Andrea Esterhazy, Cliff Robertson, Don Hood

Though he had made comedies with Robert De Niro (Hi Mom, Greetings!), a horror movie (Sisters), and a rock musical (Phantom of the Paradise), it wasn't until this 1976 film...( read more  read more... ) that Brian De Palma truly announced himself as the heir to Alfred Hitchcock. Written by Paul Schrader, this film is an homage to Vertigo, with its own stylish twists and turns. Cliff Robertson plays a businessman who, while traveling in Italy, meets a young woman (Genevieve Bujold) who is a dead ringer for his late wife, who had been killed in a kidnapping years earlier. As he woos and wins her, the vibes get creepier and creepier because, well, something's not right about this woman. Interestingly, this film came out the same year as De Palma's Carrie, a much more successful movie at the box office. But it was this movie that, for all its flaws, proclaimed De Palma as a stylist with a sure-handed command of visual storytelling. --Marshall Fine

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58% liked it

2,013 ratings

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79% liked it

14 critics

PG, 98 min.

Directed by: Brian DePalma

Release Date: August 1, 1976

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DVD Release Date: June 26, 2001

Stats: 101 reviews

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Flixster Reviews (101)


  • December 23, 2007
    The Brian De Palma movie most overtly in thrall to Hitchcock, and the closest he's come to direct plagiarism. De Palma and Paul Schrader's borrowings seem more audacious today than at the time because, a critical and commercial flop in its day, "Vertigo" was difficult to see by t...( read more)he mid-'70s, before the advent of home video. Though he emulates well the stately pace and elegant camerawork of his template, De Palma cannot quite capture the strange, ethereal atmosphere of the earlier film. His usual cinematic trickery is kept largely in check, excepting a bit of slow motion and some experimentation with split focus anamorphic lenses, a technique he would later use to great effect in "Dressed To Kill". A lot of people don't like Cliff Robertson in "Obsession" but I think he does really well as the lead; because his face is largely expressionless, rather like a Jean-Pierre Melville gangster, when he does react it produces a stunning impact, as with the final, beatific little smile which ends the movie. Genevieve Bujold is superb, and Bernard Herrmann's score, his penultimate, is quite the equal of some of his work for Hitchcock.
  • September 1, 2007
    Vastly underrated. beautifully shot by Vilmos Zsigmond, haunting score by the great Bernard Herrmann. the ultimate De Palma homage to Hitchcock. a thriller that follows the same line of Vertigo. ending up in a truly heartbreaking way.
  • October 3, 2006
    Great Hitchcockian thriller from De Palma with a wonderful score by Bernard Herrman.
  • October 21, 2009
    Brian DePalma is the king of all style and no substance. This movie is DePalma's homage to Vertigo except with a sick twist. The film looks great, has amazing photography by Vilmos, and great score by the genius Bernard Herman. This film fails with Paul Schrader's lazy script. *S...( read more)poilers* You see who the bad guy is from a mile away and why he does it. I saw the twist coming but then some sick twisted shit happens to throw you off only to be confirmed later what you thought earlier. I know this sentence is confusing,but when you see this film you will know what I'm talking about. Worth watching,but typical dePalma here, good idea with poor execution.
  • July 17, 2008
    See Brian DePalma channel Hitchcock to make a great thriller, that's slightly twisted.
  • September 30, 2009
    Obsession has many Alfred Hitchcock qualities to it. Such as Bernard Hermman's music, a Vertigo feel with a touch of Dial M For Murder thrown in for good measure.
  • May 6, 2009
    The title Obsession to me is more about De Palmas first venture into trying to master the style and themes of Alfred Hitchcock. De Palma is obsessed with him. He has made a career out of exploring the identity themes Hitchcock masterfully did with films like Psycho, Vertigo and T...( read more)he Man Who Knew to Much. Obsession is more or less a homage to Vertigo. Right down to having Bernard Herrmann score Obsession, incredibly i might add! (this had to of been one of the last films he scored) Its a rather dull attempt on De Palma and co-scripter Paul Schrader's part. That sucks because i was really looking forward to seeing this. Ive held off for a while. But i saw the whole twist comming a mile away. In fact I had it figured out ten minutes in.
    Obsession is not a peice of shit though. Its definatly a very stylish film. Theres no doubt about that. And Cliff Robertson does a damn good job. But the whole execution of the identity theme is rather flawed here. He does manage to succeed in mastering that theme in films like Dressed to Kill and the underrated Raising Cain. But this film is not the best place to start with if your looking to get into Brian De Palma.
  • January 10, 2009
    No thankyou - Not interested.
  • November 20, 2008
    nominated for best picture by NBR
  • June 2, 2008
    Superb acting. Lots of suspense. Great twists.

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  • willerror1
    September 22, 2009
    See OBSESSION on the Turner Classic Movie channel on Tuesday, September 29,2009 at 12:00 AM!

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Obsession Trivia


  • In what movie does Samuel L. Jackson play an insane man who collects comic books and is the cause of hundreds of deaths through his obsession with superheroes?  Answer »
  • Willy Wonka started his obsession with candy because ? In Charlie And The Chocolate Factory.  Answer »
  • Which musical film is this quote from? 'I owe you nothing. And you are nothing to me. Thank you for curing me of my ridiculous obsession with love'   Answer »
  • Which actor has been each of the following roles? - Ladies man, Man's Man, Man About Town. - A Barge Worker - A Jedi Knight - And had a ridiculous obsession with love.  Answer »

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