Featured Audience Ratings

• Emil K

  
  Narc is one furious film from director Joe Carnahan. It resembles of Sidney Lumet's and William Friedkin's gritty and bleak detective films of 70's. Only difference, and in my books a flaw also, is it's hyper stylized visual bursts which feel completely out of… More
  Narc is one furious film from director Joe Carnahan. It resembles of Sidney Lumet's and William Friedkin's gritty and bleak detective films of 70's. Only difference, and in my books a flaw also, is it's hyper stylized visual bursts which feel completely out of place at times. If only Carnahan would have trusted his story more and forget those unnecessary camera tricks which does not serve the film's story in any possible way. But even with it's flawed elements Narc succeeds in being a one hell of a effective crime-film. It packs quite a punch with it's brutal central mystery and director Carnahan does not shy away of the ugly side of the work which these detectives do. Jason Patrick once again prove how terribly underrated he is as an actor. His detective Tellis is complex person who is haunted by his own demons and work. Ray Liotta is menacing enough but goes a bit over the top at times with all of his shouting and fits. Resst of the cast is good enough to keep this film's authentic feel afloat. Narc's biggest strenght as a film is easily it's atmosphere. With great support from composer Cliff Martinez, Carnahan paints a hypnotic world with sepia tones and steely blues. There is genuine feel of mystery over the film and i like that Carnahan does not give any easy answers to us in the audience. This was only second feature from Carnahan and it proves him to be a huge talent. Since Narc he has become interesting director whose career is certainly one of the most interesting in filmworld right now. He certainly has potential to become something very good in future.

• Eric S

  
  Brilliant film about an undercover narcotics officer in Detroit who is brought back into a murder case of a fellow policeman after he is suspended from the force due to a drug bust gone awry. Jason Patric and Ray Liotta star in this mesmerizing film that has quite a twist and mood to… More
  Brilliant film about an undercover narcotics officer in Detroit who is brought back into a murder case of a fellow policeman after he is suspended from the force due to a drug bust gone awry. Jason Patric and Ray Liotta star in this mesmerizing film that has quite a twist and mood to it created by the dim cinematography, apt score and of course, the bleak subject matter that allows for real suspense and tension between the good, bad, and the ugly. This is one of those films that kind of got swept under the carpet, but is definitely a fine film worth checking out. Jason Patric is an underrated actor who turns in yet another good piece of character work and probably his best since "Rush" and "After Dark My Sweet". I'd say that this film is kind of Jason Patric's "Serpico".

• xGary X

  
  A detective discharged after the accidental shooting of a pregnant bystander is partnered with a veteran detective with a reputation for excessive force to track down the killers who murdered an undercover cop. In the highly overpopulated genre of the cop thriller, Narc is neither the… More
  A detective discharged after the accidental shooting of a pregnant bystander is partnered with a veteran detective with a reputation for excessive force to track down the killers who murdered an undercover cop. In the highly overpopulated genre of the cop thriller, Narc is neither the most original or most action packed, but what it does brilliantly is in the details. Carnahan is obviously influenced by the gritty cop dramas of the 1970s, particularly the likes of Serpico and The French Connection and the result is a very hardcore and believable character study of the men trapped in the grimy world they are trying to bring to justice. It features dialogue that's not exactly high art, but always rings true (even in the unsentimental domestic drama involving Patric and his wife) which combined with the excellent central performances make you actually feel submerged in his twilight world. Carnahan is perhaps occasionally a little too filter happy and gimmicky in his direction and the ending feels a little too neat considering the grittiness of the rest of the story, but if you like modern cop dramas such as The Wire and The Shield, you'll love this.

• Tim S

  
  One of the best hard-nosed cop dramas of recent memory. I know it's not exactly original but I was riveted the entire time I was watching it. Jason Patric and Ray Liotta turn in some amazing performances. It's also great to see Chi McBride given a serious role for a change.… More
  One of the best hard-nosed cop dramas of recent memory. I know it's not exactly original but I was riveted the entire time I was watching it. Jason Patric and Ray Liotta turn in some amazing performances. It's also great to see Chi McBride given a serious role for a change. Joe Carnahan is one of my top directors to watch out for. The guy definitely has the chops to full off a good solid flick, and this is one of them. It has a lot of substance and style and keeps you interested at every turn. So what if it reminds me of Homicide: Life on the Street? I don't care. This is a damn good movie!

• Dan S

  
  A riveting, pulse-pounding story concerning a disturbed cop (Jason Patric) needing a rebound case to find his way back in to the good graces of the force after an ugly accident leaves him emotionally scarred. When he is offered the opportunity to partner up with a dirty, mean… More
  A riveting, pulse-pounding story concerning a disturbed cop (Jason Patric) needing a rebound case to find his way back in to the good graces of the force after an ugly accident leaves him emotionally scarred. When he is offered the opportunity to partner up with a dirty, mean lieutenant (Ray Liotta) who is stalking the killer of his partner, he event...ually accepts. One of the best, most under-appreciated drug thrillers constructed in the last ten-fifteen years or so, this story excels mostly due to its direction. Joe Carnahan's desaturated color choice fits the mood of the city of Detroit so well, as he competently captures the depression and darkness associated within a crime-ridden region. Ray Liotta's explosive performance is something straight out of Hell. He never for a second feels like he's forcing it, as his monstrous and all too real feeling character won't leave your memory quickly. Jason Patric's tortured, yet very human performance as well proves to be very crucial to the success of this story. The ending delivers some nasty twists and turns I did not see coming. Without question a great thriller, whose only notable flaw is leaving the audience hanging at its conclusion.

• Thomas B

  
  Gritty and hard hitting but not the most original plot line with a fantastic performance from Ray Liotta. Full review later.

• familiar s

  
  A well made, well paced & well acted thriller that's a bit flawed in its telling.

• Jonathan H

  
  Ray Liotta has spent his post 'Goodfellas' years in rental fodder like Corrina, Corrina, Turbulence, and Operation Dumbo Drop; however, in Narc, his turn as Harry Oak, a sweaty, overweight and coked-up detective is absolutely fantastic (hell, there isn't a bad… More
  Ray Liotta has spent his post 'Goodfellas' years in rental fodder like Corrina, Corrina, Turbulence, and Operation Dumbo Drop; however, in Narc, his turn as Harry Oak, a sweaty, overweight and coked-up detective is absolutely fantastic (hell, there isn't a bad performance to be found... and that surprisingly includes Busta Rhymes as well). From its harrowing and spellbinding opening sequence, right through to the shocking finale, Narc is bleak and relentless, but fans of police dramas from both TV and the 70s shouldn't miss it. Director Joe Carnahan -- who also penned the script -- finds the perfect mix of procedure and predicament as Tellis (Jason Patric) and Oak (Liotta) scour the streets of Detroit only to find that their clues lead right back to the force they're part of. What makes the film stand out is the absence of real hero characters. As Tellis, Patric has the advantage over Liotta, but the fact that the two detectives have let their personal lives become drowned out by crime makes you wonder if you could bet on either of them to do the right thing. Liotta eats up the scenes, whacking a wife beater with a cue ball in a sock, warning Tellis not to get in his way and charging through every door shotgun first. Trapped between admiration and suspicion for the older man, Patric's character gets slowly swallowed up again into a job that nearly killed him 18 months before and his desire to solve the case becomes a way of redemption from his past mistakes. You'll think you've spotted the ending from a long way off but just when you're convinced the evidence is air tight, Carnahan twists the whole story, leaving you with this ache of regret that the mismatched duo didn't have more faith in each other from the start. Impeccably shot, and relentless in its gritty realism, Narc may go down in history as the greatest police drama nobody has seen -- which is a shame. Made for just $5m - if there were any justice, it would have earned 15 times that -- there isn't singly once of this film that isn't fully realized. A masterful effort from Carnahan and company.

• Anthony L

  
  A great, intelligent action thriller, grabs your attention straight away and doesn't let go!

• Ken S

  
  Well crafted and stylish but kind of everything you've seen before. The opening sequence is spectacular.

• Arash X

  
  Grimy, Gritty & Brutal with great perfs from Liotta & Patric, But what made this movie really interesting for me was its fantastic ending, Carnahan's great debut

• Al S

  
  A gritty, riveting and electrifying thriller. A real pulse-pounding and adreniline-pumping rush of a film. One of the most powerful films I've ever seen. It goes right over the line of where most police films wouldnt. You'll be guessing right till the very end with it's… More
  A gritty, riveting and electrifying thriller. A real pulse-pounding and adreniline-pumping rush of a film. One of the most powerful films I've ever seen. It goes right over the line of where most police films wouldnt. You'll be guessing right till the very end with it's breathtaking suspense. Mind-blowing, explosive and unforgettable. Jason Patric and Ray Liotta give performances in which movie legends are made of. Liotta is explosive, his unforgettable portrayel as this veteran narcotics cop with an agenda could possiably be his best work ever. Patrick is teriffic, his performance is so raw, and moving it's if he actualley lived this role. This is the most intense, stylish, realistic and revealing police drama about prociedure that i have seen.

• Aaron N

  
  Henry Oak: I remember one night. I went with the sheriffs on a warrant raid. This dipshit was selling meth out of his apartment. Just a stop-and-pop. Broke down the door, rousted the guy. I was in one of the back rooms looking for junk when I hear something. I turn around and see… More
  Henry Oak: I remember one night. I went with the sheriffs on a warrant raid. This dipshit was selling meth out of his apartment. Just a stop-and-pop. Broke down the door, rousted the guy. I was in one of the back rooms looking for junk when I hear something. I turn around and see these... eyes staring at me from a closet. It was a little girl. A little ten year old girl. Naked. Shaking like a leaf; she was scared to death. Her stepfather was pimping her out for rent. I wrapped her in my coat, carried her out to the squad car. I went back... and I beat that motherfucker half to death. Following an incident flushing an undercover narcotics cop out of his cover, he is put on to a murder case of another officer where the trail has gone cold. This officer teams up with the murdered cops partner, who is a big bear of a man who will do what he has to to get the job done. These two move around Detroit together, going after drug dealers/users, trying to find answers, with some twists along the way. Ray Liotta gained a lot of weight to put himself in the role of this big hulking cop who wants to find the killer of his partner. Jason Patric is also really good as the fellow narc. There are also good scenes involving his personal life with his wife and newborn son to further expand on his character. There is also some good supporting work from the always reliable Chi McBride as a police captain and Busta Rhymes of all people, as a shady drug figure. The movie starts off great with some shaky camera work during a chase scene and then continues on a dark gritty path where everything seems to be saturated in blues and dark themes. The various transitions, split screen actions, and flashback scenes that all work well for a low budget cop flick like this one. This is a very gritty cop movie, with good performances, and a good looking, dark visual style. Latroy Steeds: I wanna see my lawyer! Henry Oak: What did you say? Latroy Steeds: I wanna see my lawyer. Henry Oak: There are no lawyers, dumb fuck! It's just me and you, and I am in your shit for the duration!

• Michael S

  
  Very gritty cop thriller.

• Craig S

  
  <u><b>Directed by:</u> Joe Carnahan.</b> <u><b>Starring:</u> Ray Liotta, Jason Patric, Chi McBride.</b> Now this is how you make a cop movie. I will first start off by saying that the first film I saw from Joe Carnahan was Smokin'… More
  <u><b>Directed by:</u> Joe Carnahan.</b> <u><b>Starring:</u> Ray Liotta, Jason Patric, Chi McBride.</b> Now this is how you make a cop movie. I will first start off by saying that the first film I saw from Joe Carnahan was Smokin' Aces a few weeks back and while it was extremely stylish, exciting and enjoyable, it lacked characters and when it came to emotional scenes, it missed the mark....This film hits them. A beautifully shot, gritty cop drama that moves at a very fast pace and slows down in the right spots to introduce the characters more to us, which certainly helps in later scenes. Joe Carnahan once again shows his hard-edged visual flair and it is nothing short of amazing. His script, while a tad formulaic, has well written dialogue, a great story and some dark humour thrown into the mix. And I can't go on without mentioning the very solid performances from Ray Liotta and Jason Patric, both on par with each other throughout the entire film, showing that they can most certainly act. A film of quality and a amazingly solid cop drama that set Joe Carnahan as a new filmmaker to watch out for. A must see.

• Lady D

  
  I found the first part of this film pretty boring, but part way through it suddenly came alive and turned out to be a pretty decent film. Great performances from both Jason Patric and Ray Liotta.

• Daniel H

  
  Well done, albeit a movie without a single second of hope, humor, or even vague contentment. Still, the acting is passable, and the gritty dark ambiance fits nicely with the slightly convoluted plot. Still, expect your entertainment to come at the price of being drained of all… More
  Well done, albeit a movie without a single second of hope, humor, or even vague contentment. Still, the acting is passable, and the gritty dark ambiance fits nicely with the slightly convoluted plot. Still, expect your entertainment to come at the price of being drained of all happiness for a hour or so. I'm still on the fence as to whether it was worth it or not, or whether a person dying from trying to toke-up with a shotgun can be truly considered an entire movies "comic relief"

• Steve K

  
  Liotta deserved far more praise than he got for his work here.

• Michael G

  
  Good but not amazing.

• Antony S

  
  I had thought before Narc that the days of the serious cop movie were dead and buried, replaced with pathetic action movies like Bad Boys. That all changed with this, a superbly gritty, no-nonsense crime story in the vein of The French Connection or Serpico. Liotta gives his best work… More
  I had thought before Narc that the days of the serious cop movie were dead and buried, replaced with pathetic action movies like Bad Boys. That all changed with this, a superbly gritty, no-nonsense crime story in the vein of The French Connection or Serpico. Liotta gives his best work since GoodFellas and Patric is surpisingly ace. Carahan recieved blessing for his style from Friedkin, and it's easy to see why. Fades, hand-held camerawork, stark cinematography and a simply incredible opening scene make this truly essential.

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