My Fair Lady (1964)
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94% of critics liked it
(36 reviews) -
87% of users liked it
(166,248 ratings)
At one time the longest-running Broadway musical, My Fair Lady was adapted by Alan Jay Lerner and Frederick Loewe from the George Bernard Shaw comedy Pygmalion. Outside Covent Garden on a rainy evening in 1912, dishevelled cockney flower girl Eliza Doolittle (Audrey Hepburn) meets linguistic expert… More At one time the longest-running Broadway musical, My Fair Lady was adapted by Alan Jay Lerner and Frederick Loewe from the George Bernard Shaw comedy Pygmalion. Outside Covent Garden on a rainy evening in 1912, dishevelled cockney flower girl Eliza Doolittle (Audrey Hepburn) meets linguistic expert Henry Higgins (Rex Harrison). After delivering a musical tirade against "verbal class distinction," Higgins tells his companion Colonel Pickering (Wilfred Hyde-White) that, within six months, he could transform Eliza into a proper lady, simply by teaching her proper English. The next morning, face and hands freshly scrubbed, Eliza presents herself on Higgins' doorstep, offering to pay him to teach her to be a lady. "It's almost irresistable," clucks Higgins. "She's so deliciously low. So horribly dirty." He turns his mission into a sporting proposition, making a bet with Pickering that he can accomplish his six-month miracle to turn Eliza into a lady. This is one of the all-time great movie musicals, featuring classic songs and the legendary performances of Harrison, repeating his stage role after Cary Grant wisely turned down the movie job, and Stanley Holloway as Eliza's dustman father. Julie Andrews originated the role of Eliza on Broadway but producer Jack Warner felt that Andrews, at the time unknown beyond Broadway, wasn't bankable; Hepburn's singing was dubbed by Marni Nixon, who also dubbed Natalie Wood in West Side Story (1961). Andrews instead made Mary Poppins, for which she was given the Best Actress Oscar, beating out Hepburn. The movie, however, won Best Picture, Best Director, Best Actor for Harrison, and five other Oscars, and it remains one of the all-time best movie musicals. ~ Hal Erickson, Rovi
- Rating, Runtime
- G, 2 hr. 50 min.
- Directed By
- George Cukor, Scott Heming
- Genres
- Kids & Family, Musical & Performing Arts, Comedy
- In Theaters
- Dec 25, 1964 Wide
- On DVD
- Aug 5, 2003
- Studio
- Warner Bros. Pictures
Critic Reviews
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Robert J. Landry, Variety
A stunningly effective screen entertainment.
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Dave Kehr, Chicago Reader
Lerner and Loewe's musical masterwork, reimagined for film by director George Cukor.
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Bosley Crowther, New York Times
All things considered, it is the brilliance of Miss Hepburn as the Cockney waif who is transformed by Prof. Henry Higgins into an elegant female facade that gives an extra touch of subtle magic and individuality to the film.
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Roger Ebert, Chicago Sun-Times
The best stage musical of all time and one of the most loved romances.
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James Berardinelli, ReelViews
Few genres of films are as magical as musicals, and few musicals are as intelligent and lively as My Fair Lady.
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John Hartl, Film.com
Literate, funny, brilliantly cast, with a score of Lerner and Loewe songs that does not include one dud.
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Michael E. Grost, Classic Film and Television
Well made musical, with more personal Cukor style and themes than is sometimes realized.
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, Empire Magazine
A wonderfully stylish and witty movie classic.
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, Film4
An elegant musical with some top class tunes -- the last of a dying breed of big-buck productions.
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Dennis Schwartz, Ozus' World Movie Reviews
One of Hollywood's best musicals.
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, TV Guide's Movie Guide
This remains one of [Hepburn] best-loved roles.
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Wesley Lovell, Oscar Guy
Audrey Hepburn's dramatic transformation makes My Fair Lady an entertaining musical experience.
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Steve Crum, Dispatch-Tribune Newspapers
Superb rendering of stage musical with stellar cast and production.
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Emanuel Levy, EmanuelLevy.Com
Cukor's screen version is classy in the positive and negative sense of this term: Lavish and elegant but also bloated, overlong, and theatrical.
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Geoff Andrew, Time Out
Hepburn is clearly awkward as the Cockney Eliza in the first half, and in general the adaptation is a little too reverential to really come alive.
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Eric Lurio, Greenwich Village Gazette
The last great musical of classical era. Marni Nixon is brilliant.
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Gerry Shamray, Sun Newspapers of Cleveland
If you're a fan of this 'Lady,' you'll find plenty to enjoy in a set that's more than fair, it's . . . well, absolutely loverly.
Critic ratings and reviews powered by RottenTomatoes.com
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
Featured Audience Ratings
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Chris W
This is George Cukor's lavish, large budget musical adaptation of George Bernard Shaw's comedy Pygmalion, and the result is something actually quite spectacular. I've always looked at this stroy as being maybe a bit girly, but it's really not the case. It's a… More
This is George Cukor's lavish, large budget musical adaptation of George Bernard Shaw's comedy Pygmalion, and the result is something actually quite spectacular. I've always looked at this stroy as being maybe a bit girly, but it's really not the case. It's a very entertaining, and actually quite hilarious (at times) look at class differences and finding one's place in life. Rex Harrison is Professor Henry Higgins, a wealthy, cultured, and highly educated lphoneticist who makes a bet with his colleague Colonel Pickering (Wilfrid Hyde-White) that he can take an uncouth cockney flower girl (Audrey Hepburn) and transform her into a duchess by the time the Embassy Ball comes around. It's a tale as old as time, but a quite endearing one nonetheless, especially since several more versions have been filmed since this one, namely Pretty Woman and She's All That. This particular telling of the story though is one that's quite special. It's rightly regarded as a classic, and one of the best musicals ever. I won't disagree. The music is great, as is the singing ,even though Harrison mostly talk-sings, and Hepburn got dubbed over by someone else. Now that's I've finally seen this version, I'm able to see yet another musical that has been quite influential on Seth MacFarlane, mostly with his show Family Guy. Not only did they make an episode that's a nonmusical remake of this film's presence, but Rex Harrison (his appearance, voice, and mannerisms) is one of the primary influences on the character of Stewie. The story evolves as you think it might, with there being lots of ups and downs, trials and tribulations, and some successes as well as missteps. For the longest time though, the film prrogresses in a rather realistic way by starting to end rather bittersweetly instead of a sappy romantic happy ending. However, shades of this latter ending do start to rear their head, but not enough so to make me totally angry or derail things. Also, while a lot of the music is good, it's not all great, so these reasons are mainly why I'm giving such an otherwise extremely great and well made film a half star less than perfect. Could the film be better? Sure. But not by much, As it stands, this is a very fun movie that's far more enjoyable and engaging than the premise might make it seem. The performances are iconic, the sets and costumes stunning, and the tunes are pretty memorable. Give this one a go. It definitely lives up to its reputation. -
Zach B
My Fair Lady is one of those musicals that try to not compare to the source material, but base on it's own terms. If I was to base on it's source material, I would be here for days talking about the ending of this film and why I feel that it was unnecessary. But seeing as… More
My Fair Lady is one of those musicals that try to not compare to the source material, but base on it's own terms. If I was to base on it's source material, I would be here for days talking about the ending of this film and why I feel that it was unnecessary. But seeing as how this is based on the film, let's move on. I never saw this classic film until I got news that I was going to be in my high school's production of the musical of the same name (similar with Fiddler On The Roof). When I first watch this film, I had no expectations and walked in clean minded. What I got was two hours and fifty minutes of a movie that I had seen so many parodies of that I was able to know exactly what was happening and when. Did this take away from the film's charm? No, but for a new generation of viewers, this basically means that they won't have the privilege of being shocked at the events of the film. The main thing that shocked me about this film is how beautiful and clean this looks. This film was made during a time when color was still relatively new and here it embraces the idea of making this colored in such a gorgeous way that you can't help but admire all that you see. Everything from the dirt poor streets to the magnificent set used for the Ascot Race is... stunning. Yeah, that is the best way to describe this film in terms of looks: magnificent. In a day where almost all films have computer graphics, this film reminds us why we love classic films all over again. I am still puzzled as to why Julie Andrews did not reprise her role in the film adaption, but in a way, I am kind of glad that Audrey Hepburn played the main female lead. Not only because it meant that Julie Andrews could now play in Mary Poppins, but also because Hepburn would later go on to make the film's main female cockney memorable with her use of the cockney voice. My only complaint is that she never does any of her own singing in this film. Sorry, but that is a distraction to me. I put up with it for as long as I can, but one can only take so much before you wish they allowed her to sing. Rex Harrison is wonderful as he embodies this role. As I said, I was in an adaption of My Fair Lady and as such, I had to go and watch other performances to understand how this, being the play, would work. One thing I noticed is that no one can preform Professor Higgins at all. Well, not nearly as good as Harrison. He made this role forever in one image and that is all that we need. Many have imitated his Oscar winning performance, but no one has been able to equal him. That takes me back to what I said earlier: this film is embedded in our pop culture. You don't have to see the film to know how things play out, but you do need to in order to see why this film is really remembered for what it is: a wonderful musical that not only charms people, but continues to delight people with it's off-key romance and songs that are beyond fun to sing to. -
moon r
One of the best musicals ever made, Cinderella as an Cockney English flower girl and her fairy godmother , a dyed-in-the-wool English linguistic specialist ... and confirmed bachelor. Sophisticated and endearing, certainly the dream can be derided, but ...it's savvy presentation… More
One of the best musicals ever made, Cinderella as an Cockney English flower girl and her fairy godmother , a dyed-in-the-wool English linguistic specialist ... and confirmed bachelor. Sophisticated and endearing, certainly the dream can be derided, but ...it's savvy presentation makes for delectable entertainment. -
Jennifer X
I can't stand Audrey Hepburn's voice, those songs, or Rex Harrison's being. Why, oh why, did it win that Oscar? -
Lady D
A simplistic tale of class divide, a memorable array of songs and whilst Hepburn's interpretation of the humble Flower Girl's speech was quite over the top, Hepburn and Harrison were matched well in starring in this film together. It's somewhat disappointing that… More
A simplistic tale of class divide, a memorable array of songs and whilst Hepburn's interpretation of the humble Flower Girl's speech was quite over the top, Hepburn and Harrison were matched well in starring in this film together. It's somewhat disappointing that Eliza's voice was not that of Audrey Hepburn's, but I'm sure it's because she looked the part and the person who's voice appears on the songs I hope has recognition. A long film, but a classic Musical. -
Dean M
<i>Pygmalion</i>, the timeless George Bernard Shaw play, has been a success in every form in which it has been presented. This Oscar-Winning 1965 movie musical adaptation is no exception. Rex Harrison, as Professor Henry Higgins, is the perfect example of British class… More
<i>Pygmalion</i>, the timeless George Bernard Shaw play, has been a success in every form in which it has been presented. This Oscar-Winning 1965 movie musical adaptation is no exception. Rex Harrison, as Professor Henry Higgins, is the perfect example of British class snob-bishness. Audrey Hepburn gives a fine performance as Eliza Doolittle. The reason for this is simple; Hepburn brings her "own spark of divine fire", (to quote Higgins) to the role and her vulnerability, mixed with her sweet, naive charm and even her wonderfully juvenile pettishness shown in "Just You Wait" all prove what a talented actress she really is. -
Spencer S
My favorite musical of all time, with some of the best acting by Rex Harrison -
danny d
my fair lady is a near perfect movie. the entire cast was perfectly chosen, possibly even to the point of being one of the most perfectly assembled casts in history, and each actor delivered perfectly, especially rex harrison in one of my favorite performances of all time. the music… More
my fair lady is a near perfect movie. the entire cast was perfectly chosen, possibly even to the point of being one of the most perfectly assembled casts in history, and each actor delivered perfectly, especially rex harrison in one of my favorite performances of all time. the music fit the story perfectly, the dialogue was masterful in all but two scenes, and the plot was enthralling from start to finish. at 3 hours the film never dulls. brilliant. -
Thomas B
one of the best musicals ever, my fair lady shows once again why audrey hepburn is one of the most well known names in movies -
Morgan S
jeepers...Henery Higgens is an @$% hole! he is SOOO MEAN ! and tHat whole why can women be like men? what a sexist pig! -
Mark H
One of the all-time great movie musicals is a veritable feast for the eyes and ears. Yes, the costumes, sets and music are all exquisite, but the film's inflated 3 hour length does start to plod after a while. Rex Harrison is the quintessential Professor Henry Higgins and… More
One of the all-time great movie musicals is a veritable feast for the eyes and ears. Yes, the costumes, sets and music are all exquisite, but the film's inflated 3 hour length does start to plod after a while. Rex Harrison is the quintessential Professor Henry Higgins and Audrey Hepburn makes a charming Eliza Doolittle. Won eight Academy Awards, including Best Picture, Best Actor, and Best Director. -
Leigh R
I love Audrey. -
Luke B
Ah the good old days, when musicals could be fun and inventive not to mention downright hilarious, despite lasting 3 hours. Hepburn may be cruising toward obscene parody as Eliza Doolittle when using her "cor blimey" cockney accent but it works as one of the most comedic… More
Ah the good old days, when musicals could be fun and inventive not to mention downright hilarious, despite lasting 3 hours. Hepburn may be cruising toward obscene parody as Eliza Doolittle when using her "cor blimey" cockney accent but it works as one of the most comedic characters in any musical. Stanley Holloway is another piece of inspired casting, taking on the role of her morally bankrupt (or so it may seem) father. Harrison was fully deserving of his Oscar. Speaking his songs as opposed to singing is simply in line with the wonderful self centered character he creates. All the songs have been so far integrated into popular culture that they are instantly recognisable even on a first time viewing. It manages to stay far from cheese or kitsch of many musicals and shows an interesting story, but more importantly interesting characters. -
Candy R
Musical about a low class flower girl who wants to talk posh to elevate her status. One of Audrey Hepburn's most well known roles. All her screeching is very annoying and the ending is not convincing. -
Curtis L
eh -
xGary X
Pygmalion given the musical treatment in a witty class spanning romance. You'd have to be made of stone to not fall for Audrey Hepburn... -
Jeremy S
An adaptation of George Bernard Shaw's Pygmalion. Harrison is fantastic as the obliviously cruel Henry Higgins, and the beautifully sensational Eliza Doolittle (Hepburn). Although the acting is superb, the music is the film's enduring element. The best are: "I Could… More
An adaptation of George Bernard Shaw's Pygmalion. Harrison is fantastic as the obliviously cruel Henry Higgins, and the beautifully sensational Eliza Doolittle (Hepburn). Although the acting is superb, the music is the film's enduring element. The best are: "I Could Have Danced All Night", "Wouldn't It Be Loverly," "The Rain In Spain," . Overall a great musical with some of the most memoriable songs in musical history. -
Lanning :
Freddie, you should have stepped up to the plate, brah. A true only-in-Hollywood romance. I'm sure George Bernard Shaw is still spinning in his grave some 40 years later. -
Alec B
There was a time when all you had to do to sweep the oscars was make a well costumed period musical in color with lots of big sets and a three hour run time. 'My Fair Lady' is mostly fun and well acted, but that final hour drags on way too much. -
Andrew F
I didn't think it was that great. It was long, and I couldn't stand the professor guy (annoying played by Rex Harrison). Despite catchy songs, it is pretty much forgettable.
Cast
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Audrey Hepburnas Eliza Doolittle -
Rex Harrisonas Prof. Henry Higgins -
Stanley Hollowayas Alfred P. Doolittle
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Wilfrid Hyde-Whiteas Col. Pickering -
Gladys Cooperas Mrs. Higgins -
Jeremy Brettas Freddy Eynsford-Hill
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Theodore Bikelas Zoltan Karpathy -
Mona Washbourneas Mrs. Pearce -
John Hollandas Butler
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John Aldersonas Jamie -
Frank Bakeras Elegant Bystander -
William Beckleyas Footman
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Marjorie Bennettas Cockney with Pipe -
Oscar Beregi Sr.as Greek Ambassador -
Betty Blytheas Ad Lib at Ball
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Walter Burkeas Main Bystander -
Robert Coote -
Natalie Core
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Maurice Dallimoreas Selsey Man -
Henry Daniellas Gregor of Transylvania -
Roy Deanas Footman
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Brendan Dillonas Leaning Man -
Pauline Drake -
Harvey B. Dunn
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Isobel Elsomas Mrs. Eynsford-Hill -
Martin Eric -
Joe Evans
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Charles E. Fredericksas King -
Sam Harrisas Guest at Ball -
Monika Henreid
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Clyde Howdy -
Kendrick Huxham -
Lillian Kemble-Cooperas Lady Ambassador
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Phyllis Kennedy -
Colin Kenny -
Alma Lawtonas Flower Girl
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Queenie Leonardas Cockney Bystander -
Moyna MacGillas Lady Boxington -
Laurie Mainas Hoxton Man
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Owen McGiveneyas Man at Coffee Stand -
John McLiamas Harry -
Carol Merrill
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John Mitchumas Ad Libs at Church -
Barbara Morrison -
Alan Napieras Ambassador
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Marni Nixonas Eliza [singing] -
Pat O'Mooreas Man -
Richard Peel
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George Pelling -
Barbara Pepperas Doolittle's Dance Partner -
Hilda Plowrightas Bystander
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Jack Raine -
Dinah Anne Rogers -
Victor Rogersas Policeman
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Wendy Russell -
Bill Shirleyas Freddy [singing] -
Geoffrey Steeleas Taxi Driver
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Grady Suttonas Dancer at Ball -
William Taylor -
Gwendolyn Wattsas Cook
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Ron Whelanas Algernon/Bartender -
Ben Wrightas Footman at Ball -
Ben Wrigley
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Diana Bourbonas Ascot Type -
Colin Campbellas Ascot Gavotte -
Nick Navarroas Dancer
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Michael St. Clairas Bartender -
James Wood -
David Robelas Cockney
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Ayllene Gibbonsas Fat Woman at Pub -
Sid Marion -
Orville Sherman
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Paulle Clark -
Tom Cound -
Allyson Daniellas Ad Libs at Ascot
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Jack Greeningas George -
Eric Heath -
James O'Haraas Costermonger
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