Daisuke Katô, Eitar? Ozawa, Ganjiro Nakamura

A successful but aging madam of a Tokyo hostess bar realizes that she will soon have to retire.

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91% liked it

823 ratings

Critics

100% liked it

13 critics

Unrated, 1 hr. 51 min.

Directed by: Mikio Naruse

Release Date: June 25, 1963

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DVD Release Date: February 20, 2007

Stats: 76 reviews

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Flixster Reviews (76)


  • June 21, 2009
    a patient, emotional, and highly effective portrayal of the struggle of a virtuous woman in a not so virtuous world. the film features some of the great and familiar actors from this era of japanese cinema and just about every aspect of the film was performed well. the only rea...( read more)l drawback was that the storyline with the main characters brother, a storyline i found myself very interested in, was the only storyline in the film not developed well. the main plot however was developed perfectly and the film gets its point across with beauty. overall an excellent film for any fan of good female leads or japanese cinema.
  • May 26, 2008
    An interesting look at the bar-going subculture of 60's Japan. Not among Naruse's most powerful films, but still a worthwhile film due to the gorgeous cinematography (only the ending of Yearning looks better), a jazzy soundtrack, and a great performance by Takamine.
  • December 20, 2007
    My first Naruse film and certainly wont be my last. He bridges the gap between Ozu's dissection of Japanese women of the time and Kurosawa's entertainment values. A true beauty of a film it is funny, moving but never sentimental. Despite some dark turns the film always keeps it'...( read more)s feet on the ground and never becomes too depressing. The editing is faster paced than some of his peers and it is to Naruse's credit. A wonderfully detailed and fantastically portrayed film with a dozen performances worth a mention as well as some of the most beautiful actresses ever. Simply stunning.
  • July 9, 2008
    like a lifetime movie if the script was taken hostage by a world wearied, beatdown soul with whiskey soaked into every fiber of his body. someone who probably looks like wade garrett.
  • April 30, 2008
    Probably one of the most innovative films of its genre, focusing on the life of the very wealthy and their games and pleasures and merriment. I found this to be very intriguing for one reason in that it does not shoot it to be bleak, but displays its bleakness by acting, for that...( read more), it stands out heavily. The lead female always looks locked in, one reason is the shots which give space but compresses it when indoors, with walls being seen and the shots being very non-dynamic for some reason to create a looming disturbed feeling. The editing was top notch too, very nice, very charming, very well used in relation to the shots. Overall, a really unique movie for its kind where the character really never disappoint your wonderings.
  • March 19, 2008
    Naruse remains one of the most underrated Japanese filmmakers of all time. He is film Connoisseurs' best kept secret. His imagery is luminescent and his strong female protagonists hark back to Mizoguchi. Naruse's talent is his highly idiosynchratic style and brave storytelling. H...( read more)e treads on territory that was often regarded as taboo. Woman Ascends the Stairs is his magical and unforgettable masterpiece.
  • January 5, 2008
    Okay, I'm kind of dumb because at first I thought that "Mama" was referring to "mother" and not a name. Mind you, I got past that pretty quick, but it did throw me for a loop originally.

    Before I go on with the review of the movie, I have to commend the opening credits. Ye...( read more)s, they are really simple, but something about these shadow drawings of locations really proves effective for setting the tone of the movie. Blame it on 1963 artwork, which kind of gets to me, but I really enjoy the hip bass vibe of the film. Now, onto the movie. If an excerpt of my review for this movie would adorn the cover of a DVD release of this movie, I hope it'd be this: "When a Woman Ascends the Stairs is what a Billy Wilder film would look like if Ozu ever got his hands on it." Sure, neither Ozu nor Wilder had anything to do with this film, but they both feel like they had a part in this film. The tone is very much Ozu. It is the business world of Japan. Life isn't grandiose, but really, quite challenging from the day-to-day sense. Japan's rich history and traditions are found here and are just accepted as commonplace in a post-War Western market. The conflicts of oldschool mentalities run deep through this movie. But in another sense, the music and visuals of this film remind you of glamorous Hollywood. The Ginza is a place of showmanship. While those who work there are poor, they must put on the front of luxury constantly. Add a bass line throughout and you have When a Woman Ascends the Stairs.

    Now, what little I have to criticize is my own fault. Despite watching a ton of foreign language cinema, I am still sometimes lost with the customs of the local culture. Should a movie pander to an international audience? Probably not. This movie wasn't shot for an American nerd's sake. After all, I did complain a little when Yakuza had just mounds and mounds of exposition that seemed forced and uncomfortable. But then, there's also the element of pacing. I love Ozu films, but few can deny that they require a lot of engagement and patience. The same is true with Naruse's Woman. It really takes a lot of attention, but if you stick with it, there's a really solid payoff with the movie.

    End of the day, I wouldn't forward this to anyone who wasn't a fan of dry Japanese drama, but overall...it is an absolutely fantastic film.
  • October 6, 2007
    Synopsis: Eventually, all whores must retire of overuse.
  • June 9, 2007
    This movie not only stands as an excellent portrait of a woman trying to make a life of her own while working in the 'mizu shobai'/bar hostess industry but also the situations in which women in Japan have to struggle through: independence, power, duty, and love. Great direction ...( read more)and performances all around, the lead Hideko Takamine herself the portrait of Japanese feminine beauty and grace, especially stands out. Recommended to anybody with an interest in understanding Japanese culture, especially that related to women.

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