Nothing Personal (2009)
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80% of critics liked it
(10 reviews) -
70% of users liked it
(1,116 ratings)
Alone in her empty flat, from her window Anne (Lotte Verbeek) observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland… More Alone in her empty flat, from her window Anne (Lotte Verbeek) observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin, (Stephen Rea). He is a man in his prime living a solitary life in a secluded house on a beautiful island. She is radical and uncompromising. He is wise and ironic. What connects them is solitude they both see as freedom. He proposes her to work for him in exchange of food. She agrees at one condition: there will be no personal contact between them, just work. Soon the two of them become curious about each other and want both: to keep their "nothing personal‟ deal and to break it. Their simple life follows the cycle of days and nights, work and rest but slowly brings the two of them closer to each other. Who will be the first one to break the deal? Urszula Antoniak's stunningly assured debut is touching, gentle and playful. But it takes a firm stand when it comes to negotiating individual freedom and the urge to still wanting be near to somebody - despite all wounds of a past we don't get to know in detail. An enigmatic beauty and confusion underlies this character study that should leave nobody unmoved.--© Olive Films
- Directed By
- Urszula Antoniak
- Genres
- Drama, Comedy
- In Theaters
- Nov 19, 2010 Limited
- Studio
- Olive Films
Critic Reviews
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Jeannette Catsoulis, New York Times
Not since Flashdance has a lobster dinner been seasoned with so much unspoken emotion.
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V.A. Musetto, New York Post
Director-writer Urszula Antoniak, in her first big-screen feature, keeps dialogue to a minimum while concentrating on visual style.
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Nick Schager, Time Out New York
[Follows] a familiar path that's energized by subtle lead performances.
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Ernest Hardy, Village Voice
The whole thing is a pleasure to watch, though, because Verbeek and Rea telegraph volumes of subtext beneath the dialogue they're given, speaking to the human need for emotional and physical contact -- and the fear of the responsibilities and costs.
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Elias Savada, Film Threat
...a nice debut film, deliberately crafted, placidly powerful, and sensibly touching, with a dash of stubborn frivolity tossed in for effective measure.
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