Albert Sinkys, Darlene Stuto, Helen McGara

Abel Ferrara, the bad boy of American independent filmmaking, made his first splash with this violent twist on Death Wish and the revenge-vigilante genre. Nastassja Kinski look-alike Zoë...( read more  read more... ) Tamerlis Lund stars as a beautiful mute seamstress in New York's garment district, a shrinking violet who is brutally raped and assaulted not once but twice in the same day. After dispatching the second predator in an adrenaline-driven rush of panic, she pockets his handgun and disposes of the body in small chunks. Tamerlis makes the most of her wordless role, her wide-eyed vulnerability hardening to a dead-eyed determination as she transforms from quivering victim to avenging dark angel, a one-woman vigilante force hunting pimps, perverts, sickos, and slimeballs and using herself as bait. Consider this Ferrara's Taxi Driver, a very different portrait of New York's mean streets. Though this shot-on-the-cheap production occasionally suffers from amateurish performances in supporting roles, Ferrara's impeccable eye for composition and bravura sense of editing create momentum that carries it through to its memorable Halloween party finale. Tamerlis is decked out in a nun's habit with a slash of lipstick across her face, a handgun tucked in a garter, and a contract out on the entire male sex. It's a deliriously effective exploitation thriller that undercuts every expectation of the genre. Ferrara makes a cameo as the first attacker. Tamerlis later cowrote and costarred in Ferrara's most notorious production, Bad Lieutenant. --Sean Axmaker

Flixster Users

73% liked it

2,534 ratings

Critics

80% liked it

10 critics

R, 1 hr. 20 min.

Directed by: Abel Ferrara

Release Date: April 24, 1981

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DVD Release Date: April 25, 2000

Stats: 147 reviews

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Flixster Reviews (147)


  • July 3, 2009
    Morbid and fun cult classic that shows the big apple's nocturnal agitation caused by a beautiful angel with a "death wish" m.o and a deep mental disturbance ala "repulsion".
    Too bad Ferrara's impossiblity to push further into psychological horror, instead he goes for sensationali...( read more)sm. The leap between the innocent and disturbed young girl and the vexatious, psychopathic avenger was a little too abrupt, but it has a crazy soundtrack and the atmosphere for itself is great, sinisterly kitsch.
  • December 18, 2008
    fun rape revenge flick, Zoe Lund is smoking hot in every single scene.
  • December 3, 2008
    Up there with I Spit On Your Grave for women's revenge pics. Yet this is deeper than a typical exploitation number.
  • February 5, 2008
    Sleazy, Boring and Mostly Pointless
  • May 4, 2008
    simple plot, newcomer zoe lund is effective as a deaf mute going on a killing rampage with her newly found .45..where she finds the extra ammo is anyone's guess...it's a low budget exploitation film, not exactly entertaining but an interesting early 80s period piece..if sensless ...( read more)violence don't turn you off perhaps the landlady's 'acting' will...I also thought the saxophone- sounding trumpet at the halloween party was a major gaffe..
  • October 24, 2009
    I'd wanted to see this for a while, and finally purchased the DVD off Amazon. Not what I expected, but I loved it just the same. I love the look of this film, and others like it. Late 70s/early 80s graininess, scummy city locations, it just has something great about it. F-ing lov...( read more)e the end party scene. Another cult classic.
  • October 3, 2009
    Psychopathic man killer.
  • September 14, 2009
    MInimalist pulp that turns into a feminist thesis, as its character turns from handicapped ingenue into homicidal fashion model. Like Ferrara's Driller Killer, the movie has a desire-disgust relationship with the world of NYC's bohemian artist-hustlers. Through his heroine, the d...( read more)irector finds bemusement-disgust in his fellow man trying to get laid. The way pick-up artists and leches interpret the mute girl's silence as desire/acceptance/allure is both pathetic and funny. Ferrara the actor plays a rapist, and Ferrara the director won't show any of her nude. The movie ends up having a lot of empathy for women, and for the viewer, as though even the men among them are watching with more real sensitivity than the louts on screen. In following the tragedy of the protagonist, it seems a little guilty about having been made as an exploitation film. The assaults on the heroine seem edited for schlock-value. Once that's over with, the compositions on fairly uncrowded streets and arty jolts in the editing add some rhythm and energy within the budget considerations and the morbid joke throwaways. The movie seems to be more than the sum of its parts and animosities, maybe b/c if it gets to you, it gets you on its side.
  • August 24, 2009
    I have heard this described as "Death Wish meets Carrie", which totally sums up this movie.
  • August 20, 2009
    good vigilante revenge but disappointed she didn't get the 1st rapist & that she killed innocent men, most men are good...

Critic Reviews


April 2, 2006
Nick Schager, Lessons of Darkness

Sexy, squalid. full review

View more Ms. 45 reviews at RottenTomatoes.com

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