Paris Nous Appartient (Paris is Ours) (1960)
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89% of critics liked it
(9 reviews) -
64% of users liked it
(714 ratings)
Paris Nous Appartient begins at the end-with a mysterious suicide. Curious as to why a young Spaniard would take his own life, Betty Schneider visits many of the places frequented by the dead youth. She learns from theatre-director Giani Esposito that the suicide victim was part of a sinister… More Paris Nous Appartient begins at the end-with a mysterious suicide. Curious as to why a young Spaniard would take his own life, Betty Schneider visits many of the places frequented by the dead youth. She learns from theatre-director Giani Esposito that the suicide victim was part of a sinister international conspiracy. She further learns from American-expatriate Daniel Crohem that Esposito has also been targeted for persecution by the conspirators. By the time Schneider realizes that the conspiracy was merely a figment of the neurotic Crohem's imagination, the terrified Esposito has killed himself. The intrigues of the plot take second place to the film's centerpiece: an eternally-in-progress stage production of Shakespeare's Pericles, Prince of Tyre. Now regarded as one of the pioneering efforts in the French "New Wave" movement, Paris Belongs to Us was also the first feature-length effort of director (and former critic and film theorist) Jacques Rivette. ~ Hal Erickson, Rovi
- Directed By
- Jacques Rivette, Denis Héroux
- Written By
- Jean Gruault, Jacques Rivette
- Genres
- Drama, Musical & Performing Arts, Art House & International, Mystery & Suspense
- In Theaters
- Jan 1, 1960 Wide
- Studio
- Criterion Collection
Critic Reviews
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Variety Staff, Variety
All this is overblown, making it pretentious, slow-moving and fairly confused. It takes much too long to tell its over-complicated story.
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Trevor Johnston, Time Out
By no means this great filmmaker's best, it's still an auspicious beginning.
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Jonathan Rosenbaum, Chicago Reader
Jacques Rivette's troubled and troubling account of Parisians in the late 50s remains in some ways the most intellectually and philosophically mature of them as well as one of the most beautiful.
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Dennis Schwartz, Ozus' World Movie Reviews
Despite its frustrating use of vague suspense and being overblown, Rivette's debut is sound both intellectually and philosophically.
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Philip French, Observer [UK]
The movie is a time capsule that is worth opening up to sniff the mood of its age.
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Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
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Cast
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Betty Schneider
as Anne Goupil
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Gianni Esposito
as Gerard Lenz
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Francoise Prévost
as Terry Yok
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Francois Maistre
as Pierre Goupil
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Jean-Claude Brialy
as Jean Marc
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Jean-Marie Robain
as De Georges
- Paul Bisciglia
- Jean-Pierre Delage
- Jean Martin
- Henri Poirier
- André Thorent
- Claude Chabrol
- Jacques Demy
- Jean-Luc Godard
- Elly Stone
- Jacques Brel
- Joe Masiell
- Mort Shuman