Night of the Living Dead

Night of the Living Dead

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Night of the Living Dead

Duane Jones, Judith O'Dea, Karl Hardman, Marilyn Eastman, Keith Wayne

The dead come back to life and eat the living. Several people barricade themselves inside a rural house in an attempt to survive the night. Outside are hordes of relentless, shambling zombies who can ...( read more  read more... )only be killed by a blow to the head.

Id: 10896518

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Recent Reviews


  • October 27, 2009
    THIS is considered a classic? WOW. This one belongs high on the list of most overated movies of all time. After all these years, I finally watched this film, and it was still too soon.
    There is NOTING scary about this film. The zombies just looked like old people shuffling...( read more) around on the lawn. Is this supposed to be a comedy? There is no menace, no terror, no tension.... just a whole lot of bad acting, bad camerawork, bad FX makeup, bad music... If I didn't know better, I'd say it was meant as a spoof of horror films.
    People bash horror films, especially most modern horror films. But I will say that even the worst one made in the past ten years looks like an Oscar winner compared to this. And don't give me those lines about "it was the first" or "it was groundbreaking at the time." Just because something had to be the first, doesn't excuse it for being horrible.

    ....and oh yeah, I'll take modern day fast zombies over these laughable "zombie shuffle" ones any day.
  • October 6, 2009
    So much has been written about this now classic film that it's impossible to imagine any new insight, so I'll just share what I enjoy about it. Utilizing a single claustrophobic setting for most of running time, NOLTD has a documentary like quality that gives it a horrifying sen...( read more)se of realism comparable to Orson Welles' infamous WAR OF THE WORLDS broadcast. Regarded as the grandfather of the modern zombie film, NOLTD transformed the zombie from the human afflicted by a voodoo trance into the flesh eating undead.

    It looks so perfect that it makes me wonder why black and white isn't used much for horror any more. When directors copy Night of the Living Dead they copy the zombies and the arguments, rather than things worth copying like cinematography and theme. Many horror movies exist solely to scare the audience. Night of the Living Dead differs because it uses horror to make interesting social commentary.

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  • September 7, 2009
    The first real Zombie film, Night of the living Dead is also first of the Midnight Movies and a genres unto itself. A true original in contemporary cinema with political and racial undertones. This film is fascinating on so many levels and is far too often overlooked as just bein...( read more)g a 'popular horror film'. It's absolutely brilliant.
  • August 9, 2009
    Made in 1968 on a hand to mouth budget by enthusiasts in Pittsburgh, this suitably grungy off?Hollywood production became one of the most influential horror movies ever made.

    George A. Romero?s film has had official sequels (Dawn of the Dead, Day of the Dead, Land of the D...( read more)ead), remakes (one in 3-D), parodies (Return of the living Dead, Shaun of the Dead), rip-offs (Living Dead at the Manchester Morgue) and several horribly mutilated re-releases with useless extra footage, new soundtracks or colorisation. It changed the face of the horror film, setting a precedent for the work of directors like Tobe Hooper, Wes Craven, John Carpenter and David Cronenberg in the 1970s.

    In fact, it?s such an important movie that it runs the risk of disappointing first-time viewers who?ve seen all the later films that copied its licks ? part of its strength is that it?s not a glossy, predictable Hollywood horror and so it has a grainy, semi-amateur, black and white look which gives it a dread sense of conviction. The shambling dead besiege a group of squabbling wannabe survivors in an isolated farmhouse, eating the entrails of those too inept to see them off with a bullet to the brain.

    Many of its plot strands were unprecedented: a heroine who reacts credibly to an appalling situation by becoming a useless catatonic, a black hero who finally has less to fear from the zombies than from the ghoul-hunting posse combing the countryside as if on a Vietnam search and destroy mission, news bulletins that include expert advice (?kill the brain and you kill the ghoul?) from the men on the ground, a relentlessly pessimistic ending.
  • November 2, 2008
    birth of the modern zombie film. i had recurring nightmares for years after first seeing this! :O a landmark that transcends it's genre
  • December 16, 2009
    Considered to be one of the best zombie movies of all time, this classic movie by George Romero is set in a house in which 7 occupants barricade themselves inside whilst a horde of the living dead try to smash their way in to eat their flesh. I wouldn't say it's very scary at all...( read more) and the gore is too little but it's still a fascinating movie for it's time. I think I'll stick to the modern day zombie movies.
  • December 15, 2009
    Actually pretty good for the time. It was more funny than scary, but it was still good despite that stupid hooker face, Barbara.
  • December 12, 2009
    This was actually pretty creepy for being an older movie in black and white! Perhaps because as an old movie, it seemed to drag on longer, that it actually got more intense... as if you were inside the home listening to the moaning slowly approaching with them! I had to watch a l...( read more)ighter movie to get to bed afterwards! :P
  • December 12, 2009
    eHerRrrMmmm...........
  • December 11, 2009
    Classic Romero. To me this is the very film that put zombie horror in a genre of its own. Without even a whisper of the word zombie.

    I will admit, the acting is not all that brilliant and Judith O'Dea's reaction in the begining almost brought me to laughter induced tears. How...( read more)ever, this can be overlooked. Romero has created a timeless classic that carries you on an exciting journey until the very end. One of those films that stick in your mind forever.

    "They're coming to get you Barbara."

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