[size=3][color=black]Believe it or not, Paprika is the first Japanese anime film I've ever seen. I am in the Big Brother program in NYC, and I've been recently befriending a 14-year-old boy who's obsessed with anime.[/color][/size]… More
[size=3][color=black]Believe it or not, Paprika is the first Japanese anime film I've ever seen. I am in the Big Brother program in NYC, and I've been recently befriending a 14-year-old boy who's obsessed with anime.[/color][/size]
[size=3][color=black][img]http://movie.yesky.com/movie/cover/402/6902_356356.jpg[/img][/color][/size]
[size=3][color=black]He told me I [u]had[/u] to try out some anime. So I was very excited when I saw that there was a new anime film in theatrical release in NYC. I also appreciated the hallucinatory quality of the print ads for this film, so I thought I'd be in for a treat. [/color][/size][size=3][color=black]I was pleased with what I found, but not bowled over. Paprika is the story of a group of scientists studying dreams and the dreaming process. They have developed an implement, called the DC Mini, which clips onto someone's head. While the person sleeps, a researcher can watch the person's dreams play out in the form of a movie on a laptop. [/color][/size]
[size=3][color=black]A completely preposterous idea, but I still found it interesting, if only as a thought experiment. Wouldn't it be fascinating if people's dreams could be rendered in visual format for other people to see? What you'd see![/color][/size]
[size=3][color=black]Things go awry when the senior scientist has a hallucinatory episode and jumps out a window. He survives and is studied by his students, who determine that somehow he is trapped inside someone else's dream. Someone has projected their dream into his head. This is also completely ridiculous, but still I was willing to go with it, because it was pretty fascinating to consider the idea of a person being inside someone else's dream.[/color][/size]
[size=3][color=black]The central drama surrounds the struggle to find out who has done this to the senior researcher, and of course along the way the filmmaker occasionally blurs the line between dreams and "reality."[/color][/size]
[size=3][color=black]A subplot has to do with movies themselves, a self-referentiality that is explored all too rarely in cinema today. Movies are presented as a sort of waking dream. People go into a movie theater, it is suggested, to go inside someone else's dream. A movie director essentially is bringing you into his or her dreams.[/color][/size]
[size=3][color=black]This of course is not a new idea. Hollywood has long been called the "dream factory." But this has mostly treated the movie as a piece of machinery that would [u]create[/u] dreams, insofar as the movie would cause the viewer to drift into a dream of their own. [/color][/size]
[size=3][color=black]In the mind of the Paprika filmmaker, [b]Satoshi Kon[/b], the movie is the dream. A director first has a dream and then uses sets and actors to paint the picture of that dream, much like the DC Mini device does in Paprika. We watch movie screens the way the researchers in Paprika watch dreams on laptops.[/color][/size]
[size=3][color=black]Another subplot is quite intriguing but isn't explored rigorously. This involves the title character, Paprika, who appears in dreams. The strange thing is that she appears in dreams of several different people, as if occupying a collective dreamscape that all dreamers tap into when they fall asleep.[/color][/size]
[size=3][color=black]But it turns out that Paprika is the alter-ego of one of the female scientists. It is never explained how this scientist has found a way to enter other people's dreams.[/color][/size]
[size=3][color=black]But this film was not designed to answer questions. It was dreamed into existence more to pose interesting questions than to answer them. It doesn't take itself too seriously and isn't very rigorous. It wants to have fun first and foremost and to meditate to some degree on the still murky phenomenon of human dreams.[/color][/size]
[size=3][color=black]Paprika is rated R, but I don't understand why. It does operate at an adult level, but there's nothing pornographic, violent, or particularly disturbing about it. If a 12-year-old is smart enough to be inclined toward anime, I see no reason why he or she shouldn't be taken to see Paprika.[/color][/size]