Arif Herati, Gol Rahman Ghorbandi, Marina Golbahari, Mohamad Haref Harati, Mohamad Nader Khadjeh ...( see more  see more... ) , Zubaida Sahar

Inspired by a true story, a tale which centers on three generations of women, deeply affected by the advent of the Taliban's rule in their land. Golbahari, a 12-year-old Afghan girl and her mother los...( read more  read more... )e their jobs when this new regime closes the hospital where they work. As the Taliban has already begun to take over Afghanistan, the country's women find themselves forbidden to leave their houses without a 'legal companion'--specifically, a boy or a man. With both her husband and brother dead, there is no one left to support the family--and without being able to leave the house, this mother is left with nowhere to turn. Feeling that she has no other choice, the mother--along with the grandmother--disguises her daughter, Golbahari, as a boy. Now called Osama, the girl embarks on a terrifying and confusing journey as she tries to keep the Taliban from finding out her true identity.

Flixster Users

88% liked it

6,209 ratings

Critics

96% liked it

100 critics

PG-13, 1 hr. 22 min.

Directed by: Siddiq Barmak

Release Date: February 6, 2004

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DVD Release Date: April 27, 2004

Stats: 491 reviews

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Flixster Reviews (491)


  • January 20, 2008
    The first entirely Afghan film shot on home soil since the rise and fall of the Taliban. A profoundly moving and unforgettable film based on a true story that demonstrates the power of art to enlighten and entertain. A film of a grand social and human relevance.
  • August 4, 2007
    A miserable look at a girl named Osama living in the Taliban as a boy; what a crappy existence, but a well-made film.
  • September 18, 2006
    The first movie filmed in Afghanistan since the fall of the Taliban. This movie is an all too familiar story of Widowed Afghan mother who is so desperate to feed her family she sends her eldest daughter as a boy to support the family.
  • August 24, 2009
    Good movie, but I didn't like the way it ended. But that doesn't take away the great acting performance of Arif Herati. Her character Golbahari is told by her mother and grandmother to disguise herself as a boy so she can get a job and bring home the bacon. But in the process...s...( read more)he's recruited by the Taliban. Does her secret and disguise work? You'll have to watch to find out.
  • May 31, 2009
    There was no need to give an account of the plot of the film, the simplicity of the brutality that was brought upon the Afghan people by the Taliban did not need many words to convince anyone.
    Writer/director Siddiq Barmak had put non-professional actors to bring the tale to life...( read more). All of them did a remarkable job, especially young Marina Golbahari, who captured the terror of her character with such precision.

    This film was a warning that there must be no more regimes such as the Taliban in Afghanistan. I hope this film will wake up people around the world to demand that women should have equal rights just as man, and to dress however they pleased no matter what country they live in. That's my opinion.
  • October 27, 2009
    Incredibly moving movie. I have never cried so hard in a movie
  • September 30, 2009
    I completely understand this movie's power and meaning, but I wasn't feeling it. The protagonist was literally risking her life whenever she stepped outside, but I swiftly became fed up with her. I never sympathized because she was too whiny. However, I liked the conclusion. Not ...( read more)because I'm a sadist, but because it made sense and packed a small punch.
  • September 18, 2009
    It stayed in my soul forever. Learn from it; open your eyes and realize what the world is going through everyday, and value the things you won and use the most! Enjoy life and learn how to respect... and pray.

    80/100
  • August 13, 2009
    the story really caught me, and the acting was good, too, but the filming wasn't so great.
  • April 14, 2009
    Widely advertised as the first film to be made in Afghanistan after the overthrow of the Taliban, director Siddiq Barmak brings his documentary filmmaker skills to the ruined streets of Kabul to tell the story of a young girl struggling to survive.

    Marina Golbahari plays the par...( read more)t of a 12-year old whose mother is struggling to find enough money to feed the family - her husband and brother were killed by the Russians, she has not been paid for some time, and the hospital in which she worked is now closing. Golbahari was actually found begging on the streets and had never seen a film or television. Other actors in the film were discovered in refugee camps or on the streets.

    The characters in the film are often stripped of their names - this is a society in which the Taliban stripped people of their identity, demanding instead that they become mere ciphers who obeyed rules and followed prescribed dictates like automatons. Barmak says he chose to call the film "Osama" not so people would think it was about bin Laden, but because he sees bin Laden as responsible for stripping away the identities of ordinary Afghanis.

    The girl dresses as a boy so she can work and earn enough to feed the family, but she is coerced into school to learn the Koran - when the other pupils accuse her of being a girl, one boy stands up for her and announces that her name is Osama, hoping it will instil fear into the others.

    Barmak exposes the violence of Taliban society and its destruction of identity. The Taliban banned pictures, and Barmak himself had to flee from Kabul. He portrays a city in which journalists are executed for taking photographs, women are blamed for arousing men and are forced to cover themselves from head to toe and remove themselves from male society. Even domestic life is policed to enforce rigorously puritan standards, all in the name of salvation and the word!

    This is a superbly shot, superbly performed piece - especially given the provenance of the actors. There is no glamour here, merely a brutal reality which contrasts with the flaccid trivia which so often appears on commercial Western screens.

    Afghanistan, of course, has no oil, so no one is rushing to pump aid into the country. It does occupy an important strategic position, so for centuries powerful nations have striven to occupy it and control movement across it. "Osama" is not a film which offers much in the way of hope. It is a film in which you have no problem sympathising with the girl. But it's a film which exposes the gulf of cultural dissonance between Kabul and the Western world and one which emphasises the sense of powerlessness to which Afghanis are exposed.

    Here, nothing can be taken for granted. Women have to plan the day so they can be accompanied by a male relative if they need to go anywhere. They have to apologise for their existence and their corrupting influence on males. They are powerless, turned into amorphous blue shadows of themselves.

    Barmak's technique - hand held camera and a documentary style - fractures the lives of the women into disjointed episodes. The girl has no control over her own narrative - she is thrown where male society (or the filmmaker) will cast her. Her life spirals out of control. At best she gets through another day with another mouthful of bread to sustain herself.

    A fascinating, bleak, but thoroughly absorbing film, and one which challenges your preconceptions and assumptions.

Critic Reviews


March 11, 2004
Colin Covert, The Minneapolis Star Tribune

Shot on the ruined streets of Kabul, it has the urgent impact of a documentary, but it is a work of poetic vision. full review

February 26, 2004
Steven Rea, Philadelphia Inquirer

Heartbreaking stuff. full review

February 20, 2004
Liam Lacey, Globe and Mail

The film, a simple tale of a girl who disguises herself as a boy, begins with a Nelson Mandela quote: 'I can't forget but I can forgive,' is designed to ensure the audience won't forget either. full review

February 20, 2004
Roger Ebert, Chicago Sun-Times

Imagine if we could see films from previous centuries -- records of slavery, the Great Fire of London, the Black Plague. Osama is like a film from some long-ago age. full review

February 16, 2004
David Edelstein, Slate

What you see isn't surprising, but living through it -- experiencing the cruel and arbitrary justice of the Taliban through a 12-year-old's eyes -- puts a knot in your stomach that lasts beyond the fi... full review

February 16, 2004
Marcy Dermansky, About.com

I wanted to scream at Osama: Look, your life is at stake, stop crying and climb the tree like a boy! full review

February 5, 2004
A.O. Scott, The New York Times

Siddiq Barmak's film is the first feature made in Afghanistan since before the rise of the Taliban an impressive achievement made more so by the director's sure and subtle artistry. full review

December 20, 2003
Nick Schager, Filmcritic.com

"Minimalist visual compositions are characterized by a clear-eyed austerity and realism." full review

View more Osama reviews at RottenTomatoes.com

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