Critic Reviews
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Janice Page, Boston Globe
Ultimately, Jordan's vision is so murky that Ned Kelly remains as foreign to us as wombat stew.
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Richard Roeper, Ebert & Roeper
If Ned Kelly is supposed to be an anti-hero to root for, his speeches border on parody and his cause is really unclear.
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Lisa Rose, Newark Star-Ledger
Offers a couple of well-filmed showdowns and lots of pretty landscapes, but you need more than scenic views and stylish action to chronicle a life, especially one as controversial as Kelly's.
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Lou Lumenick, New York Post
A leaden retelling of the legend of Australia's Jesse James that has understandably been sitting on the shelf for a couple of years.
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Jack Mathews, New York Daily News
A handsome, action-packed biographical drama with a credibility gap wider than the screen.
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John Anderson, Newsday
Ledger, talking into his chest for much of the film in an apparent effort to lend gravity to his performance, is pretty stiff, but so is Jordan's direction.
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Prairie Miller, WBAI Web Radio
Much as late 19th century Australian outlaw Ned Kelly was a charismatic figure who won the adulation of the Irish immigrant masses there, Heath Ledger as that romantic revolutionary of the film's title breathes astonishing vigor into the role.
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Dragan Antulov, Draxblog Movie Reviews
Director Jordan fails to deliver a film worthy of such mythical figure.
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Philip Martin, Arkansas Democrat-Gazette
The story might have more resonance with Australians, since compared to American folk heroes Ledger's Ned Kelly comes off as a bit square and self-serious.
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MaryAnn Johanson, Flick Filosopher
[A] tricky film, punctuated by bursts of staccato surrealism and bitter humor...
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Erica Abeel, Film Journal International
Rises above its own shortcomings through Heath Ledger's electric embodiment of Ned.
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David Cornelius, eFilmCritic.com
Ned Kelly suggests that not only do you not need anything of interest to watch, but you don't even need to see it at all.
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Staci Layne Wilson, Fantastica Daily
Ned Kelly isn't a movie I'd recommend for anyone other than fans of Heath Ledger or/and aficionados of men's beard fashions of the 1800s.
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Jules Brenner, Cinema Signals
A ride that doesn't take us far enough.
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Michael Tunison, Boxoffice Magazine
Details such as the film's stark Victoria locations and the clunky suits of steel armor the Kellys fashion for the climactic showdown root things in a distinctive time and place, allowing viewers to experience the familiar storyline in a fresh way.
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Susan Michals, FilmStew.com
A hefty dose of Australian history and legend, magnificently enhanced by a landscape that serves as more than just travelogue.
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Eric Lurio, Greenwich Village Gazette
This is a traditional western, not a great one...
Read all 17 critic reviews
Featured Audience Ratings
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Well that was lovely and depressing now, wasn't it? And a bit of a spoiler, but that is the second time I have had to watch Orlando Bloom die on screen. It doesn't get any easier. Speaking of, I liked him in this role! Less stiff and form, a bit cuter and jokey than oh...… More
Well that was lovely and depressing now, wasn't it? And a bit of a spoiler, but that is the second time I have had to watch Orlando Bloom die on screen. It doesn't get any easier. Speaking of, I liked him in this role! Less stiff and form, a bit cuter and jokey than oh... all of his other roles? I also wished Geoffrey Rush's part was a bit bigger, but such is life. I liked it for what it was, but I was overwhelmingly captivated by it all. I watched it for pretty faces and I kinda got that.
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This outback-set western is based on the life of Ned Kelly, Australia's most celebrated outlaw who enjoyed a Robin Hood like reputation in the late 19th century. Although a lot of period set, rose-tinted tales of the old west tend to romanticize their heroes, Ned Kelly's… More
This outback-set western is based on the life of Ned Kelly, Australia's most celebrated outlaw who enjoyed a Robin Hood like reputation in the late 19th century. Although a lot of period set, rose-tinted tales of the old west tend to romanticize their heroes, Ned Kelly's reverential treatment of the subject matter goes beyond romanticism and into sheer fantasy. All the lawmen are a bunch of corrupt, murdering rapists, save Geoffrey Rush who hardly gets a look in, and Ned Kelly is shown as a totally innocent and noble champion of the people and he and his gang sweep through the land robbing from the rich and giving to the poor, stopping only for some wombat stew and to bed some swooning groupies. The characterisation as a whole is borderline laughable, Heath Ledger having little to do but attach a small shrub to his face and look earnest. It does have some decent photography and a decent shoot out at the climax, but the endless quivering lower lips accompanied by penny whistles that lead there makes it barely worthwhile. Content to rip off the likes of Jesse James and Braveheart rather than present anything approaching a believable portrait of the man, this pseudo-historical claptrap left me rather cold and far worse, rather bored.
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A bit of a one sided portrayal of one of Ireland?s great anti-heroes. The acting isn?t awful and the direction isn?t bad, it?s just not a very captivating film. Time progressions are poorly projected and character studies are a little mixed up. It?s a very average film to be fair.
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Story of the impoverished Irish immigrant Kelly family living in Australia in the latter part of the 19th century. Bushranger Ned Kelly(Heath Ledger) is wrongfully accused and imprisoned of stealing a horse, but emerges a few years later with his mother and siblings in which he makes… More
Story of the impoverished Irish immigrant Kelly family living in Australia in the latter part of the 19th century. Bushranger Ned Kelly(Heath Ledger) is wrongfully accused and imprisoned of stealing a horse, but emerges a few years later with his mother and siblings in which he makes money as a bare-knuckle boxer. After Ned and his mother are unjustly charged with murder, Ned Kelly is determined to avenge his family's name and strike back against his people's oppressors.
Ledger's portrayal of the Jesse James-esque Kelly is quite brilliant as he and his gang become the invincible "outlaws" of the Outback. Ned Kelly becomes a legend/hero, and still is to this day for his valor, and keen insight into justice so often ignored by so called authority figures.
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To be perfectly honest, the initial reason I rented this was for the eye candy, but Orlando Bloom and Heath Ledger really aren't much to look at under big beards. The story itself is what propells this film, and it's interesting to see the Old West-type frontier in a country… More
To be perfectly honest, the initial reason I rented this was for the eye candy, but Orlando Bloom and Heath Ledger really aren't much to look at under big beards. The story itself is what propells this film, and it's interesting to see the Old West-type frontier in a country other than America. The image of the final showdown is really strikingly iconic, but the movie itself is relatively slow.
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An impressive and remarkable western epic. A great and thrilling action-packed adventure. Heath Ledger gives an outstanding performance.
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This is one of those movies where the stars look immaculately unkempt: not a hair out of place that wasn't deliberately positioned so. Try as they might, Heath Ledger and Orlando Bloom cannot quite manage to distract our attention from the make-up chair just out of shot, in lieu… More
This is one of those movies where the stars look immaculately unkempt: not a hair out of place that wasn't deliberately positioned so. Try as they might, Heath Ledger and Orlando Bloom cannot quite manage to distract our attention from the make-up chair just out of shot, in lieu of a hedge to be drawn through backwards. The film offers such a romanticised portrait of its anti-hero that it makes those early Hollywood tributes to Billy the Kid and Jesse James look positively restrained in their revisionism. As if the deck wasn't already stacked in Kelly's favour, Naomi Watts' character is only there to recycle that hoary old cliche of the noble man who would rather go to the gallows than besmirch a lady's reputation with his alibi. The film is nicely photographed in general, but it somehow manages to reduce the unique splendour of the Australian countryside to a generic wilderness, which could be just about anywhere. If you're desperate for an Aussie bushranger movie, I would recommend "The Chant of Jimmy Blacksmith" or "The Proposition": better movies which do justice to the singularly beautiful landscape.
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This new Aussie biogrpahy of a famous bushranger is getting more better than 1970 film with absolutely story.
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It has a good deal of high points, good production value, a solid score and another great performance from Ledger, as well as from his castmates. However, the predominant dullness, underused narrative, occasional disturbances and lack of depth leave Gregor Jordan's "Ned… More
It has a good deal of high points, good production value, a solid score and another great performance from Ledger, as well as from his castmates. However, the predominant dullness, underused narrative, occasional disturbances and lack of depth leave Gregor Jordan's "Ned Kelly" to draw a little sloppily, but still hit its mark to an extent.
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Star studded cast, together retells the great Australian legend: Ned Kelly. A little bit shallow on showing more depth of the legend, it's kinda a neo-western with some elements of epic films. Orlando Bloom proved to be a surprisingly good actor as he plays Joe Byrne. However,… More
Star studded cast, together retells the great Australian legend: Ned Kelly. A little bit shallow on showing more depth of the legend, it's kinda a neo-western with some elements of epic films. Orlando Bloom proved to be a surprisingly good actor as he plays Joe Byrne. However, the film glorified an outlaw which was slightly depressing, totally improved the reputation of Australians.
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Good movie! It had humor, action, and romance. I usually enjoy any movie that Heath Ledger is in, and this one didn't disappoint me!
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Although described as an epic, and despite desperate attempts to achieve such status, 'Ned Kelly' never quite reaches brilliant film-making on that sort of scale. Throughout the course of the film we sense that that is what it wants to be, but the director just isn't… More
Although described as an epic, and despite desperate attempts to achieve such status, 'Ned Kelly' never quite reaches brilliant film-making on that sort of scale. Throughout the course of the film we sense that that is what it wants to be, but the director just isn't quite sure of what to do to make it as such. So instead we are left with a B-grade of the genre, even though there isn't such a thing - an epic is an epic - isn't it? Heath Ledger becomes the heroic protagonist but never quite seems to know what he's doing, although the simple script helps him out for the most part. There's some nice action and attempts at sensitivity and realism work for the most part. The main problem is the romance between Ledger and Naomi Watts - it's far too sudden and the director doesn't even attempt to make us believe in its genunuity - no convincing or persuading. It's just presented and the audience are forced to accept it, but can't. Geoffrey Rush too is sorely underused as the police captain, a role he would have manifested brilliantly would the script allow it, but he still does his best. The finale has a lot more impact than most of the film, and while exciting and full of action is also rather spirited - which is quite of touch with the rest of the film.
Read all 12 featured audience ratings
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