Critic Reviews
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G. Allen Johnson, San Francisco Chronicle
It is meant to be a loving and sad portrait of a fading life, but it feels intrusive, excessively brooding and narcissistic.
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Roger Ebert, Chicago Sun-Times
Bbrave, heartless, and exceedingly strange.
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Desson Thomson, Washington Post
Aa heartfelt but eccentric, pseudo-documentary.
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Janice Page, Boston Globe
Maximilian's narcissistic examination of his theatrical family -- to the degree that he shows us photos of ancestors even he doesn't know -- can be boring, and his creative license with the truth is kind of troubling.
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Kenneth Turan, Los Angeles Times
A thoughtful look backward, a summing up that attempts to understand what is ephemeral and what truly lasts, what it is that matters in the final analysis.
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