films, this time combining the carefree judge of You Can't Take It with You with the hardlining and serious approach of the one in Mr. Deeds Goes to Town--again nice to see variation, and nice to see the multiracial set of Boy Rangers supporting Smith in contrast to the uncomfortably racist undertones of some bits of You Can't Take It with You.
  • kitteh1882
    January 2, 2008
    kitteh1882
    Sooo good. I first watched this during my government class a couple of years ago. I've seen it many times since. James Stewart was amazing in my opinion. I've always loved his movies and this one was no different. His speech and breakdown at the end of the film always moves me.
  • hlarson7
    December 31, 2007
    hlarson7
    Frank Capra is a very smart man and this movie is fascinating on so many levels.
  • tomedmonds77
    December 30, 2007
    tomedmonds77
    Decent movie...fantastic, star making performance by Jimmy Stewart
  • reelinspiration
    December 30, 2007
    reelinspiration
    One of the most inspiring films ever (after It Happened One Night.) Makes me believe in America.
  • viennawaits1
    December 29, 2007
    viennawaits1
    Right up there with It's A Wonderful Life - just try not to be moved by Jeff' Smiith's speeches in the end. SO good.
  • HeathreAllison
    December 28, 2007
    HeathreAllison
    We watched a bit of this. I wish we had finished it, because it was quite enjoyable.
  • Lucifuge
    December 28, 2007
    Lucifuge
    Jimmy Stewart likes to yell.
  • TimHaber
    December 24, 2007
    TimHaber
    Maybe Stewart's best performance.
  • ceWEBrity
    December 5, 2007
    ceWEBrity
    My lack of unconditional reverence for the classics may make me sound ignorant, but the aging process has to be taken into consideration. Fuck all the AFI douches who haven't watched a new movie in 50 years.

    Anyway, I thought this movie was interesting in concept, but didn't qui...( read more)te flourish on the screen. I'm sure an appreciation for politics, which life in America has bitterly stolen from me, would have made Mr. Smith more enjoyable, but I didn't care much for it either way.
  • dcrees
    December 5, 2007
    dcrees
    Jimmy Stewart (regular guy/grown up boy scout) gets elected senator by some big wigs so they can puppet him within congress to acheive their neffarious schemes. I'd probably enjoy this more if I had a passion for politics but to me it was a snoozer.
  • joyndick
    December 5, 2007
    joyndick
    EXCELLENT movie - Jimmy Stewart was one of the greats.
  • ThePhantomZone
    December 2, 2007
    ThePhantomZone
    I LOVE IT!!!!!!!!!!!!!!!!!!!
  • tommyrulz
    December 1, 2007
    tommyrulz
    havent seen it but looks cool
  • bluerabbit2005
    November 30, 2007
    bluerabbit2005
    Powerful performance by Jimmy Stewart
  • tonetto
    November 22, 2007
    tonetto
    Capra: one of the great US directors: Jimmy Stewart at his best!
  • jacobblust
    November 21, 2007
    jacobblust
    I am always iffy about watching old movies and such because I find it hard to be entertained by them; or more importantly, I can't relate to them... But this movie is as far away from that as possible. It truly is an AMAZING MOVIE!!! This movie immediately jumped up into (at leas...( read more)t) my top 25 movies of all time. I now understand why this is one of America's greatest movies. I was laughing (which I don't do to older movies), I was enthralled with the story and Stewarts performance. Jimmy Stewart is great as Jefferson Smith!!! And the way he is at first with Jean Arthur ("Saunders") is great... reminds me how I'm with someone...
  • lebread
    November 15, 2007
    lebread
    LOVE it. James Stewart, young and riled up.
  • dorkinthesand
    November 15, 2007
    dorkinthesand
    Jean Arthur is so sexy. This film annoyed me during the Happy American propaganda montage, and I was sick of it by the time Saunders sheds a tear at Sen. Smith's idyllic boys' camp proposal. I did love the phrase "Christmas tiger", though.
  • annolav
    November 13, 2007
    annolav
    A kinder, gentler pov on the legislature and our history. Thomas Mitchell gets a role with a bit of meat. Stewart is flawless in this movie. The ending is a trifle too quick.
  • sarasdano
    November 10, 2007
    sarasdano
    Mile-a-minute yet sentimental. Great entertaining film that is timeless on a number of levels.

Summary

Mr. Smith Goes to Washington Summary