Jean Marais, María Casares, François Périer

Written and directed by Cocteau, this allegorical film retells the legend of Orpheus in a contemporary setting. Orphee (Marais) is a successful Parisian poet, whom--despite popular acclaim--feels isol...( read more  read more... )ated and uninspired. When his wife Eurydice (Dea) is stricken down by leather-clad bikers, he pursues them into the underworld, where he falls into a romantic entanglement with the dark-haired beauty Death (Casares). Stunning cinematography and surrealist flairs punctuate this beautiful, hypnotic masterpiece.

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91% liked it

3,155 ratings

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100% liked it

14 critics

Unrated, 1 hr. 52 min.

Directed by: Jean Cocteau

Release Date: January 1, 1950

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Flixster Reviews (170)


  • November 16, 2009
    a modern (or at least 50s paris) retelling with beautifully simple effects; almost as magical as la belle et la bete. wonderfully poetic dialogue. gotta love the death bikers :p i read cocteau wanted garbo or dietrich for casares' part. that's fun to imagine.
  • November 16, 2009
    A modern retelling of the Greek myth of Orpheus and Eurydice. Eurydice dies and Orpheus goes to the underworld to bring her back, with the understanding that he can never look at her.

    I heard raves about this and was excited about seeing it, especially knowing that director Je...( read more)an Cocteau had directed the magical, brilliant La Belle et La Bete. But I was profoundly disappointed in this. Yes, the effects were interesting, but La Belle did them SO much better. The underworld, instead of seeming ominous and threatening, just seemed to be a dark street in a bad neighborhood. And finally, I just didn't buy that these characters had a love that transcended death itself. Vastly overrated. But maybe I'm just missing something.
  • January 15, 2008
    The special effects are what really standout about this really interesting film.

    A precursor to David Lynch, Tim Burton, Rex Meyer and Guillermo del Toro.
  • January 6, 2009
    A beautiful masterpiece. After "La Belle et la Bete" I didn't think it could get much better but I was wrong. Plus those effects are amazing!


    ...( read more)tobucket.com/albums/q156/bozley04/orpheus.gif" border="0" alt="Photobucket">
  • November 16, 2009
    great re-telling of a mytholigical tale in a contemporary setting
  • July 20, 2009
    El cine de vanguardia francés no tuvo en Jean Cocteau a un surrealista, sino a un poeta de las imágenes, y la Trilogía de Orfeo es la muestra de ello.
    En esta segunda entrega el director europeo nos enseña su propia visión de la tragedia griega de Orfeo, aunque ambientada en la ...( read more)Francia de los años 40's.

    Este filme nos presenta la historia de un aclamado poeta que, tras presenciar la muerte de su rival, es llevado junto con el cadáver de éste hasta una mansión por una misteriosa joven, sin saber que se trata de la Muerte.
    Tras perder el conocimiento al tratar de seguir a la joven, Orfeo despierta solo, a mitad de la nada, donde la mansión parece haber desaparecido; aún así, el chofer de la Muerte lo espera estacionado para llevarlo de vuelta a su casa, donde su esposa lo recibe preocupada.
    El poeta reacciona hacia ella de forma violenta y desde ese entonces deja de ser el marido amoroso que ella había conocido y se pierde en sus pensamientos y en su obsesión con la idea de la muerte y con extraños poemas abstractos que se escuchan en la radio del auto de aquella mujer.

    Su esposa, Eurídice, sabía que estaba embarazada y, al ver a su esposo tan extraño, comienza a desesperarse, mientras el chofer de la muerte se vuelve más cercano a ella.
    La muerte entonces, con tal de estar junto a Orfeo, mata a su esposa, violando así el orden de la muerte; es entonces que Heurtebise guía a Orfeo hacia el inframundo, donde los actos de la muerte son juzgados y Eurídice obtiene la posibilidad de ir a casa con su marido con una sola condición: que el no la viera nunca.

    Heurtebise guía a la pareja al mundo de los vivos pero, pese al esfuerzo de la pareja por cumplir la condición impuesta, Orfeo mira a su esposa a través del espejo retrovisor del auto y ella desaparece; es entonces que los seguidores de Cégeste (el poeta que muere al principio) invaden la casa de Orfeo y consiguen que el termine herido. Heurtebise toma al poeta y lo lleva al más allá bajo las órdenes de la Muerte, donde el hombre herido toma a la mujer y le dice que no la dejaría nunca.
    La Muerte entonces manda a Heurtebise con Orfeo hacia el pasado, antes de que él la conociera, y a pesar de que la mujer y Heurtebise son hechos prisioneros, Orfeo y su mujer recuperan su felicidad.

    La cinta de Jean Cocteau nos presenta un buen argumento que, pese a acabar con casi cada posible momento climático, logra mantener la atención del espectador a lo largo de la película; sin embargo, el elemento más destacado de la película es el uso de los efectos especiales que, a pesar de resultar rudimentarios, conservan su impacto y dotan a la película de un toque de misticismo. El trabajo de cámara es notable, con planos bien retratados y un trabajo creativo en lo que a tomas se refiere.

    El director logra llevar la poesía que corre por el filme a la audiencia usando imágenes efectivas y prestando mucha atención a los detalles; es curioso observar el efecto que tiene la obsesión de Orfeo por la muerte y la poesía, que lo llevan a quedar solo pero terminan conduciéndolo a la salvación tanto suya como de su esposa.
    Orpheé resulta una película muy bien lograda, mucho más fácil de disfrutar que su antecesora en la trilogía, y un trabajo seminal para todo el cine fantástico que siguió.

    ****
  • March 4, 2009
    Excellent update (well for then at least) of the Orpheus story. Captivating portrayal of Death by the under-used María Casares. In addition Palpable obsession with Death in this version, there is also a great deal of humor that come through in the scenes where Orpheus must de...( read more)al with the practical ramifications of his bargain.
  • December 25, 2008
    Completely otherwordly, seductive and impressive.
  • December 23, 2008
    Another stunning work of art by a true artist
  • June 27, 2008
    Orpheus(Orphe'e)" is a masterpiece. Jean Cocteau is french poet laureete of cinema, when Luis Bunuel was working on confrontational surrealist assaults like Un Chien Adalou, Cocteau was developing his own surreal film making language, one just as arresting and startling, but with...( read more) a poetic and mythic cohesiveness where Bunuel would place an absurdity. Visually, I really cant say enough, it was just stunning even by modern standards, I had to rewind several parts, just to see them again before I could go on. The marriage between poetry, comedy, surrealism is blurred her into a distinct hybrid myth and fairy tale. A poet discovers Death or at least an agent of Death has fallen in love with him and wants to take him to other side, he resists of course, and eventually his wife is taken, leading to a journey into the world of mirrors (for in mirrors one can see Death's hand working). A great film that resonates on numerous levels and glows with intriguing concepts, mesmerising trick photography, and a mythic scope funneled through a modern landscape. Brilliant. Recommend

Critic Reviews


January 1, 2000
Roger Ebert, Chicago Sun-Times

Seeing Orpheus today is like glimpsing a cinematic realm that has passed completely from the scene. full review

View more Orphée (Orpheus) reviews at RottenTomatoes.com

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