Otoshiana (Pitfall) (1962)
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100% of critics liked it
(5 reviews) -
91% of users liked it
(756 ratings)
Mysterious goings-on twist and turn this effective but slightly uneven drama of murder and intrigue into a Gordian knot, skillfully woven by director Hiroshi Teshigahara. One day an impoverished miner is taken aback when he notes that he is being followed around by some stranger dressed in white. He… More Mysterious goings-on twist and turn this effective but slightly uneven drama of murder and intrigue into a Gordian knot, skillfully woven by director Hiroshi Teshigahara. One day an impoverished miner is taken aback when he notes that he is being followed around by some stranger dressed in white. He and his son run away from the haunting vision, and the miner eventually gets sent on a job to a specific village. When he arrives with his son, he discovers that there is only one woman living in the village and suddenly the man in white shows up and murders the miner. His son witnesses the act but is not seen himself. Then the killer pays off the woman to identify the murderer as a union leader, while the victim himself is passed off as a rival union leader -- whom he uncannily resembles. From that point onward, the plot thickens considerably as the two real union leaders start to investigate the tragedy. ~ Eleanor Mannikka, Rovi
- Directed By
- Hiroshi Teshigahara
- Genres
- Drama, Art House & International, Science Fiction & Fantasy
- In Theaters
- Jul 1, 1962 Wide
- Studio
- Criterion Collection
Critic Reviews
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Jonathan Rosenbaum, Chicago Reader
Teshigahara's visual flair, evident in his sculptural use of wastelands and remarkable superimpositions, is matched by the singular assault of Takemitsu's unorthodox score.
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John Berra, Electric Sheep
Teshigahara employs simple but effective superimposition in order to visualise the realm of the afterlife.
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Fernando F. Croce, CinePassion
Teshigahara's wide-swinging yet precise visual vocabulary jolts any hint of staginess into strange cinematic life
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James Kendrick, Q Network Film Desk
There is something uneasy underlying the entire film, and watching it is not unlike stepping into a dream in which not everything makes perfect sense, but every detail commands your absolute attention.
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Matt Bailey, Not Coming to a Theater Near You
One of the most successful teams in Japanese film was that of director Hiroshi Teshigahara, screenwriter Kobo Abe, composer Toru Takemitsu, and cinematographer Hiroshi Segawa.
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Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
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Cast
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Hisashi Igawa
as Miner
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Kazuo Miyahara
as Son
- Sumie Sasaki
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Kunie Tanaka
as Murderer