Andre Gregory, Jean Lenauer, Roy Butler

A conversation between a globe-trotting theater director and a playwright playfully explores ideas about art, theater, and daily life.

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87% liked it

4,766 ratings

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89% liked it

18 critics

Unrated, 1 hr. 50 min.

Directed by: Louis Malle

Release Date: October 11, 1981

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DVD Release Date: February 13, 2001

Stats: 324 reviews

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Flixster Reviews (324)


  • July 5, 2009
    For almost three months, Wallace Shawn and Andre Gregory recorded lengthy conversations a few times a week. Over the course of the next year, the material was shaped into a script. Shawn and Gregory would play "themselves", or atleast versions of their personalities, and simply s...( read more)hoot a film that involves nothing but a conversation. The action sequences here are the waiters coming by with the next course - it's nothing but largely unbroken conversation about philosophies and the intricacies of life, the ways of finding oneself, the ways of finding "truth". You don't necessarily need to leave the comfort of your own home to find "truth" and "meaning", there's no sabbaticals necessary for self-discovery. Perhaps, for you, the meaning of life is the pleasure of waking up to last night's coffee sans dead cockroaches.

    Wally is a struggling playwright and actor. He was born with a silver spoon in his mouth as the son of the editor of New Yorker - as he grew up, all he had to worry about was art and culture. Now, all he worries about is money. He's about to sit down and have dinner with a man he's been avoiding for years, the successful theater director Andre Gregory. Gregory's recent history is largely a mystery - there have been rumors of him "traveling", and recently he had been seen crying because of a line spoken in Ingmar Bergman's "Autumn Sonata". Because Wally is dreading the evening, he decides that the simple way out is to ask a lot of questions, keep a smile on his face, and get through the night as quickly as possible.

    The early moments of the conversation are precisely that. Wally asks Andre, who initially comes off as a bit of a snob, questions about his recent travels. Andre tells him stories of adventures everywhere from Tibet to Poland, from being buried alive to encountering people who persuade bugs to not eat their crops. Wally's only words in response are "wow", "gosh", and the like. Then, at some point, about forty minutes into the film, Wally finally has something to say. He disagrees with the notion that one needs these extremities to "find themselves" and "live in the moment". His argument is that some people don't have that luxury, and it doesn't make them less of a person if they can't travel to the highest peak of Mount Everest. Wally defends the life of the bourgeois, and argues that it's no less fulfilling than the life of the radical adventure-seeker that Andre has painted himself to be.

    This is a film that's obviously not for everybody, and when I say "not for everybody" I mean not for most. On the most plain and unsophisticated level - this IS a two hour movie that involves nothing but a conversation over dinner. While I did find the first forty minutes incredibly dull, I was sucked in when Wally started getting words in and the focus of the film shifted from Andre's adventures to the debate between the two intellectuals. The last hour of the film is profound, moving, and incredibly stimulating - a level of involvement that you'll never see in most pictures. Whether or not you have the patience is up to you, but those who have an interest in philosophy will certainly find the film incredibly rewarding.
  • April 7, 2006
    One huge star for Wally Shawn. He earns it--and I mean EARNS it--not for his acting ability--although I love him as an actor--but for sitting there and patiently and politely listening to the interminable droning of Andre. The prototypical "dinner from hell."
  • April 6, 2006
    I'm sure it's very interesting and thought provoking, but they made me watch this in high scool philosphy class and all I wanted to do was flirt with the girl next to me. I was bored. Would watch again now with more maturity.
  • November 13, 2009
    A film about truth, art, theatre, reality, human relationships, and a bunch of other subjects, but basically a film about awareness. Awareness of the person as a human being, awareness of the artist, as a cretive force that changes and shapes our perception of reality- all those ...( read more)difficult subjects that are hard to define, here are treated easily, without effort, just as the going to a casual dinner with an old friend.

    But we all know that dinner with an old friend is never simple. In this case we hear about Andre and his mental problems beforehand, so every crazy story he shares with us in the beginning, almost doesn't make sense, until the film wraps up. It takes a bit of patience, to grasp the meaning, as he shares all the details of a mad "awakening"session with Grotowski's group in a Polish forest, but it's never dull. After all, to find the meaning, one has to look from outside, outside reality, in this case. All those acting exercises, they are surreal.

    Don't even get me started on direction. Louis Malle uses every detail carefully, uses the body language of the actors and the mirrors in the room, even the coming and going of the waiter, as a valued comment that propels the story.

    I feel sorry for people who don't get Louis Malle, because they are just missing too much. Anyone who's wondering how could a director make a film about two people talking that lasts two hours (without them ever leaving the table), and not be boring... well you should really see this. It's never boring. You just have to get the point everytime, and everytime they go on telling another story, follow the thread. In the end you might as well discover, what evades anyone, from time to time: meaning.
  • April 24, 2007
    A great dialogue movie. I love that Wallace Shawn couldn't quite make it through the script without saying "inconcievable."
  • August 13, 2009
    It was interesting because as a film with two people just having dinner and talking it opened up even more ideas as we listen to what they're saying. I got interested to what they were talking about. You have to bring out your empathy for a film like this in order to appreciate i...( read more)t, but if it bores you to watch two people talk about stuff than don't watch it. Just BE warned they talk a LOT.
  • August 4, 2009
    I'm endlessly intrigued by the dynamics that get played out between the 2 characters. Yes, this is a movie that is almost entirely comprised of one dinner conversation. And yes, the first hour gets a bit tedious but there IS a point to it. Don't give up on it. You have to see it ...( read more)all the way through.
  • June 25, 2009
    2 great performances from the 2 leads, as they talk over dinner, about life and meanings, both actors havegood lines to chew on
  • April 18, 2009
    fantastic suspension of disbelief. Assumed to be shot in real time in a real restaurant. Actually filmed over a series of weeks, on a set.

    While it's two hours of Gregory talking to Shawn, it's an amazing view into the world of these two people - as if you're eavesdropping on t...( read more)heir conversation. Very cool.
  • April 2, 2009
    a very engaging conversational film; I'm just a bit torn on my final verdict. part of me finds it incredibly fascinating and thought-provoking, while another part of me finds it to be a lot of pseudo-intellectual new age mumbo-jumbo. either way, it's entertaining and stimulatin...( read more)g and a very unique indie film.

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