Featured Audience Ratings

• Luke B

  
  Flavor of Green Tea Over Rice starts with an excellent shot. Riding in the back of a car are two women, one is dressed in modern westernised clothes, while the other is dressed in a kimono. Such a shot perfectly captures many of Ozu's themes. Ozu then strengthens his topics with… More
  Flavor of Green Tea Over Rice starts with an excellent shot. Riding in the back of a car are two women, one is dressed in modern westernised clothes, while the other is dressed in a kimono. Such a shot perfectly captures many of Ozu's themes. Ozu then strengthens his topics with a simple conversation where Setsuko discusses seeing a French movie. Taeko is a bored housewife that insults her husband on a country getaway with her friends and niece. This really offends her niece Setsuko, and when it comes time for a wedding interview Setsuko is terrified that she will end up like her cruel aunt. Taeko's husband Mokichi is a very simple man with great patience. He tries to go along with his wife, but eventually it all becomes toomuch. She doesn't like the way he eats, the way he travels, or the cigarette brand he smokes. If I have one problem with this movie it's that Taeko is the most unlikable of Ozu's characters I have seen. She is simply cruel to an extent that it goes beyond culture/generational differences. Luckily it all adds together for an incredible ending. In true Ozu style, the married couple struggling to make something as simple as rice ignites their love and they decide to really make a go of things. It's really comforting to see a film that avoids all melodrama and rushes to the airports. It proves that subtlety can be a powerful thing.

• Anthony L

  
  I imagine the subject matter and the youthful approach of questioning tradition and the older generation was quite taboo in it's day. Ozu was the master of subtlety though, this was a totally different film of its day and was quite revolutionary when you think about it, yet it… More
  I imagine the subject matter and the youthful approach of questioning tradition and the older generation was quite taboo in it's day. Ozu was the master of subtlety though, this was a totally different film of its day and was quite revolutionary when you think about it, yet it passed almost unnoticed. Unfairly overshadowed by his other classics, Flavor of Green Tea over Rice is a beautiful, honest and magnificently ordinary film by Ozu, for whatever you get out of it, you wont be able to forget the wry ending that reminds us that, whilst there might not be a way of avoiding some of life's cycles, conform but do so with a sense of humour.