Mulholland Drive

Mulholland Drive

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Mulholland Drive

Ann Miller, Naomi Watts, Brent Briscoe, Dan Hedaya, Justin Theroux

Along Mulholland Drive nothing is what it seems. In the unreal universe of Los Angeles, the city bares its schizophrenic nature, an uneasy blend of innocence and corruption, love and loneliness, beaut...( read more  read more... )y and depravity. A woman is left with amnesia following a car accident. An aspiring young actress finds her staying in her aunt's home. The puzzle begins to unfold, propelling us through a mysterious labyrith of sensual experiences until we arrive at the intersection of dreams and nightmares.

Id: 10897187

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Recent Reviews


  • January 1, 2010
    There are many reasons why I love Mulholland Dr. (and please don't point out the obvious, those of you who have actually seen it). The film is so many things at once it's hard to keep track. It's a thriller. It's a noir. It's a triangulated love story. It's a tale of vengeance. D...( read more)avid Lynch has spun all of these things together to create his masterpiece. He is the true master of the WTF.

    The film is about many things. I could go into detail about them, not because I'm afraid of spoiling the plot, but because it will sound complicated. Just sounds, not that it really is complicated. The film basically follows Betty (Naomi Watts) and Rita (Laura Harring) as they try to piece together who Rita really is due to amnesia. Betty is a small town girl in Hollywood to make it big in movies. Throw in director Adam Kesher (Justin Theroux) and his ultimate bad day and you round out the main plot of the film.

    Or so you think because this isn't your typical Hollywood fare. This is a David Lynch film and what appears to be simple is not. But it really is. Are you getting this so far? There are so many layers to Mulholland Dr., you will have to watch it twice to get to the core of the film. Nothing is what it seems, not because of sci-fi or Doc Brown. It's the basic human condition that makes people see what they want to see and be what they want to be. It's a film about lost dreams. It's Sunset Blvd. for the kids that grew up on Star Wars. It's a movie that doesn't just sit there on the screen. It gets your mind going. You make it what you want it to be.

    In a sense, David Lynch's career has been pushing forward to this point. Starting with the extreme avant garde of Eraserhead, to the very approachable Blue Velvet (kudos to Dennis Hopper), proceeding down the Lost Highway, he has finally ended up with his finest work. A film that tells a Hollywood story without us even knowing it.

    As I said, David Lynch is the King of WTF. You will say WTF a lot during the first three quarters of this film, but you'll still stay interested up until the final sense when it all comes together. Mulholland Dr. is a film that keeps the mind racing, daring you to figure out what the hell's going on before the credits roll. This is one of the most cerebral films ever. This is a true masterpiece.

    THE ORIGINAL REVIEW:

    When I was sitting there watching David Lynch's Mulholland Drive I was totally confused for the first two hours of the film as it seemed to just drag into nothing with plots that ran left and right but never meeting in the middle. It's the last twenty minutes of the film that save it and give the film what can be described as an almost linear storyline.

    The plot involves "Rita" (Laura Herring) being involved in a car accident on Mulholland Drive and losing her memory. She stumbles into the life of Betty Elms (Naomi Watts) an aspiring actress living in her aunts apartment. The most basic premise of the film is that it's about the quest of these two women to figure out who "Rita" is. There are additional plots intertwines with this main narrative, such as Justin Theroux's character having the ultimate bad day.

    But there's more to it than that.

    That's what beautiful about it. Lynch has practically made a film that you have to determine what the hell it's about. What balls! How dare he make his audience think about what they just saw. This is one of the reasons why I really got the movie in the last twenty minutes. He explains it. Sort of.

    So if you're into movies where you'll say "What the fuck?!?!" for two hours this is the film for you. It's a two and a half hour riddle that explodes in the end.







    When I was sitting there watching David Lynch's Mulholland Drive I was totally confused for the first two hours of the film as it seemed to just drag into nothing with plots that ran left and right but never meeting in the middle. It's the last twenty minutes of the film that save it and give the film what can be described as an almost linear storyline.

    The plot involves "Rita" (Laura Herring) being involved in a car accident on Mulholland Drive and losing her memory. She stumbles into the life of Betty Elms (Naomi Watts) an aspiring actress living in her aunts apartment. The most basic premise of the film is that it's about the quest of these two women to figure out who "Rita" is. There are additional plots intertwines with this main narrative, such as Justin Theroux's character having the ultimate bad day.

    But there's more to it than that.

    That's what beautiful about it. Lynch has practically made a film that you have to determine what the hell it's about. What balls! How dare he make his audience think about what they just saw. This is one of the reasons why I really got the movie in the last twenty minutes. He explains it. Sort of.

    So if you're into movies where you'll say "What the fuck?!?!" for two hours this is the film for you. It's a two and a half hour riddle that explodes in the end.
  • December 29, 2009
    One of the best films of 2001. A chilling disection of hollywood, reminiscent of Sunset Bolevard and All About Eve.
  • September 22, 2009
    Alright, I have tried to watch this at least three or four times. I still have not had the patience to watch it all the way through its two and a half hours in one sitting. But at least I have seen all of the movie now.

    I don't like it. Not my type of movie. I like logic i...( read more)n my movies. This one has no idea who is real and who is a dream.
  • August 29, 2009
    Really confusing. Most of it came together at the end, but there were still a few parts I couldn't figure out for myself. Thank goodness for the internet!
  • June 18, 2009
    Once you embrace Lynch's surrealist non-linear style, going along for the ride is a lot easier and enjoyable. With very little over-embellishment he keeps your eyes glued to the screen, keen to follow wherever it is he might lead you next.
  • January 4, 2010
    I am probally against the grain with most people on this film. Lynch makes this films that could be brilliant or bullsh*t. I am not convinced until somebody can explain this.
  • January 1, 2010
    One of the sickest, most perverse movies that I've ever seen. Horrible.
  • December 28, 2009
    David Lynch is a madman and this film proves it. (spoilers) Surrealistic and intriguing, the film takes you through a murderer's fantasy that is as twisted as the film's eponymous road. Why put the inspiring real life events out of order and after the fantasy? It's a cheap trick ...( read more)to give the film greater complexity, or to serve as justification for buying the DVD in order to re-watch it. I'll concede that it heightens the overall narrative effect, so my trust in Lynch isn't completely abused. As with Kafka, Lynch amuses himself by generating emotions that are amputated from their typical human source/event, and this serves as psychic reflection.

    In all of David Lynch's films, I get a creepy feeling of déjà vu, as if the characters are broken/scarred versions of archetypes and the scenes echo events that have special primordial resonance.
  • December 26, 2009
    An immense mind fuck, and quite possibly one of the most suspenseful and mysterious films I've ever seen. It takes a bit of patience but Lynch's genius kicks in eventually; he makes the ordinary appear extraordinary and the real appear surreal, in a profoundly peculiar yet peculi...( read more)arly profound manner, and creates the illusion that everything which does not make sense, somehow does.
  • December 24, 2009
    Okay, Lynch, now that's what I call a good film.

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