Never on Sunday

Never on Sunday (1960)

  • 88% of critics liked it
    (8 reviews)

  • 80% of users liked it
    (2,442 ratings)

In this globally acclaimed comedy drama, eccentric, tough, and carefree Ilya (Melina Mercouri) is one of those characters who makes her mark on film history, and who made an internationally known star out of Mercouri. Ilya is a prostitute in the port of Piraeus with a definite sense of social and… More

Unrated,
Directed By
Written By
Jules Dassin
Genres
Drama, Art House & International, Classics, Comedy
In Theaters
Jan 1, 1960 Wide
Lopert Pictures Corporation

Critic Reviews

  • Emanuel Levy, EmanuelLevy.Com

    This culture collision comedy is full of cliches, but as the Greek prostitute with a heart of gold, Melina Mercouri gives an infectiously joyous Oscar-nominated performance.

  • Dennis Schwartz, Ozus' World Movie Reviews

    Mercouri's energetic performance took it to greater heights than it deserved.

  • Moira Sullivan, Movie Magazine International

    While the film serves to exploit the myth of the happy prostitute, it reveals the charm and powerful simplicity of the Greece people.

  • Walter Chaw, Film Freak Central

    Her earthiness is grounding, the only element keeping the world from spinning off its axis; beware the man, and woe to mankind, for formulating her to a wall.

See more critic ratings and reviews on Rotten Tomatoes

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Featured Audience Ratings

  • Jonathan H


    Not quite the Dassin I know and love, but in less capable hands, Never on Sunday could have been a lot worse.

  • Randy T


    Bravo Melina Mercouri!

  • Ross C


    Ena kai duo kai tria kai tessera filia! Light-hearted B&W musical of life in 60s Greece that puts a smile on your face. Mostly set in the port of Piraeus, save for scenes of the Parthenon and Epidauros.

  • George M


    A bit on the light side but works wonders at times as the comedy that it is. The problem is that the film dwells too much on populist stereotypes of the Greek 'soul'. Still, it's difficult not to smile with the goofy intellectual persona that Dassin has created for… More

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