Tommy Lee Jones, Javier Bardem, Josh Brolin, Woody Harrelson, Kelly Macdonald ...( see more  see more... ) , Garret Dillahunt , Stephen Root

Violence and mayhem ensue after a hunter stumbles upon some dead bodies, a stash of heroin and more than $2 million in cash near the Rio Grande.

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84% liked it

343,354 ratings

Critics

95% liked it

220 critics

R, 2 hr. 2 min.

Directed by: Ethan Coen, Joel Coen

Release Date: November 21, 2007

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DVD Release Date: April 7, 2009

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Flixster Reviews (64,473)


  • May 1, 2009
    The Coen Brothers' most violent & visceral crime thriller since "Miller's Crossing".
  • January 9, 2010
    ''Whatcha got ain't nothin new. This country's hard on people, you can't stop what's coming, it ain't all waiting on you. That's vanity.''

    Violence and mayhem ensue after a hunter, Llewelyn Moss stumbles upon some dead bodies, a stash of heroin and more than $2 million in...( read more) cash near the Rio Grande. Nothing ever goes smoothly sometimes and before you know it he's on the run from a psychopathic cold killer.

    Josh Brolin: Llewelyn Moss.

    Javier Bardem: Anton Chigurh.

    Relentless in method, challenging in presentation, and unforgettable in execution; The Coen Brothers' adaptation of Cormac McCarthy's acclaimed novel borders upon pure genius in its characters and suspenseful build up, but sacrifices much of the clarity (though not the power) of its narration in the strict adherence to its source material. Boasting some of the finest performances of the year, the Coen's fantastically intricate thriller demands an astute mind and a perceptive eye to decipher the multi-layered parallels that lie in No Country for Old Men.


    Having watched the two Oscar heavyweights No country for old men and There will be blood round about the same time period on the big screen, I can't help noticing the sharp contrast in audio style, while Blood came with background music so overwhelming that it threatens to take over foreground, Old men had only silence, natural sound and dialogue, with no music at all. There is no right or wrong: each style serves its particular purpose. Imagine the scene in Old men with Llewelyn Moss in the middle of the night in a sunken hollow strewn with a few abandoned vehicles and dead bodies. As the menacing headlight of an ominous looking vehicle at the top of a slope threatens to approach, any kind of music would do more harm than good to the blood-chilling atmosphere present.

    In their inimitable fashion, the Coen Brothers crafted this adopted story through a mesmerizing plot line that is ever elusive, giving you the slip every time you feel that you have got the hang of things. The plot line looks simple: a common young man who stumbles across two million dollars becomes the prey of a serial killer who is after the money (and his life), while a season sheriff comes after both in an almost standard cat-and-mouse story. But there are more than initially meets the eye.
    Moss the everyday man protagonist is not your ordinary reckless young man next door. Seasoned Vietnam veteran, he shows his stuff when chased by a ferocious killing bloodhound, hurriedly loading his pistol but never losing control, and firing it when the canine's deadly teeth is within three feet of his throat. He is undoubtedly the prey, but not one that rolls over and play dead. But this is really the hunter's show. Javier Bardem (The sea inside) whom has won every Best Supporting Actor in sight is good enough to give Daniel Day-Lewis a run for his money had he been put in the contest for Best Actor, to which he has every right. The most amazing thing is that while his physical appearance is at times even comical (mainly due to the ridiculous hair style), his mere presence is so chilling that it makes Jason Voorhees, Norman Bates and Hannibal Lector look like Disney villains.

    ''I always figured when I got older, God would sorta come inta my life somehow. And he didn't. I don't blame him. If I was him I would have the same opinion of me that he does.''

    As the movie follows the standard cat-and-mouse crime thriller development, the audience may be so hung to the edge of their seats that they forget temporarily that this is indeed the Coen Brothers. The climatic showdown that they tricked you into expecting never presents itself. Everything seems to fall apart in the last third of the movie, or does it?
    For some people it may do, but these certain individuals lack sophistication in plain terms; Necessary train of thought or depth albeit an ability to see between the lines. Clearly No Country is going for it's source Novel and this Story is not a straight line but one of complication, one of poetic reflection. The ending to me was a marvel, like a newly born ray of sunshine upon ones face. The words reflecting deeper meaning and wisdom, that shamefully are wasted upon mainstream audiences. For those gracious enough to embrace the ending for what it is, will certainly come off all the better for it, not to mention inspiring and awe defining.

    The cat-and-mouse game ended almost as an afterthought, with none of the excitement the audience thought they had been promised. The focus has long since shifted to depiction of Bell, as one of the old men, in the title, one of disconnection and unparalleled from the main story yet ultimately part of it regardless. If you think back, most of the small roles (starting with the attendant of the now famous and memorable gas station scene at the start of the story) are old individuals. While the audience might have forgotten, the directors/screen writers have not. They haven't abandoned the concept, that this movie is trying to show why this desolate, seemingly endless horizon, Texas country is quite literally no country for old men. Added to this is the final touch, the accident; showing how karmic life and reality can be.

    There was so many great scenes in No Countrythat it is hard to cover it all in a single review. The tension, the sounds, the beats, the uses of silence all are definitely used to perfection. Had me jumping on numerous occasions in the cinema, and that part with Anton waiting for his pursuer after finding the transmitter was amazingly shocking.
    Without a doubt this film has you on the edge of your seat. The audience I saw this with didn't appreciate it. They didn't see the bigger picture, the gritty realism, the beautiful poetry of that ending, and if you see the words in that finale; allow them to sink in, then truly it will blow you away.
    Best film of 2007-2008 I've seen to date. The level of acting and vision is unsurpassed, and it will draw you in and stay with you. Definitely want to watch again and again, there's so much crammed in this. You will soak it up like a sponge. A masterpiece. Unrivaled entertainment; a haunting thriller and an unrivaled story adaptation.

    ''Yeah, I'm going to bring you something, alright. I decided to make you a special project of mine. You ain't going have to come looking for me at all.''
  • January 5, 2010
    It's vastly gripping, powerful and electrifying all the way through. It's sizzling and super-charged. An intense, engaging and breathtaking movie. A brilliant and heart-pounding thriller. It's a fierce, flawless, mesmerizing, original, terrifying and outstanding crime-thriller of...( read more) the best kind. Definitely the best film made by the Coen Brothers. They take their game to a whole new level and do not disappoint. Captivating, riveting and freighting. A masterpiece. One of the great crime classics of the twenty first century. Smartly written and superbly shot. Utterly exciting and exhilarating. An extraordinary all-star cast who stand out with amazing performances. Javier Bardem gives a fearless, complex and explosive performance. Tommy Lee Jones is excellent. Woody Harrelson is brilliant. Josh Brolin is terrific. Emily Macdonald is wonderful. An intelligent and edge of your seat spellbinder. It explodes with intelligent action, compelling characters and great atmosphere. This film is unforgettable, astonishing and superb. An absolutely perfect film no questions asked. An instant classic. Has all barrels blazing and keeps your adrenaline high and your pulse-racing and never stops even till the very end.
  • January 1, 2010
    If Alfred Hitchcock was still alive he would have made No Country For Old Men. The classic story of a man that, in the midst of the daily grind, ends up walking into a situation beyond what he thought he would experience that morning. Then he has to face the consequences of all o...( read more)f it. In No Country For Old Men Llewelyn Moss (Josh Brolin) stumbles on the remains of a shootout while hunting. As curiosity gets the better of him and he begins to examine the scene he discovers a briefcase full of money. Being the human being that he is, he takes the money and a pistol home and causes the dominoes to fall as he begins to be stalked by the psychotic Anton Chigurh (Javier Bardem), the epitomy of unstoppable hit men who kills his way to Llewelyn and the money. Throw into this Tommy Lee Jones as the sheriff that's trying to piece it all together and save Llewelyn's skin and you get a cat and mouse game between a guy that was just out hunting and a vengeful drug cartel.

    Adapted from the novel by Cormac McCarthy and dircted by Joel and Ethan Coen, No Country For Old Men is a great thriller that follows that classic Hitchcock formula ala North By Northwest- the guy that stumbles into trouble and has to get out of it while running from the bad guys. Llewelyn thinks he knows how to get out of this mess, but is really just drowning in the situation he's gotten into. Brolin plays him as totally optimistic, even when bleeding and hiding in a Mexican hospital. Bardem is the philosophical killing machine, debating the significance on whether a coin is heads or tails while on his killing spree to get back his money. He's like the Terminator- he will not stop until his goal, and his own sense of duty, are fulfilled.

    The Coen's have filled the film with suspense. Most thrillers such as this run around in circles, but they have kept this film on a linear path that doesn't repeat itself over and over again. Between the game between Moss and Chiguhr, Tommy Lee Jones' character tries to sort everything out and save Llewelyn's ass. The problem that all of the characters have to face is the Killer's Morality- he is described as being on a higher standard than most and satisfies everything he promises, right up until the end.

    As I said, No Country For Old Men is a Hitchcock film for the new millennium. A film filled with a thrilling plot that delivers a great ride for the audience. A real classic.
  • December 15, 2009
    Wanted it to be much more then it actually was kind of another let down not sure what all the fuss was about really
  • February 9, 2010
    the Coens once again suggest that human connection trumps Hollywood-style man-alone heroism. Just compare the relaxed, warm atmosphere of the Moss trailer or the Bell homestead with the dump motels to whose garish signage, flimsy walls and soulless decorations the film pays such ...( read more)keen and damning attention. Here as elsewhere, hotels are the setting for a series of big and little deaths, most of them pointless and dumb. Sheriff Bell recognises the absurdity at work in this world. "I laugh myself sometimes," he says. "Ain't a whole lot else you can do." by Ben Walters and J.M. Tyree
  • February 7, 2010
    Josh Brolin thinks he can get away with $2m he finds in the Texas bush.
  • February 6, 2010
    Really cool film, love how it isn't cliche in the slightest! :D
  • February 4, 2010
    I din't really get the end. could someone explain what am not understanding. I like the rest of it though. nothin like a bit of mindless violence to get you goin.
  • February 3, 2010
    "There Are No Clean Getaways"

    Gripping. The Coen brothers turned a simple story into a two hour long thriller. That is the achievement of this. Javier Bardem was creepy with his cattle gun. But the ending disappointed me.

Critic Reviews


November 16, 2007
Amy Biancolli, Houston Chronicle

[It] just might be the Coen brothers' singular mythic masterwork. full review

November 9, 2007
Pete Hammond, Maxim

A great American film. A dark and sometimes bleakly comic vision of our violent culture. full review

November 9, 2007
Armond White, The New York Press

Deeper, funnier and even stranger than Fargo. full review

November 9, 2007
Roger Ebert, Chicago Sun-Times

No Country for Old Men is as good a film as the Coen brothers, Joel and Ethan, have ever made, and they made Fargo. full review

November 8, 2007
A.O. Scott, The New York Times

For formalists -- those moviegoers sent into raptures by tight editing, nimble camera work and faultless sound design -- No Country for Old Men is pure heaven.

November 6, 2007
Marcy Dermansky, About.com

While No Country For Old Men is compelling from beginning to end, the film lacks soul. full review

November 5, 2007
Anthony Lane, The New Yorker

If I want wry lawmen and smart, calculating fugitives, I'll get them from Elmore Leonard; and, if I want Leonard, I'll take him neat, rather than slow-filtered, drop by drop, through a layer of Faulkn... full review

November 5, 2007
David Edelstein, New York Magazine

Here's the gist: It's a near masterpiece. full review

November 1, 2007
Peter Travers, Rolling Stone

The Coens squeeze us without mercy in a vise of tension and suspense, but only to force us to look into an abyss of our own making. full review

October 5, 2007
Stephanie Zacharek, Salon.com

Feels less like a breathing, thinking movie than an exercise. That may be partly because it's an adaptation of a book by a contemporary author who's usually spoken of in hushed, respectful, hat-in-han... full review

View more No Country for Old Men reviews at RottenTomatoes.com

Comments


  • jackhammerebm
    March 15, 2009
    I can't for the life of me understand how anyone can say one negative thing about this movie. It was a cinematic masterpiece. Good movie or great movie would be the only debate I could see. Call it!
  • terris85017
    October 18, 2008
    Hmmm...sad to say I found it thoroughly dark...with some dark humor thrown in...Woody Harrelson was memorial as the dudded up "cleaner" hit man hired to hit the psychopathic/drug dealer gone awry.
  • perfectgentlemn
    July 20, 2008
    Great Thriller, Tons of Suspense, Horrifying, but... Excellent movie, A must watch ;-) Enjoy
  • karthu1993
    July 15, 2008
    Josh brolin's death killed the thrill of the movie. until then it was very nice. I think atonem,ent deserved the oscar better.
  • Simontbh
    July 12, 2008
    People who didn't like this film, don't know what they are saying. You are not a fan of film if you say this is not a good film.
  • BiologyBabe2012
    June 27, 2008
    I haven't seen No Country (yet), but on InfamousHugo's statement: like you say, you don't have to love a film for it to be good. I mean, I didn't particularly enjoy Titanic or The Godfather but they're still great pieces of cinema. Perhaps what other commenters are saying is that they just didn't enjoy it or were bored, not that the film itself is badly made.
  • InfamousHugo
    May 15, 2008
    Do people really lack intelligence or is it that they absolutely need giant robots to say a film is good ? This film is deep on so many levels, its a masterful piece of art, not some garbage piece of easy entertainment. Go get your brain when you left it last time you used it and try telling me this isnt such a good film. Im not saying you have to love it, but at least you cant deny its a great piece of cinema. By the way, Transformers ISNT. What kind of world do we live in ?
  • pavacri23
    April 23, 2008
    i still don't get the end. can someone explain it to me because that one of the weirdst end i have seen in my life.
  • GymNetic25
    April 22, 2008
    Unfortunately "No Country For Old Men" falls into the "All Hype and No Sizzle Trap". Although it gets kudos for going against the norm as being not like every other plot and character development. For instance, how you think that certain characters would play a main role and there would be some sort of big show down in the end. I myself would have like to seen "Into The Wild" as a contender for "Best Picture" at the Oscars. For the winner it should have been "Atonement".

    3 stars
  • rosetrinity
    April 16, 2008
    It was so boring. Fell asleep near the end of the movie or probably 30-40 mins left in the movie. I see the plot of the movie Read the great reviews, but was disappointed half way thru the movie. All I saw in the movie was a guy finding drugs, money and running away from the guy thats after him. I was going like "Whaa...?" 10-15 mins into the movie. The acting was good, but thats about it. This movie was not theater or rental worthy.

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Facts


  • Tagline:
    One opportunity can change your life. One mistake can destroy it.
  • Tagline:
    In the open country you can find anything, but every fortune leaves a trail.
  • Tagline:
    You've never been anywhere like No Country
  • Tagline:
    Nothing you fear... can prepare you for him.
  • Tagline:
    How does a man decide in what order to abandon his life?
  • Tagline:
    One discovery can change your life. One mistake can destroy it.

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No Country for Old Men Trivia


  • In the movie, "No Country for Old Men," who plays the sheriff?  Answer »
  • The tagline for this Academy Award nominated film reads: There Are No Clean Getaways  Answer »
  • What does Llewelyn steal in No Country For Old Men?  Answer »
  • Who directed No Country For Old Men (2007)?  Answer »

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