Michel Joelsas, Germano Haiut, Paulo Autran

When 12-year-old Mauro is left to fend for himself when his parents go "on vacation" during the military regime in 1970s Brazil, a classic coming-of-age story unfolds. Director Cao Hamburger's beauti...( read more  read more... )ful and touching story embraces the excitement of the era as the culturally diverse community of São Paulo unites to watch Pelé lead his country in winning the World Cup of soccer. Filled with warmth, love, heroism, nostalgia and humor, The Year My Parents Went on Vacation is sure to become a family favorite.

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80% liked it

2,510 ratings

Critics

83% liked it

52 critics

PG, 1 hr. 50 min.

Directed by: Cao Hamburger

Release Date: September 26, 2006

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DVD Release Date: February 15, 2008

Stats: 308 reviews

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Flixster Reviews (308)


  • February 15, 2008
    8/10

    The horrors of war and conflict need not be images of open wounds or piles of bodies. This portrait of Brazil in 1970 told through the eyes of a 12 year-old boy is a brilliant, touching, deliciously Red testament to the power of a good story.
  • January 30, 2008
    In competition at last year's Berlin Film Festival and Brazil's entry for this year's Best Foreign-Language Film Oscar, The Year My Parents Went on Vacation is a sensitive and elegant dramedy about change and growth.

    The opposite of the rough, cutting-edge Brazilian cinem...( read more)a, this second feature by director Cao Hamburger has no guns, drugs or anything else that might remind you of City of God. It revolves around the 1970 Football (aka soccer for some) World Cup and has a 10-year-old boy as a lead, an innocent kid thrust into the alien environment of a Jewish community and caught up in a ferociously repressive dictatorship without being aware of what's happening.

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    For Mauro (Michel Joelsas), 1970 is the year Brazil wins the World Cup and, incidentally, the year his young political activist parents (Simone Spaladore and Eduardo Moreira) tensely drop him off at his grandpa's house on the outskirts of São Paulo and flee the country in their Volkswagen. Unaware of his son's supposed vacation, the elderly man (Paulo Autran) has just had a heart attack hours before Mauro knocks on his door, setting in motion the film's first act of Home Alone-type misunderstandings.

    Taken to the funeral by Yiddish-speaking strangers, Mauro is reluctantly taken under the wing of his grandfather's next-door neighbor, Shlomo (Germano Haiut). Though perplexed to find Mauro isn't circumcised (his mother is a Christian), the community friendly adopts the boy while Shlomo courageously tries to find out why his parents are not calling.

    The humorous central part of the screenplay is free of surprises and complexity, as Mauro is befriended by boyish, street-smart Hanna (Daniela Piepszyk), who sells the local kids peeks at ladies trying on clothes in her mother's dressing room. Mauro develops a crush on pretty Irene (Liliana Castro), who waits tables in the local bar where everyone gathers to watch Pelé, Carlos Alberto and Jairzinho fight their way to victory during the World Cup.

    In the tragic but understated ending, the theme of memory as something slightly unreal comes to the fore. Spare offscreen narration by an older Mauro looks back on this momentous period of his life, where real emotions turn hazy in comparison to the permanent black-and-white images of the World Cup and the streets littered with confetti. Family tragedies overlap with the collective frenzy of sports matches, while the horrors of the dictatorship pass practically unnoticed.

    Hamburger feels no need (nor is there any) to underline the obvious. He has a magician's ability to keep the story light and believable, aided by a top-flight cast. In the central role, wide-eyed Joelsas adapts to his new habitat first carelessly, then with growing longing for his missing parents. Playing Lucy to his Charlie Brown, Piepszyk lights up every scene she's in. On the adult side, Haiut is the soul of dignity and resignation as the emotionally blocked but upright Shlomo who struggles to help the little stranger whom, the rabbi tells him, has been left on his doorstep by God.

    The film's pleasing look is the courtesy of cinematographer Adriano Goldman's tenuous lighting and art director Cassio Amarante's nostalgic re-creation of 1970 on the outskirts of São Paulo. Daniel Rezende opts for strong elliptical editing that keeps audience involvement high, while Beto Villares' soft, understated score never disturbs. A charming, charming film.
  • October 6, 2009
    son gets left behind while the parents continue to be radicals or serve justice either way the kid suffers
  • July 14, 2009
    Passa longe da lista de favoritos. Espera muito³ desse filme e foi uma grande decepção.
  • July 12, 2009
    it's a great movie, for those who likes brazilian ditadura's themes.
  • April 5, 2009
    This movie might be considered slow moving to some, but I really got into the story. The way it was filmed was really interesting and pretty. Its a touching story, and you really care about the little boy and I loved the relationships he makes with the people he meets.
  • March 15, 2009
    Just dont really enjoy it.
  • December 22, 2008
    Makes me want to know more about that time period. I wasn't real familiar with the revolution so I felt I missed a little.
  • November 18, 2008
    Una muy buena película, una fotografía re tesa, las locasiones son de ensueño tan urbanas tan rreales, una historia que surge por las gracias de una dictadura, el mundo judío, el mundo infantil, el mundo nuevo de un niño que ama el fútbol y espera el regreso de sus padres

Critic Reviews


April 17, 2008
Colin Covert, The Minneapolis Star Tribune

Director Cao Hamburger has a warm, delicate sensibility that informs the story's commonplace events. Neither the story's drama nor its comedy are overstated. full review

February 13, 2008
Nick Schager, Slant Magazine

The director's understatement is married to a story that's frustratingly unexceptional. full review

View more O Ano em que Meus Pais Saíram de Férias (The Year My Parents Went on Vacation) reviews at RottenTomatoes.com

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