Paradise Lost - The Child Murders at Robin Hood Hills (1996)
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96% of critics liked it
(25 reviews) -
91% of users liked it
(6,530 ratings)
Following their acclaimed documentary about a controversial death in a small town, Brother's Keeper, filmmakers Joe Berlinger and Bruce Sinofsky, explore another criminal case with even more complex strands. When the mutilated corpses of three eight-year-old boys are found near a wooded stream… More Following their acclaimed documentary about a controversial death in a small town, Brother's Keeper, filmmakers Joe Berlinger and Bruce Sinofsky, explore another criminal case with even more complex strands. When the mutilated corpses of three eight-year-old boys are found near a wooded stream in West Memphis, AR, suspicion falls on a trio of young men, Jessie Miskelly Jr., Jason Baldwin, and Damian Wayne Echols. Stories that the men listened to hard rock music and fashioned themselves satanists fueled speculation of their involvement in the crime. Unlike Brother's Keeper, in which the citizens of the upstate New York town rallied to protect one of its own, an elderly man accused of killing one of his siblings, Paradise Lost portrays West Memphis as split on the question of guilt. Berlinger and Sinofsky offer equal time to both sides, but as this long and absorbing film rolls on, it becomes clear that they're skeptical of the prosecution's case, especially because it rests so heavily on an confession extracted from the mentally challenged Miskelly, and suspicious of the stepfather of one of the victims, who seems to relish the spotlight a bit too much. Paradise Lost 2: Revelations, a sequel, follows the case deeper into the appeals process. ~ Tom Wiener, Rovi
- Directed By
- Bruce Sinofsky, Joe Berlinger
- Genres
- Documentary, Special Interest
- In Theaters
- Jun 1, 1996 Wide
- Studio
- Docurama
Critic Reviews
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John Semley, Slant Magazine
The trilogy proves as compelling in its warts-and-all portraiture of backwater America as its more subtle explorations of the limits and capabilities of the documentary form.
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Louis Proyect, rec.arts.movies.reviews
In light of the recent freedom of the 3 victims of a 20th century witch trial depicted in the film, this powerful documentary becomes essential viewing.
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Pablo Villaca, Cinema em Cena
Um documento histórico chocante que, ao lado do clássico The Thin Blue Line, expõe as falhas grotescas do sistema judicial norte-americano.
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Joe Utichi, FilmFocus
A disturbing and incredibly difficult film to watch, but it's a fine example of documentary filmmaking done right and it'll blow your mind.
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Philip Martin, Arkansas Democrat-Gazette
Like an exploded mirror, it dazzles unexpectedly, catching all kinds of crazy angles. It is hard to watch, and beautiful.
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