Masahiro Motoki, Tsutomu Yamazaki, Ryoko Hirosue

Daigo Kobayashi (Masahiro Motoki) is a devoted cellist in an orchestra that has just been dissolved and now finds himself without a job. Daigo decides to move back to his old hometown with his wife to...( read more  read more... ) look for work and start over. He answers a classified ad entitled "Departures" thinking it is an advertisement for a travel agency only to discover that the job is actually for a "Nokanshi" or "encoffineer," a funeral professional who prepares deceased bodies for burial and entry into the next life. While his wife and others despise the job, Daigo takes a certain pride in his work and begins to perfect the art of "Nokanshi," acting as a gentle gatekeeper between life and death, between the departed and the family of the departed. The film follows his profound and sometimes comical journey with death as he uncovers the wonder, joy and meaning of life and living.

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89% liked it

23,329 ratings

Critics

81% liked it

77 critics

PG-13, 2 hrs. 11 min.

Directed by: Yojiro Takita

Release Date: May 29, 2009

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Flixster Reviews (1,260)


  • September 16, 2009
    "The gift of last memories"

    A newly unemployed cellist takes a job preparing the dead for funerals.

    REVIEW

    Fixating itself on the pretext of death as a strong stigma to the Japanese rather than...( read more) on the necrophiliac titillation possessed by those outside this particular societal circle, "Departures" approaches this issue with credible poignancy made more relevant when seen as a mitigation by director Yojiro Takita and screenwriter Kundo Koyama to a prevailing Eastern taboo. Although slightly undercut by an ultimately predictable script, Japan's Oscar-winning entry for this year's foreign-language film category is thoughtfully expressive, portraying a morbidly incriminating profession with dignified grace.

    Daigo (Masahiro Motoki) is a cellist for a symphony orchestra which disbands after a performance for failing to gather audiences. Having no job, he and his wife Mika (Ryoko Hirosue) move to his hometown in his deceased mother's house where, upon answering a help-wanted ad he mistakes for a travel agency, he ends up as "encoffiner"-in-training, helping his boss Sasaki (Tsutomu Yamazaki) perform a set of ceremonial rites for the dead before cremation. Aware of the social demonizing of such job, he lies to his wife about it until she learns of it anyway and pleads that he finds a "normal job," an appeal he finds tough when he increasingly develops a meticulous fondness for his work.

    Takita's charming and ultimately touching apologetic on mortality charts the disorderliness arising from an individual's social circle while he pursues his sense of purpose, with the titular itinerary suggesting more than the moribund ritual the film's protagonist is subjected to. Thus, it also becomes a plaintive meditation on Daigo's spiritual and moral development as he attends to the various abandonment issues that haunt him (a father who ran off when he was young and a wife that stigmatizes him for his newly found "filthy" career). Ultimately, "Departures" is as much a story of atonement as it is about dealing with mortality; that in order to fully embrace one's existence, it is necessary to cope with death -- both literally and figuratively -- while nurturing the bonds that exist among those who still live.
  • August 23, 2009
    This is a really nice, very very Japanese movie. I was so glad that I brought my mum. The story is fairly simple, but the great acting, writing and backstories add new depths and dimensions to this film. This film will leave you with a series of really poignant snapshots: the han...( read more)dfeel of a stone reminding people of each other, chowing down on fried chicken after a funeral, playing dead for an instructional video... It surprised me how often this movie was very funny. It was as often extremely touching, since it didn't shy away from showing grieving people at thier most vulnerable. Every funeral shown is very different, and I quite enjoyed seeing so many glimses at individual and personal reactions. They all looked very genuine, which added so much to the film. In the end though, Departures isn't about the funerals themselves, but about Daigo's own adjustment to his new profession. He's a great character to anchor the film : at times funny, at times hauntingly tragic and always supportive of his wife, trying to shelter her from the ugly reality of what he's gotten a job doing. It also looked to me like a real snapshot not just of Japanese funerary customs but of Japanese culture in general, since death kind of informs all life. A very sweet, authentic-feeling film. I am so glad to have seen it.
  • July 13, 2009
    This is how I like my movies, a perfect blend of humour and drama.
    And enough room for your own reflections while watching it.
    Beautiful, a definite must see!!!

    ...( read more)ent7.flixster.com/photo/11/88/26/11882685_ori.jpg" border="0"/>
  • April 7, 2009
    Fully deserving of it's Academy Award. Departures begins with an original, funny and moving scene. It captures the perfect tone of the film and also sums up the awkward work these men undertake. It soon turns into a character study of a man who gives up his dream and stumbles int...( read more)o a strange line of work. The beautiful thing about Departures, is seeing how the men are looked down upon for their work, often criticised for profiting from death. However once they have worked their magic people change and see loved ones in a new light. The man whom finally accepts his cross dressing son only after he has passed is particularly affecting. The wonderful symbolism and music also make this film stand out. They are fantastic on their own and also add to the layers of this film. There are moments when the film begins to drag and also the end accidentally becomes too sentimental, but this is a wonderful film that will speak to all kinds of viewers.
  • August 27, 2009
    Perhaps since this just won the Oscar I was expecting more, but I gots to tell you, this film didn't really do it for me. It's nice, but I'm used to Japanese films that are very subtle, so this one seemed so over the top. Swooning orchestral moments and predictable outcomes one...( read more) can see coming a mile away. Still, it is an effective film and I did like it. I guess I was just expecting a masterpiece.
  • November 23, 2009
    Nothing is more sad and yet so beatiful as a funeral. Something that this movie depicts in a touching, slow-paced way. A film about loss, loneliness, taking pride in ones work, and of course about love. Very beautifull love story even thou its not in center of the plotline. Bonus...( read more) is also the cello soundtrack and stunning Japanees landscape.
  • November 18, 2009
    A wonderful and moving film about life near death. Loved it!
  • November 5, 2009
    Los oscares no se equivocaron a galardonar a esta pelicula, como la mejor extranjera.
    Es la historia de Daigo, un violoncelista que forma parte de una sinfonica, pero cuando esta se disuelve, su vida da un giro de 180 grados. No solo decide dejar de tocar el violonchelo, sino que...( read more) se muda con su esposa al campo.
    Empieza a buscar un trabajo, y ve un anuncio que le llama la atencion, pero se da cuenta tarde que no es el trabajo que esperaba.
    A partir de este momento se van desarrollando situaciones chistosas donde Daigo va aprendiendo el arte del "Nokanshi", y le va apasionando cada vez mas.
    Este no es un trabajo cualquiera para Daigo, ya que le esperan muchas sorpresas, negativas y positivas.
    Una mezcla perfecta de humor y de sentimentalismo.
  • October 22, 2009
    Masahiro Motoki's acting was simply brilliant. This movie was both hilarious and heart-wrenching. Gotta watch it to understand. That said, the actress that acts as Masahiro Motoki's wife (Ryoko Hirosue) was terrible. Her acting was so stiff it was painful to watch. Thankfully Mas...( read more)ahiro and Tsutomu Yamazaki more than made up for it. My favourite line in the movie? "It is so good i hate myself."
  • October 2, 2009
    At times excessively maudlin (the director wants tears to be shed) and overacted, this film is still worth checking out.

Critic Reviews


June 18, 2009
Ty Burr, Boston Globe

This is the kind of tastefully poignant drama that asks its audience to confront taboos and then pats them on the back for doing so. full review

June 12, 2009
Colin Covert, The Minneapolis Star Tribune

One of the most shameless examples of emotional manipulation I've seen -- and one of the most effective. full review

May 29, 2009
Pete Hammond, Hollywood.com

This Oscar winning film about death is actually a joyous hymn to life. full review

May 29, 2009
Claudia Puig, USA Today

Though events unravel predictably, the film is profoundly affecting, thanks to a well-written story, rich characters and superlative acting. full review

May 29, 2009
A.O. Scott, The New York Times

Overlong, predictable in its plotting and utterly banal in its blending of comic whimsy and melodramatic pathos. full review

May 28, 2009
Bob Mondello, NPR

Multiplexes are crowded with noisy summer films, from which Departures will represent a sophisticated and elegant departure. full review

May 28, 2009
Roger Ebert, Chicago Sun-Times

The plot involves some developments we can see coming, but they seem natural, inevitable. The music is lush and sentimental in a subdued way, the cinematography is perfectly framed and evocative, and ... full review

May 26, 2009
Marcy Dermansky, About.com

The sweeping music and bucolic landscape serve to heap on the emotion to Takita's already heavy-handed manipulation. full review

May 26, 2009
David Edelstein, New York Magazine

Departures needed a little more work in the morgue -- like cutting to the bone. full review

View more Okuribito (Departures) reviews at RottenTomatoes.com

Comments


  • ekaniki
    April 3, 2009
    very peaceful and touching movie

    i recommend it to everyone :)

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