[font=Arial][color=DarkRed]Ghost Town - It seems the genesis for this flick was like someone asked what [i]The Sixth Sense[/i] would be like with jokes (or someone rented [i]Topper[/i] and said, "Why not again?"). The idea of a misanthropic man who sees dead people is… More
[font=Arial][color=DarkRed]Ghost Town - It seems the genesis for this flick was like someone asked what [i]The Sixth Sense[/i] would be like with jokes (or someone rented [i]Topper[/i] and said, "Why not again?"). The idea of a misanthropic man who sees dead people is elevated by the sheer comic genius of star Ricky Gervais. The famous British comedian is better known across the pond for his dry, sarcastic wit and penchant for awkward, pained comedy, but [i]Ghost Town[/i] is a great mainstream introduction to the comedic chops of this squat Englishman. The film follows a familiar trajectory and even introduces a romance for the man who loathes other people, but Gervais and co-writer/director David Koepp make it worthwhile and endearing. I could watch Gervais and his beaming co-star Tea Leoni crack each other up for hours. The comedic premise is finely explored (there are more than enough scenes of people looking odd at Gervais talking to himself). The movie tilts toward being a supernatural romantic comedy in the second half but manages to stay snappy and character-driven. It's a sweet movie with some nice comic jabs that don't dwell on nastiness. [i]Ghost Town[/i] is a charming and engaging light comedy that might cause a few sniffles in between chuckles. I have a warm place in my heart for this movie.
Nate's Grade: B
Burn After Reading - The Coen brothers tend to follow serious works with silly, and now that they have a heap of Oscars from 2007's [i]No Country for Old Men[/i] audiences can expect extreme silliness. [i]Burn After Reading[/i] is a farce in the best sense of the word; it's a send-up of the spy thriller where morons inhabit every role. The incompetent characters repeatedly act impulsive and the whole movie's tone is cranked to outlandish heights. The score by Carter Burwell is like a continuous thundercloud that underscores the ridiculous and faux ominous atmosphere. The Coens have been accused of ridiculing their characters and being too detached and clinical as screenwriters. I do not believe this for a moment. Anyone who watches [i]Burn After Reading[/i] can tell that the Coens love their characters, especially Brad Pitt's ebullient personal trainer. Pitt is a comic joy and brings fresh life to his fun character, a highly cheerful doofus who can't stay still. Even the funky way Pitt walks is worth a giggle. [i]Burn After Reading[/i] takes some surprising twists and turns and could have been much longer than 96 total minutes. The Coens go to such terrific lengths establishing great oddball characters and great comedic scenarios, and then the whole movie just comes to a close when it feels like it's hitting another gear. Still, [i]Burn After Reading[/i] may be no masterpiece but its yet another unconventional and mostly entertaining comedy from the reliably quirky Coen brothers.
Nate's Grade: B+
Over Her Dead Body - This is abysmal comedy from beginning to end. It peaks in the second minute when Eva Longoria-Parker's shrewish character is killed by a large angelic ice sculpture. It's all down hill from there, my friends. Longoria-Parker stars as a deceased bride who won't let her still-living fiancé (Paul Rudd) find happiness. The bland comedy could have more accurately been retiled, "Cockblock from Beyond the Grave" (it was at one time titled [i]Ghost Bitch[/i]). I have no idea why Rudd is apart of this travesty and seeing him do his trademark smirk and shoulder shrug just made me weep. The comedy is nails-on-the-chalkboard obvious. There is nothing smart, clever, or interesting within any of this movie's 95 minutes. Writer Jeff Lowell ([i]John Tucker Must Die[/i]) felt the need to direct as well because surely there was no one else on this planet that could interpret his artistic vision. Longoria-Parker is powerfully obnoxious and egotistical until her last-minute personal epiphany that others deserve to be happy too. What did Rudd ever see in this ghost bitch?
Nate's Grade: D
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