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(239) |
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Plot:
Nana (Anna Karina) is a Parisian salesgirl who drifts into prostitution. The story is told in the form of a documentary, separated into 12 tableaux. Godard has said that the division into tableaux w...( read more
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I wish I could watch every movie ever made but I sadly don't have the time. I'm not interested in this movie because I don't think I'll like it or don't know enough about it to think I might like it. I may still end up seeing it some day though.
A great showcase of Godard's unconventional style. At the same time moving and somewhat sad. A great performance by Karina who will have you convinced the first 5 minutes you see her. Convinced of what you ask? See the film and you'll know what I mean.
The first Godard I've ever seen. Nana is so real, so human. When she's at the bar with her friend and she talks about the responsibility over the things we do, the look on her face, so sad, so desolated and conformed. The dialogs, the acting, the whole movie is incredible!
A biting criticism into the life of and relationships of a man and a woman, displayed very brilliantly by Karina's character. I found this to be one of Godard's most brutal pieces of criticism and yet filled and layered with immense sadness, a criticism of materialism, modern day cowardice and stupidity and also of the loss of love. An austere film, music only used once, and I mean modern music which is common to Godard aside the classical ditty heard throughout the film, thid film is definitely a one-of-a-kind.
A film about tragic death to commemorate the tragic death of Godard and Karina's child. Mondo weepie.
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